Simply A Masterpiece

It is a performances centric movie

good back-story, and good acting

Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

There are films and then there is cinema. This is cinema (still, I will call it a film herein).EFFECTS AND FRIGHTS: Where budget is lacking for effects, the filmmakers here use an extreme amount of tension, creepiness, and visual effects, including various cameras tricks, angles, lighting, and stroboscopic effects guaranteed to trigger an epileptic fit (I'm not kidding). There are several jump moments that scared me. SPOILERS: Not to mention a gritty though not gruesome hammer murder, and a bloody butcher-knife scene. Topping it off is the emotional ending that has you desiring one more moment.ACTION: Some have commented that nothing happens in this film - this is 100% incorrect . SPOILERS: There is a broken romance; a seriously broken friendship with consequences; a drug habit that leads to seeing things, including ghosts which lead our anti-hero to murder. Much of what could be described as meandering is setting the timing for tripping and the possibility of a true haunting. It's a mystery too, you see. Personally, I think the film is tight at 90 minutes, and the lack of family life exposition actually makes you think more about how secure Daniel really is, though of course at the very end you probably won't think so.PLOT: Daniel see ghosts. He takes pills. Is it connected? Is he seeing into another world? Why does he take pills? Apparently he has for some time but now it's increased due to his depression over his broken romance. Why is the romance broken? It could be any number of things, direct or indirect. The real question: is Daniel a good person or not? You'll have to make up your own mind.NEGATIVES: (1) The setting is dreary, and while this has its charm, it also gives it that cheap 1970's feel, which is not altogether bad. (2) The dialogue tends to mumbling, and only Jeff has any real speaking parts, mainly aggressive, but there is another side to Jeff, and that speaks to the decent writing here.

I was surprised by this film. It reminded me of some Japanese ghost stories I've seen, which are always unsettling especially after the film when you think it over, and those creepy images start to spill into your every day life. At the same time, Pop Skull featured some innovative depictions of hallucinatory states of mind which I thought were sometimes a little obscure, but other times a useful device for conveying complex emotional states in a character who is verbally rather simple. For some reasons, many of these images -- which are often juxtapositions, stops and starts, changes of speed, transformations, flickering and strobing--seem 'accurate'; in other words, though obscure, they convey a meaningful insight into the mind of a character, yet they leave a lot to the imagination, and make you wonder about the mysterious things lurking around in the psyche. Some may argue that they are just artsy, pretensions -- perhaps even a bit emoish and laughable. Perhaps. The last time I saw anything quite like it was in Gaspar Noe's 'Enter the Void', but the imagery in Pop Skull is more obscure and personal leaving a lot of mystery about exactly what the protagonist in the story is going through internally over a painful event in his life. The storyline itself is not that complicated, but the alternate realities that go along with the story add an intriguing element to the film. I think mood is the key strength of this film. There's a mood of confusion, depression, fear, and encroaching madness, that you expect from a good horror movie. I have to admit too, that I wasn't really expecting the film to go in the direction that it did. So it has some surprises, some mystery, and a good sense of pacing which builds up the suspense fairly well. To call this movie a horror story is fitting, but it is atypical for American horror films. I'll bet that David Lynch could appreciate this film for its power to suggest things to you rather than explicitly feed it to you. I would actually watch it again as I did with 'Enter the Void' just out of curiosity over the various levels of meaning the hallucinatory episodes suggest -- especially in how they tie into the plot, and relate to a characters thought process (however disjointed it may be). I'm looking forward to seeing some of Adam Wingard's other films now.

The movie "Pop Skull" written by E.L Katz, Lane Hughes, and directed by Adam Wingard is in my opinion the example of an ideal horror. The story is about Daniel and his heartache which has been caused by his girlfriend. When they broke up, Daniel got depressed. He couldn't differentiate between dream and reality. The atmosphere of that movie is dark and creppy like the Edgar Allan Poe's prose. Wingard captured that sense of fear and put it on the screen, in every movie shot. "Pop Skull" has great music, noble photos and excellent acting.The main character Daniel played by Lane Hughes is so stunning and authentic. The movie language of Pop Skull is hard, obscure and dramatic. The Hounted motif was used very genuine and subtly. When you watch Pop skull it's impossible not to be scared.Great job Adam.

Believe me, I saw lots of horror movies. But not even one compares to that waste of time that "Pop Skull" is. You thought "Haunted boat" or "Seven mummies" or "Chain reaction" are bad? Wait until you see this and bore yourself to death. Literally, with every passing minute of this movie you feel you life being sucked from you and you want to scream and scream again! I saw this at the cinema and half of the people just escaped from the theater after the first half, where nothing happened. Nothing happened in the second half either... And they call that horror, when there isn't a single scary moment in the whole movie!