Princesses
Princesses
| 02 September 2005 (USA)
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Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.

Reviews
Sexylocher

Masterful Movie

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Libramedi

Intense, gripping, stylish and poignant

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Chirphymium

It's entirely possible that sending the audience out feeling lousy was intentional

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PiraBit

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

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klsmith-49770

The film Princesas premiered in 2005, directed by Fernando León de Aranoa who was also the screenwriter ("Princesas"). León de Aranoa is a Spanish filmmaker who studied Imaging Science at the Complutense University of Madrid. He is also well known for his films: Mondays in the Sun, Family, Barrio, and A Perfect Day. In 2002, he won the Concha de Oro at the International Film Festival of San Sebastian. In 2003, he received a Goya Award for Best Film and for Best Director. In 2016, he also won the Goya Award for Best Adapted Screenplay. Overall, León de Aranoa's films focus on the unfortunate social realities of Spanish Culture ("Fernando León de Aranoa"). Princesas is no different in this aspect. In Princesas, Candela Peña plays the role of Caye. Peña has been in many films but is best known for her roles in the movies: All About My Mother, Princesas, and Take My Eyes ("Candela Peña"). The other main character, Zulema, is played by Micaela Nevárez, an actress from Puerto Rico whose first film was Princesas, with which she won the Goya for Best New Actress ("Micaela Nevárez"). Both play the roles of prostitutes in Madrid, Caye a native Spaniard and Zulema an immigrant from the Dominican Republic. They meet one day by accident when Zulema is with one of Caye's clients. Because of this immediate conflict which is matched by the already existent tension between immigrant prostitutes who work on the street and Spanish prostitutes whose role is a bit more hidden, their relationship starts off rocky. However, they quickly become friends after Caye discovers Zulema in trouble. The film focuses on their relationship but also on many other relevant themes. Starting in the 90s, immigration to Spain became a very big commonplace especially from places like Latin America and the Caribbean during their rising economic hardship. Furthermore, in Spain, thirty nine percent of men have had an experience with a prostitute at some point in their life and there are about 300,000 prostitutes that work in Spain. This is possibly due to the idea of prostitution as a freedom that the people were deprived of during the regime of Francisco Franco (Fotheringham). Princesas' plot takes place within the backdrop of these concepts. Throughout the film the song "Me Llaman Calle" by Manu Chao continues to play and bridges the gap between Caye and Zulema. Although Caye is a prostitute, she comes from a middle class family and isn't one of the "street prostitutes". She and her friends sit in a hair salon waiting for johns to call during the day, while other prostitutes who they consider to be below them like Zulema work out in the street. Although Caye's name is "street" just spelled differently, Zulema literally is a representation of the streets. One part of the song translates to "they call me whore, princess also, they call me street, it's my nobility." Another part of the song transmits the idea that one day good men will come looking for them for the rest of their lives without paying for them. There is a point when the girls find a couple guys at a bar and seem to actually like them. When they walk away Caye asks Zulema if she's going to charge the man and Zulema responds by saying "no, today we aren't whores, today we're princesses." Although some may look at this with a negative connotation of girls who need men to save them, in my opinion it's a moment of hope within a film that demonstrates a very dark reality. The idea of being "princesses" instead of "whores" allows them to be people instead of objects. This song provides a successful transition from many different points of the film and helps the viewer to connect with the music, the movie, and the characters. By providing a sense of familiarity with context, it helps the viewer understand what they should feel. Overall, Princesas does a good job of demonstrating the difficult reality and context of prostitution, immigration, and discrimination in Spain by pulling the viewer in to feel emotionally connected and compelled to do something about the problems. There are many difficult scenes to watch including but not limited to one when Caye is on a date with a man that she really likes and goes to the bathroom. She's followed by a man who knows she's a prostitute and demands sex from her. From the audience's perspective, it's especially difficult to accept what is happening because moments ago they were given hope that Caye's lifestyle could be changing. When the man enters, hope is lost and the viewer is returned to the cruel reality. Another especially difficult scene takes place in the hospital after Zulema decides to get checked out. She is called in to get her results and immediately collapses to the ground. She appears to be in an immense amount of emotional pain and it can be assumed that the results were of grave nature. These scenes along with others aren't exactly the most enjoyable moments, but they're crucial. Princesas is worth seeing once the context is understood. However, for those simply looking for an easy movie to watch for fun, it may not be the best option. It's a serious film that deserves real thought and reflection.*In writing this review, I accessed other sources to find contextual information in order to improve the content. These sources are cited parenthetically and the Works Cited is below, however due to formatting requirements the links had to be omitted. Works Cited"Candela Peña." IMDb."Fernando León de Aranoa." Spain is Culture, Fotheringham, Alasdair. "Spain, the world capital of prostitution?" The Independent, 5 Dec. 2010. Accessed 6 May 2017. "Micaela Nevárez." IMDb. "Princesas." IMDb.

