Wow! Such a good movie.

What makes it different from others?

Bad Acting and worse Bad Screenplay

Close shines in drama with strong language, adult themes.

Alejandro González Iñárritu is not a household name, but he made a name for himself directing "Amores Perros" in 2001. That year and the following, BMW sponsored a series of 8 films all with the common theme that a BMW was prominently featured in it....and, of all things, Clive Owen starred in each one. For this odd experiment, some of the top directors in the world were somehow obtained--including John Woo, Ang Lee and even the great veteran director John Frankenheimer. Iñárritu was given a prime chance to 'mix it up with the big boys' by making this film and he did admirably. While I have only seen three of the films so far, I was surprised that "Powder Keg" is so far the best of them--even better than Frankenheimer's short (and I am a huge fan of his work). I think the reason is that unlike the other two films, the emphasis is less on spectacular chases and stunts (though there are some) but on telling the entire story--including some very emotionally draining aspects to this film that lift it to greatness. This is clearly NOT just a glorified ad for BMW but a wonderful little film you really should see. Just be sure to have a Kleenex nearby.

Perhaps there are people who would disdain the grainy look of this film, or hate the jumpy camera work. I, for one, think that Alejandro Gonzalez Inarritu is a genius. You really have to appreciate his film making. Amores Perros is a must see for those of you who haven't seen it yet, and Powder Keg is no exception either. This film focuses much more on emotions and injustices in Central and South America, and really lays the drama on in the end. Brilliant work. I'm glad that BMW did this series, perhaps they will see fit to release it on DVD, that would be excellent.

Powder Keg concludes the BMW short film series "The Hire" by adding a very human element to the enigmatic and elusive series title character played by Clive Owen. Director/co-writer Alejandro González Iñárritu departs from the pattern established by the previous 4 directors and makes the driver more of a background character, focusing instead on a war photographer who, after snapping a shocking series of photographs, is on the run and grievously injured. He takes the time to reflect on his life and what he's done-or not done-with it, and why he started taking pictures in the first place. Stellan Skarsgård does a wonderful job as the photographer, and manages to communicate volumes just as much with what he doesn't say as with what he does. Clive Owen has the opportunity to portray a different side to the driver then in the previous films, allowing his normally unflappable character to have an emotional moment beyond what we've seen. The moment at the end of the film between himself and the woman played by Lois Smith is made more pronounced by his inability to effectively communicate his thoughts and feelings, and his abrupt exit punctuates that perfectly.Iñárritu directs this short perfectly, using hand-held 16MM cameras to capture a grainy, almost documentary-like feel to the film, and over-exposure for certain shots adds the right amount of dramatic flair to the film.All in all, my only regret with this film is that it's the last one in this excellent series. BMW should be highly commended for allowing what could have been little more than overblown and expensive commercials to be short films in which the centerpiece vehicles sometimes took a back-seat to the characters and their stories instead. I hope to see another series like this again soon.

As part of the BMWFilms series, Powder Keg is one of several great short films commissioned by the car company. Inarritu is a fantastic director, and his genius shows through this gripping, action-packed car chase. What sets Inarritu's film apart from some of the other BMWfilms is the gritty detail, the harsh realism of what is being portrayed. The violence is not glamorized, nor the main character's plight as a photojournalist romanticized.