Power
Power
R | 31 January 1986 (USA)
Power Trailers

Pete St. John is a powerful and successful political consultant, with clients spread around the country. When his long-time friend and client Ohio senator Sam Hastings decides to quit politics, he is rapidly drafted to help with the campaign of the man destined to succeed him, unknown and mysterious businessman Jerome Cade...

Reviews
Softwing

Most undeservingly overhyped movie of all time??

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Ketrivie

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

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Humbersi

The first must-see film of the year.

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Bob

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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museumofdave

There is a reason this political film flies under the radar; I doubt it's up for rediscovery, either. A power cast and a power director (Sidney Lumet--director of Dog Day Afternoon and Network) should somehow add up to more than this limp media expose, but once in a while a movie is just an entertainment, and with Richard Gere in thoughtful mode (without much of a character or a script), Julie Christie as a concerned ex-spouse, and Denzel Washington cast against type, this is an OK two hours that don't demand much from the viewer, and, while predictable, certainly meant well.It was the script, Sidney, and someone should have told you. Wag The Dog is the political gem that works; The Candidate or even better, the original Manchurian Candidate with Sinatra are more persuasive--but if you like the stars, this one passes the time pleasantly.

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Robert J. Maxwell

Richard Gere, in hypomanic mode, runs a PR firm and his job is to shape up political candidates, regardless of their party affiliation or policies, so that they win office. He makes a good deal of money doing it. If his clients object to his taking over their lives and turning them into phonies, his response is, "After you're elected you can do whatever your heart tells you to do, but you have to get there first." Good, sound, pragmatic advice.The film actually fits into a minor genre -- one in which a politician must learn all about what sociologists call "the presentation of self." It's the difference between perception and substance. Of course we all do it every day. It's essential that we slant our behavior in ways suitable to our audience. None of us talks to the boss the same way we talk to our spouses or our children. But it's particularly tough on politicians because they're cast as role models. The audience they have to satisfy is a great BIG one and often unforgiving.Anyway, Gere pursues his job with zeal. He loves it. He carries around a set of drum sticks and when he's relaxing he taps out some uptempo paradiddles from Benny Goodman's uptempo jazz recordings. That, I would guess, is one of the contributions of the director, Sidney Lumet, and he makes good use of that little bit of business. When Gere is finally confronted by the manager of one of his candidates and told frankly how rotten their jobs really are, Gere is later seen turning uncharacteristically pensive. He still holds the two drum sticks, but he's not tapping out a fast tune in in his head. The sticks are pressed against his cheek.But it's not an especially believable moment because the revelation -- from an almost unrecognizably youthful Denzel Washington -- should never have come as a big surprise to him. If he hasn't realized before that he has the methods and scruples of a Frito salesman he's pretty dumb.The script itself lets the movie down a bit, for a couple of reasons. The two principle weaknesses, so it seems, are that it treats the manipulation of politicians' images as revelatory. Gere advises a candidate for governor of New Mexico to shed his dark blue suit and tie and adopt a cowboy outfit and to forget about long-term goals and just spout inanities about "America's spirit" and "the freedoms we hold dear" -- and this is supposed to surprise us? US? Now? In 2011? It was all done better in "The Candidate" and in "A Face In The Crowd," years earlier.The other major weakness in the script is that it's confusing. We see Gere handling so many candidates -- and confronting rival candidates and their managers -- and dealing with Gene Hackman as a drunken has-been -- that it's hard to keep all the threads straight. Sometimes I didn't know who was who. It would have enhanced the drama if the script had stuck with just one or two candidates and their minions.It's not a stupid movie though. It doesn't take sides. It doesn't insult our intelligence -- well, not much, anyway -- although it lacks sophistication. Lumet has directed it efficiently and the performances are all up to par, although the movie as a whole belongs strictly to Richard Gere. I suppose there really are characters like Gere's, dashing around in airplanes from city to city, jitterbug music whirling around in their heads, women falling at their feet, the shekels rolling in, ordering millionaires around. But I don't know why they don't stroke out after a year or so of this frenzied life style. I had to do a double Xanax just watching it.

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TxMike

Perhaps this film would have hit me harder in 1986, but now, with so many movies and so much news reporting about the inner workings of politics and image-makers, I watched it on DVD (loaned by Ron and Evelyn) and came away thinking, "so what?" There really isn't anything new or Earth-shaking. Gere is good as the hot-shot political consultant who gets high dollars to get candidates elected to offices at various levels all over the USA and even Central and South America. He tells them, "do what I tell you and after you get into office, you can do whatever you want." I got the feeling that the movie is very authentic but has no great impact when it was over. The critic Ebert has a very fair and complete review. It's median IMDb vote of '6' is about right.

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Johnnieb-2

...the doors opened and fresh air rushed in as a weary audience trudged sleepily from the theater to the parking lot."Power" is powerful medicine for those unable to get some sleep. Buy this as a CD or VHS and keep it in your bedroom for those nights when you are wide awake.Those who liked the film did so because they find a political reason for it. It was written in the 1980s and apparently for no particular reason at all other than to make some quick bucks...which it did not.Reviewers and public held the project in such low esteem that only a few critics and political zealots bother to comment on it.

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