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Srinivas G Phani

Prostitution is an interesting subject dealt countless times since the invention of motion picture. Sometimes in a humorous tone, often dark, a few times melodramatic and sometimes as oppressed. But Spanish director Fernando Leon De Aranoa's Princesas takes on an altogether new and different platform with equal doses of all these genres. Clubbed with chart-topping music, engaging cinematography, and real awesome acting, Princesas is one of Spain's finest and the best two hours one can have.The screenplay and story are fresh and tackle prostitution from a different view-point. There is racism, rape, communicable diseases, family problems, want of money and love stories. All in the bag but none is made the center-of-focus. The focus always remains the relationship between two prostitutes and how they, despite being from different backgrounds, come close due to the similar situations they find themselves stuck in.There is hardly any boring moment throughout. The screenplay twists and turns effectively. The character of Caey's boyfriend is very well developed. Their first date, the scene in the bathroom, 'picking up after work' are very well written and executed but what is marvelous is the character's culmination. Mutely looking at each other in the ugly situation, coping up with their flaws and losses, Candela Pena and Luis Callejo are just terrific in this scene. But what made the film for me was Micaela Nevarez' performance. The fact that she has acted in just two films baffles me. He character was strong and meaty and she uses the opportunity effectively.Candela Pena has a charming screen presence and shares an enticing chemistry with Nevarez. She is nature to the core and makes us laugh and sympathize with her at the same time. Her scenes with her family and her mother are another highlight. The background score is gritty and nerve- raising but what steals the show in the end are the two songs by Machu Pinnu. They are meaningful, hummable and bring the fun-factor. Fernando takes a commercial approach & doesn't bother to make any social commentary. The film is realistic, fun, sad and entertaining. The center of the film is always the two characters (the princesses) dealing through their shortcomings and the sort of work that earns them their living.The film is filled with numerous story lines and undercurrents that happen simultaneously and depicts the lives of two odd prostitutes in Spain to near perfection. It is delightful to watch, hard-hitting at places, realistic but amusing, entertaining and tells a wonderful story. A strong 8 on 10.

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paul2001sw-1

'Princesses' is a nicely-realised story of a number of Spanish prostitutes. It portrays them as human and focuses on the idea that most of them simply want the same things in life as anyone else, in spite of their unorthodox career choice. It's surprisingly inexplicit in content, which makes it easier to go with the story but which also slightly softens it; the actual quality of these women's work is shielded a little from us, we see one women abused by a particular client, but not the reality of life on the streets hour after hour. Finally, I thought the story ran out a little before the end. But I still liked the movie, a tender and sensitive portrait of lonely souls.

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victorsolberg

I watched this movie in the cinemas in Madrid, and I was pleasantly surprised. Not haven seen or heard anything about the movie, except for the posters, I did not know what to expect.This movie is about the lives of prostitutes, and is not groundbreaking in selection of topic. The manner, in which it is portrayed, however, is perfect. Not being caught up in the American standards, Fernando León de Aranoa has gone his own way, making Princesas a great, original movie. When that has been said, it does contain a few clichés that keeps this movie from reaching it's full potential.Candela Peña fits perfectly in the role of Caye, and she does an amazing job conveying the emotions of her character to the audience. Even more so this time than she did in 'Todo sobre mi madre'. In one of the last scenes, she is on a date with a guy she hit it off with (that does not know what she do for a living), and the feelings she displays... It makes you wonder how the crappy Hollywood actresses (of course not all of them) got their jobs, considering there are others out there, who just leave them in the dust.If you're looking for a realistic movie about prostitution, or just a story to live yourself into - take a look at this.

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