Instant Favorite.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

The film may be flawed, but its message is not.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Police Story is Jackie Chan's second biggest franchise next to Rush Hour. The first entry in the series is one of his finest films ever; one that helped define his entire career. It's only natural a new Police Story movie would be released in 2013 to capitalize on the series' fame, even at the expense of everything that made the other movies so entertaining. Though to say that is to generalize too much about a franchise that has so many tones it's hard to pinpoint the one that truly defines it.Police Story Lockdown finds our hero reuniting with a daughter who has grown quite distant from him. She's dating the owner of a ridiculous nightclub, has tattoos, and wears her hair in a punk style. Jackie's character is, of course, a police officer. Seeing his daughter in such a state makes him rather angry, though those feelings quickly change when he learns the entire situation is a setup for a hostage situation. A case in Jackie's past is connected to the owner of the club and he's used the officer's daughter as elaborate bait.Suspension of disbelief is usually a must in a Jackie Chan movie. He's not known for well-written scripts or unique plots. The idea that a guy opens a club, stalks a guys daughter, and then exacts revenge is a little out there. And on top of that, the layout of the club is so ridiculous. It apparently used to be a factory of some sort, meaning the only reason it looks the way it does is for visual appeal and the thought that it would work as a great action set piece.I could attempt to suspend disbelief if that was true. But instead the action of the first half of the film is lame and underutilizes Jackie's unique style and humor. It's too gritty for being so stupid and when there are hand-to-hand fights, the level of brutality isn't there. Which means that the edgier tone isn't justified. In a martial arts movie, if you want to be dark and edgy, you need to be brutal and violent. Holding back on that leaves a sour taste in the mouth.I liken the main idea of this movie to The Raid, which I assume was the inspiration. And I believe the mood was meant to emulate the inspiration. But, I can safely say, Lockdown is nowhere close to as good as The Raid.As the film went on I grew more and more bored, realizing that this supposed "action" film was rather light on the action. Even the final battle felt rushed, lame, and underwhelming. It, truthfully, doesn't ever feel like a Jackie Chan movie. There's no humor, no outstanding action…about the only way you can tell its a Jackie Chan film is the outtake reel during the credits.None of these things are Jackie's fault though. As he grows older, he's going into more mature roles and, of course, can't do all the stunts and action he used to. He's still damn impressive though. One of the failings of the action sequences comes not from the choreography or lack of intensity, it comes down to the editing and directing. The editing of this movie is awful and spastic. It's that modern summer movie style that takes you out of the action by relying too much on camera movement and changing angles every five seconds to keep the viewer visually occupied. Something I always enjoyed about Chan's movies was that the editing during the fights allowed you to see the hits and reactions.When editing so haphazardly the intensity of the violence is quelled and we're instead treated to questioning what the hell we're watching. There's a "dream" sequence at one point where SWAT breaks in and everyone is shooting at each other. It is put together so slipshod that I couldn't tell what the hell was going on. And that sums up the entirety of the film sadly.So in the grand scheme of things do I feel like this is a movie worth sinking your teeth into? Not at all. This is a poor attempt at a cop movie, a martial arts movie…just a movie in general. There's really no redeeming factor to it aside from the club set looking neat (though its underused). Not even Jackie Chan fans will find this a palatable watch; leaving me with the sad decision to give Police Story Lockdown a measly one and a half stars.

'POLICE STORY: LOCKDOWN': Three and a Half Stars (Out of Five) A reboot to the popular Chinese action flick series 'POLICE STORY', starring Jackie Chan. In this film, also known as 'POLICE STORY 2013' in China (where it was released two years ago), Chan plays a mainland Chinese police officer (rather than a Hong Kong one); who's trying to protect his rebellious daughter, from a hostage situation at a local bar. The movie was directed and written by Ding Sheng and it costars Liu Ye and Jing Tian. The film is quite a bit darker, and more melodramatic, than other 'POLICE STORY' movies; and for that reason (among others) I didn't enjoy it as much.Detective Zhong Wen (Chan) is a veteran mainland Chinese detective, who's visiting his daughter, Miao Miao (Tian), at a popular nightclub. Wen is angered to learn that Miao Miao, who hates him, is dating the owner of the bar, Wu Jiang (Ye). After a heated argument, Wen is also troubled to discover that the club has been taken over by terrorists; he's knocked out and held hostage as well. Wen also soon learns that he's part of the criminals' revenge plot. Things become more complicated from there, as Wen desperately tries to save his daughter.I used to be a huge Jackie Chan fan, when I was younger; I've since grown a little tired of the lack of diversity, and originality, in a lot of his films (I also really don't like him as a person, anymore, or his politics). The first three 'POLICE STORY' movies were some of my favorite martial arts action flicks though, and this installment definitely doesn't do them justice. The action scenes are OK, and Chan does give a good performance in it, but the serious dramatic tone definitely doesn't help the film out; it usually makes it seem a lot more cheesy. I was willing to give the movie a chance, despite my recent disgust for Chan (due to his personal views), but the film is definitely a disappointment; for fans of the series or Chan.Watch our movie review show 'MOVIE TALK' at: https://www.youtube.com/watch?v=40tcsSNoQmo

