Memorable, crazy movie

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

There are just enough accurate historical elements to make this story interesting, but don't go betting the ranch on Buffalo Bill Cody and Wild Bill Hickok working together to help establish the Pony Express. Cody did work as an Express rider, but he was only fifteen years old at the time! A young Hickok met Cody once prior to 1860, and later joined him in a stage production in 1873, but quit well before Cody formed his 'Wild West Show' in 1882.I've seen a handful of films now with the Pony Express as the principal theme, and was intrigued by the story's mention of the numbers involved - a hundred ninety relay stations, five hundred seventy horses and eighty riders making the trip between St. Joseph, Missouri and Sacramento, California. Virtually the same math showed up in the 1939 film "Cavalcade of the West" starring Hoot Gibson. The newspaper headline in the movie dated April 3rd, 1860 was historically correct, that was the day the first rider took off from St. Joseph westward bound. What wasn't mentioned, and it wouldn't have worked for this story, was that a Pony Express Rider left San Francisco on the same day heading East to St. Joe! That relay made it in ten days as well.Adding some intrigue to this story was the idea that there were behind the scene elements who wanted to see the Pony Express concept fail, for both political and financial reasons. Stage companies delivering the mail saw a threat to their business because delivery time would be virtually cut in half. There was also a political motivation involved with those who didn't want California to join the United States, particularly on the Confederate side. That was given some prominence in the story with each rider on the maiden run voicing California's rejecting slavery.As far as the principals involved, Charlton Heston made for a resolute Buffalo Bill Cody, while Forrest Tucker was pretty much Wild Bill Hickok in name only. Neither portrayal was physically accurate to the historical characters, but if you didn't know that, it's not a deal breaker. Jan Sterling's 'Denny' character immediately brought to mind Calamity Jane, while Rhonda Fleming brings some credibility to her turn from the anti-Express faction to those supporting Hickok. The romance angle between them doesn't get very far in the story, which is just as well; I liked Sterling better as the tomboyish Denny.If you'd like to explore some more films dealing with the Pony Express, there's the one mentioned earlier, along with another picture from the same year, 1953, with Gene Autry titled "Last of the Pony Riders". Roy Rogers did one as well early in his career with the 1939 movie "Frontier Pony Express". That one's interesting from the standpoint of the story line in this film, it has Roy's character as a Pony Express rider who's approached by a Confederate Senator who's attempting to establish California as a separate republic. Even Trigger gets in on the action, as a reliable Pony Express mount he's requested by fellow riders by name!

