Thanks for the memories!

Simple and well acted, it has tension enough to knot the stomach.

One of the most extraordinary films you will see this year. Take that as you want.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

When Judy sings, its great. When she doesn't its average. This was originally intended as a straight dramatic vehicle for Lana Turner but when she proved unavailable it was retooled for Judy. Designed to move her forward towards adulthood and away from teen roles, a process started the year before with For Me and My Gal, every effort was made to glamorize her and she does look truly lovely in the film. However the story is silly and old hat and she shares no on screen chemistry with Van Heflin fine actor though he may be. It does have the added advantage of several great character actresses, Fay Bainter and Spring Byington among them, in supporting roles. There is one special scene where Judy and the terrific Connie Gilchrist perform Every Little Movement on a bare stage. Excepting that scene this is nothing special overall but Judy makes it worth checking out.

I must admit, I am not a huge musical fan. Now I am not saying I dislike them--it's just that sometimes films have singing that works well and sometimes it doesn't. While Judy Garland's singing in "Presenting Lily Mars" is quite good (as always), the rest of the music really isn't all that good and slows down the film. Too often, there is operatic singing that made my ears ache--and I couldn't resist using the remote to skip a couple of them. It's a shame, as when the singing stops, the film really is a lot of fun.Judy plays the title character--a star-struck young lady who wants to make it on Broadway in the worst way. Unfortunately for a producer (Van Heflin), she decides that he is her best prospect and she spends much of the film badgering him to notice her and give her a chance. If you think about it, the film seems to endorse the idea of stalkers! Regardless, Judy is so cute that he and the audience can't resist and he decides to give her a small part in his next show. Not surprisingly, romance soon blooms between them. And, I must admit that the comedy and romance both worked very well. Too bad it was also a musical. Overall, it's well worth seeing despite the flaws--especially if you are a Judy Garland fan. I liked it and sure wanted to see more of the scenes between Judy and Van.

Presenting Lily Mars may have provided Judy Garland with one of the easier roles she had while at MGM because Lily Mars is definitely a character she could identify with. A young girl with talent enough for ten, she knows she has what it takes to make it in the theater no matter how much producer Van Heflin from her home town discourages her.I really liked Judy in this one as the girl determined to make it in the theater. Because it is Judy Garland with the talent of Judy Garland you in the audience know she has the right stuff even if it takes Van Heflin nearly the whole movie to be convinced.Both Judy and Heflin hail from the same small town, Heflin's dad was the town doctor who delivered her and Heflin while he may have moved away and become a big producer on Broadway, their respective moms, Fay Bainter and Spring Byington have kept in touch. That's her entrée, but Heflin's constantly barraged with stagestruck kids, but never anyone quite like Lily Mars.No real big song hits came out of Presenting Lily Mars for Garland, though she sings all her numbers. The best in the film is a revival of that gaslight era chestnut, Every Little Movement Has A Meaning All Its Own. Judy sings it with Connie Gilchrist playing the cleaning lady in a Broadway theater where Heflin's show is being produced. Gilchrist was a star back in the days of the FloraDora Girls and she and Judy deliver the song in grand style with Connie. It's the best scene in the film as Gilchrist encourages Judy to keep at it. Composer Karl Hoschna had died a long time ago, but lyricist Otto Harbach was still alive and I'm betting he liked what he heard.European musical star Marta Eggerth is in Presenting Lily Mars as the show's star who's at first bemused, then angry and finally, understanding of Garland and Heflin. She did a couple of films with MGM and then went back to Europe for more work on the continent. I'm betting MGM didn't quite know what to do with her and her thick Hungarian accent, though Louis B. Mayer never met a soprano he didn't like.Van Heflin does well as the patient producer who puts up with a lot from Garland and Eggerth. Heflin was just coming off his Oscar for Johnny Eager the previous year and he and Garland wouldn't appear to be an ideal screen team, but they're not bad together.Presenting Lily Mars is a fine showcase for the talents of Judy Garland. And she didn't have to share the screen in another backstage film with Mickey Rooney.

This film was made in 1943 when i think Judy was at her peak (looks wise). In her previous film For Me and My Gal people often say that she looks emaciated. Well in this film she looks perfect. She is beautiful and shows that she has a flair for comedy.I think this film is hilarious, especially at the beginning when she is trying to arrange an audition with John Thornway. One of the funniest scene's in my opinion is Judy's rendition of Lady Macbeth and when John is looking for her at the party to give her a spanking (Lol).One criticism i do have is that there is a hole in the plot when John and Lily fall in love. I mean one minute he despises her and the next they are going out on a date then the next time they meet after that date they are in love.Another point i didn't like was on opening night. If i were Lily i would be furious with John but she isn't...it just doesn't make sense.But all in all i would have to give this film a 10 because it is just wonderful and almost perfect.