There's a more than satisfactory amount of boom-boom in the movie's trim running time.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Well the end of a trilogy and also the end of a cycle or whatever you want to call it. Apparently the newest entry after this (movie number 12 by the way, which is called "Littlest Reich") will be a reboot. And it's funny because there will be an original cast member (at least), although Barbara Crampton did not have a character name in the very first Puppet Master.But back to this one. This concludes a trilogy within the franchise and as I and probably others have stated before you could have told the story in one movie, but they stretched it over 3. Puppetry is good, though I'm not as impressed as I was with the first one. While the budget restrictions probably are the same, the very first one was way back ... Anyway there are worse movies (even in this franchise) and if you want to have a complete overview of things (like me), you'll probably watch it, even if it doesn't matter to the next one ...

The 11th installment, the 5th film in chronological order, and the final in the Axis Trilogy. Although this is by no means a brilliant film, it is the best (by far) in the series since the original. This installment has a much darker tone than the stupid, comical 'Axis Rising', and has a lot more depth. Indeed a vast improvement on the previous Axis films. The acting and dialogue are much better, as well as the effects and tension. The puppets also look much better and are livelier, having been so stocky in previous films. In this installment Captain Brooks (Paul Logan) and a group of people with special powers battle against Nazi wizards to gain control of the puppet serum that is quickly running out. Nazi Puppets Wehrmacht, Bombshell and Blitzkrieg are back, as well. Unfortunately, I found the lighting in the film to be very poor. Hunky Paul Logan makes the film a lot more watchable, as well...

The entries in this much beloved franchise have always been hit or miss, the whole "Axis" chapters, which have spanned over three full length movies, (and a webisode series, which this movie collects)has gotten a little dull, and the story is wearing thin. I mean, how many times can you keep sending the puppets after Nazis? The acting in this series has never been top notch Oscar winning stuff either, and with this, its not different. The acting is all over the place, hanging from terrible to just OK. The fight scenes also, specifically the ones involving the puppets, are pretty bad and silly looking as well. The horrible "Robert" series, which presently has three movies in it, ripped this whole story line off with "Robert and the toy maker" to better effect.

Some idiot on here had the gull to claim this one was the worst since The Legacy and that just baffles me. Of course, we're all free to have our own opinions on these things, but that sort of statement makes nearly no sense at all. This entry is a stylish, well-written, well-acted and incredibly fun flick that delivers in ways the franchise hasn't been able to in a long while. The plot centers around the puppets being caught in the middle of a battle between Allied forces and the nazis once again, with the primary players in the fight being Nazi telepaths (Tonya Kay and Kevin Allen Scott) and the mystic Dr. Ivan Ivanov (George Appleby) and American soldier Brooks (Paul Logan).Beautifully shot by Howard Wexler and saturated in Mario Bava-esque hyper colorful lighting schemes, this is probably the most stylistically ambitious film in the series thus far. The screenplay by Roger Barron is also a step above average, offering some shockingly good dialogue and character dynamics. The characters feel real enough for us to care about, while still maintaining the pulpy tone that the Axis films have been aiming for. It also benefits by having the best villains in the series since Richard Lynch's turn as Major Kraus in Toulon's Revenge. Kevin Allen Scott and Tonya Kay manage to chew the scenery while still delivering strong performances. No one is phoning it in here. Needless to say, Paul Logan's trademark B-movie tough guy schtick makes him pretty easy to route for.If I have any complaints, it's that some of the puppets look pretty poor (Blade especially) and the climax is more than a little rushed. But these two minor quibbles do very little to sway my opinion. Axis Termination is an immensely satisfying installment in the series, something it hasn't had in a very very long time.