Paramount's PONY EXPRESS (1953) is a reasonably good fifties western. Produced for the studio by Nat Holt - it was made the same year as their pivotal contribution to the genre "Shane". And while never reaching the lofty heights of Steven's classic it was competently written for the screen by Charles Marquis Warren. Glowingly photographed in Technicolor by veteran Ray Rennehan and directed with a certain flair by Jerry Hopper it was all played out by a well chosen cast in some handsome Utah locations.It is 1860 and Buffalo Bill Cody (Charlton Heston) and Wild Bill Hickok (Forrest Tucker) are sent to California to set up a Pony Express system that will deliver mail from St. Joe. Missouri to Sacramento in the inconceivable time of ten days beating the Stagecoach time by 16 days. Of course the Stagecoach relay station owners are not going to take this destruction of their business lying down and set out to prevent, by any and every means, this "high speed" service from ever getting off the ground. Not only must Cody and Hickok fight off many attacks by unscrupulous gangs working for the business men but also must keep the trail free for the express riders from marauding Sioux Indians whose chief Yellow Hand (Pat Hogan) has a long standing feud with Cody. The feud culminates in a fierce Tomahawk fight to the death with Cody being the victor. (This famous duel is not as well depicted here as it was in Fox's "Buffalo Bill" (1944) where Anthony Quinn as Yellow Hand and Cody (Joel McCrea) meet half-way across a river to do combat. It was a much more elaborate and exciting sequence.) However I suppose we have to be thankful it was included at all here in this version.Performances are generally OK across the board. Heston makes a likable Cody but Forrest Tucker's Wild Bill Hickok is somewhat underwritten and in his mode of dress he looks like he just stepped off the set for a Gene Autry or Roy Rogers B movie. This is really my only crib with the film. Neither leading character looks authentic enough! Cody's hair should have been longer and where was his familiar goatee beard? Hickok's hair is short back and sides which should have been shoulder length and he is without that famous handlebar moustache as well as the three quarter length skirt coat - things the famous frontiersman was known for. However after awhile you get used to the way they look. The female lead is played by the ravishing Rhonda Fleming. An actress of limited talent she really doesn't have much to do except stand around and do what she always did best.....simply look ravishing. Better is Jan Sterling as a feisty gun tottin' tomboy, (obviously loosely based on Calamity Jane) who has the hots for Cody and vies, not very successfully, with Fleming for his attention. The best things about the movie are some good shootouts with baddies and Indians and the exciting scenes of the Pony Express riders racing across the deserted plains.A memorable aspect of the picture is the fine score by Paul Sawtell. Sawtell was one of the busiest composers in Hollywood's Golden era. Born in Poland in 1906 he arrived in Hollywood in the forties and started scoring films at RKO Pictures. He had a voluminous output of over two hundred scores which crossed over all genres from Noirs like "Raw Deal" (1948) to the Tarzan films of the forties, the Randolph Scott westerns "Fighting Man Of The Plains" (1952) and "Comanche Station" (1960), war pictures such as "The Hunters" (1957) and the science fiction epic "Voyage To The Bottom Of The Sea" (1961). His main theme from the TV spin-off of the latter gained great popularity in the sixties. His score for PONY EXPRESS has a splendid main theme. First heard over the titles it is given some spirited variations throughout the picture and excitingly used in the closing scene as Cody, at full gallop, takes off on a mail delivery across a vast open plain. There is also a stately theme to underscore the colourful Indian sequences. Paul Sawtell died in 1971.PONY EXPRESS is not by any means a brilliant western but it is an enjoyable colourful oater that is worth watching and remains a fair addition to the genre's fifties output

The story of the Pony Express is one of the most interesting and fascinating stories of the west. California at that time was totally isolated, and would get the news from the government many months later, thus many people would be for secession, because they did not believe they could be governed like that. There was no telegraph, so they decided to pick those skinny guys, the equivalent of today's jockeys, and make them alternate, also switching horses, so in ten days the express mail would get from St Joseph, Missouri to Sacramento. Now you might ask what Buffalo Bill (Charlton Heston), Wild Bill Hicock (Forrest Tucker) and a sort of Calamity Jane named Denny (Jan Sterling) fit into this and the answer will be marketing. Famous western names would please the crowds. I would have wished for a more serious film, but I can't deny the film is entertaining, fast paced, colorful and with a lot of action, The scenes where the pony express is shown are very good. I just was hoping for a more historical and serious film, but who knows, one day they will make it.

Does anyone remember The Young Riders television series? Though that one got into the never never land of our old west mythology eventually at least it got it right about one thing. The Pony Express riders were in fact young teenage boys. William F. Cody was all of 13 when he was riding for them. James Butler Hickok, later nicknamed Wild Bill, was in his early twenties. So when we see Charlton Heston doing all he's doing as Buffalo Bill in this film Pony Express, he's really playing a thirteen year old living out a fantasy dream of having both Rhonda Fleming and Jan Sterling chasing him.Pony Express may in fact be one of the last of that grand tradition of B westerns where famous characters from the American frontier are taken and put into plots that had nothing to do with reality. Cody's famous fight with Cheyenne chief Yellow Hand is also included here although that in fact took place in the 1870s not in 1860.In this film, Charlton Heston and Forrest Tucker as Wild Bill Hickok stumble upon a plot to detach California from the United States while the north and south sectional conflict edges closer to civil war. Part of that plan is stop the Pony Express and its promise of quick mail delivery. Rhonda Fleming's brother is part of the dastardly scheme and Jan Sterling plays a Calamity Jane like character who has eyes for Cody, but Cody has them for Fleming.This film also marked the farewell appearance of Porter Hall who has a small role as another frontier character, legendary mountain man Jim Bridger. It's possible that Bridger, Cody, and Hickok may have all met at the same time, but I doubt it was under the circumstances shown.Don't let the A list cast fool you. What you have in Pony Express is one of that dying group of B westerns which were getting a new life on television at this time.