Prem Ratan Dhan Payo
Prem Ratan Dhan Payo
NR | 13 November 2015 (USA)
Prem Ratan Dhan Payo Trailers

While recovering from an assassination attempt four days before his coronation, a stern prince is replaced by a romantic lookalike.

Reviews
Kattiera Nana

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Dotsthavesp

I wanted to but couldn't!

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Dirtylogy

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

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Kirandeep Yoder

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

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sharmaas

Film is overdramatic,loose script,cantain annoing song. Movie much look like SAS bahu serials. Sooraj Barjatya should stop making movie like this in time of era

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hardik0117

Shouldn't have even bothered to go on a free ticket. Story - HORRIBLE Acting - They did their best Dialogue - STUPEFYING All in all, I lost 3 hours of my life to this garbage

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bobbysing

Strangely, what Sooraj delivers in his much talked about and awaited PREM RATAN DHAN PAYO after a gap of nine years, turns out to be nothing even comparable to his cult films, straight away reminding you of the two mistakes made in the past as HUM SAATH SAATH HAIN and MAIN PREM KI DIWANI HOON, clearly indicating towards no lessons learned from their big failures at all in a highly ignorant and casual manner.Giving you the clear picture, nothing works in this latest venture of Rajshri-Sooraj-Salman, nothing whatsoever……except the man… Salman Khan, taking two steps backward from his last mega-hit BAJRANGI BHAIJAAN. The film neither has some great characterizations in its shockingly routine screenplay, nor any memorable well written sequences or simplistic dialogues continuing the tradition started by MAINE PYAR KIYA. Above all in PREM RATAN DHAN PAYO, the team comes up with such pathetically overused, clichéd storyline that makes you wonder that how confidently they keep on making films on the same stories again & again assuming the people to be dumb enough to keep on accepting them year after year with closed eyes without any complains as such. Yes, at times even the same stories become hugely entertaining due to the writer/director's exceptional novel treatment & presentation. But sadly that is not visible anywhere in this film that unexpectedly even starts boring the viewers in its second half.Recalling the experience of watching it in the theater, I was really surprised to see simply nothing executed on screen with the backing of some solid writing (post the decent opening Ramlila sequence) and the film progressing so casually without incorporating any kind of much needed suspense or enjoyable tension involving the double role. In fact, a few catchy songs and comic scenes remain the only relief moments in its first half, with the second turning out to be so painfully long that you keep looking at your mobile/watch repeatedly as if it's already gone beyond 3 hours shattering all kinds of expectations raised.The cast ensemble including a couple of forgotten names, seem to be only interested in carelessly completing their given jobs establishing no emotional connect with their ultimate viewers, contributing 'nothing'. And the names include veterans like Anupam Kher followed by Swara Bhaskar, Sonam Kapoor, Neil Nitin Mukesh and the snake-man Arman Kohli. To be fair, there is only one person who randomly makes you laugh in his few scenes and he is Deepak Dobriyal who sadly remains under-utilized in the entire film displaying a shocking lack of vision.Rephrasing the above, in PREM RATAN DHAN PAYO we have two lovers but no loving chemistry between them despite the hit tracks, brothers and sisters with no depth in their vaguely written characters placed just to get united again, villains with no emphasis given on their evil intentions or villainy and many deliberately inserted sequences like the unexciting football match post interval lacking the much- desired universal appeal and joy. Moreover except a couple of catchy compositions, both the lyricist and composer desperately keep trying to get into the Ravindra Jain/Ram Laxman mood making a conscious effort.Ruining it further, it was hard to understand the director's obsession with the highly outdated mirror sequences towards the end that had no charm at all reminding you of the famous climax sequence of Bruce Lee's ENTER THE DRAGON. Besides the never-ending final hour of the film becomes so tough to bear, exactly like watching the last few overs of a one day cricket match that has already been lost in its 40th over.To be honest, in the entire film I kept wondering that, A. Was this the story Sooraj R Barjatya kept searching for since 2006 which is clearly a take-off from famous novels such as "The Prisoner of Zenda" and "The Prince and the Pauper" (with the shades of BAWARCHI), already adapted several times in the West as well as in numerous Hindi films changing the theme from Kings to Dons since the mid of last century? Ironically even Rajshri had earlier made a film on the same subject as RAKTA BANDHAN in the 80s.B. Was this the film Salman approved of - full of old time obsolete feel, based on a ridiculously stereotyped theme, having only a few engaging moments, at your face brand promotion, lackluster background score, unimpressive 'big-empire' grandeur (that only worked in the promos) and loads of full length songs thrown in just like that, assuming that the viewers are still living somewhere in the 90s?C. Or Was this a mess, wherein Sooraj was not allowed to do what he was willing to, with the major suggestions/interventions coming from the now much bigger STAR with no intentions of breaking through his own comfort zone?In all, a big unexpected let-down, PREM RATAN DHAN PAYO actually has nothing Rajshri, Sooraj and Salman together are known for, not even the emotional warmth they used to offer in their earlier films.

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Suman Shakya

Rajhshree Productions has made a reputation of giving nice family oriented movies. The expectations were high following "Maine Pyar Kiya," "Hum Aapke Hain Koun," "Vivaah," and "Hum Saath Saath Hain." But this time the expectations haven't been met, and the film just backfires and leaves you cheated. A weak adaptation of "The Prince and the Pauper", the story is too dramatic which feels silly at times and way the things are resolved just highlights the weakness in story telling. The film fails to create the time period of the plot. Besides, the performances are also mediocre. Salman's role is not different than that in "Bajrangi Bhaijan," with the similar diction and dialogues which becomes adequate. Actually, his characterization looks a bit tailor made and has glibness. Neil Nitin Mukesh and Sonam Kapoor are both mediocre in terms of roles and performances. Anupam Kher looks surprisingly good in his role. If there is anything to adore in the film, it's the beautiful sets and few good songs, which doesn't make the film a total let down.Rating: 1 star out of 4

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