The opening of the film depicts police office Zhong Wen (Jackie Chan) holding a handgun to his temple, resolving to commit suicide. What could motivate a man, after committing himself to a life of law enforcement, to take his own life? This powerful question is what initially draws the viewer into Police Story 2013, a film about crime and punishment, right and wrong, family and survival. Throughout the duration of the feature, arachnid related imagery that appears in the shape of windows, tattoos, toys, amulets and other like items, heightens the idea of being trapped, with no capacity for escape. During one scene, Zhong is strapped by wires (representative of spider silk) to a chair, depicting a massive web, metaphorically developing the notion that he is caught within its trap.Mr. Chan is superb in this thrilling police drama, and though he is potentially not in quite as many fights as demonstrated in some of the former features in the Police Story franchise, the maturity and intelligence of the script and the plot, alongside the acting, really immerses the viewer in the experience. Mr. Chan develops a character who is professional, mature and family oriented, allowing the audience to be emotionally vested in his character as we fear for his safety, and those around him, his desire to save everyone being not only his gift, but a curse in equal measure. Despite much humor having been used in previous installments, this element takes a backseat over the course of the production.Zhong, not long into the movie, finds himself traveling to a bar to meet with his daughter, Miao Miao, who has had minimal contact with him over the past five years, the underlying reason behind this lacking familial bond being explored over the course of the feature, the narrative amazingly tying everything together. After arriving, Zhong, and many of the other patrons, find themselves held hostage at the hands of Wu Jiang (Liu Ye). Though there is no doubting his antagonistic attitude, Wu has a set of principles, and is capable of being negotiated with, the reason for holding Zhong, and the others at gunpoint, being slowly explored.As it is not immediately revealed, the mystery surrounding the plot engrosses the viewer onwards. The film occasionally travels backwards in time, not being consistently set in chronological order, to reveal what has happened previously. Sometimes this is articulated to provide visual guidance for the audience as characters discuss their version of past events, however, it is never truly known if what they emphasize is in fact the truth, or if they are ensnaring people within their own web of deceit, again, linking back to the arachnid imagery. Although Zhong is being deliberately held by Wu for a purpose, he is not the only one, and though we comprehend how he arrived at the establishment the film is primarily set in, how the other characters arrived voluntarily, or through coercion, is largely unexplored.The incredibly beautiful Jing Tian moreover, provides, quite possibly, one of her best performances. Though Ms. Tian is not quite as physically active in this feature as she has been in some of her other films, she plays not only as Zhong's daughter, but as a nurse, and in a hostage situation, this role gives her reason and purpose. In some of her other films, it seems Ms. Tian may have been cast due to her unparallelled beauty, rather than her talent, however, in this feature, the audience are equally graced by both. Possessing her father's desire to save everyone, alongside an opinionated character with the willingness to survive, Ms. Tian brilliantly spends almost half of the film suffering traumatic emotional agony.Accompanying the film is an entertaining musical score that helps immerse the viewer not only into the environment, but the situation's climate. Despite the score also heightening the accompanying action scenes, these moments, which are occasionally explosive, seem to be in the background, rather than the fore, unlike in previous movies staring Mr. Chan. Though a car chase offers viewers nothing they haven't seen before, the fighting that transpires at the bar never feels out of place, fitting purposefully with the setting. However, it is the tension and suspense that really draws the viewer in, the action being more of an added benefit.From the intensity of the beginning, through to the epic close, Police Story 2013 leaves viewers wondering if there will, in fact, be another sequel, and after the quality performances and storyline exhibited in this feature, the answer, is hopefully, a resounding 'yes'.

The reviews I have seen that rate this really low mostly have the same complaints. "Not enough action," Not enough humor." Personally I liked the fact that Jackie is going in a different direction. He is admitting that he's getting older. Instead of pretending he can still kick ass like when he was 30 ( *cough* Stallone, Schwarzenegger *cough* ) he is following more in the steps of Clint Eastwood. In a way he reminded me of Robin Williams. When Robin gives up his clown persona and makes a movie like One Hour Photo, he shows he can really act. Well Jackie is moving away from his Kung Fu Clown persona and relying more on his acting. And he's showing that he has the chops. I originally rated this movie higher, because I was unfairly judging it as a Jackie Chan movie.But I changed my score to a seven because I think that is a more objective rating. The movie does have some problems with the script, directing and editing. But it is by no means horrible. Perhaps some of the problems could have been fixed with a bigger budget. But then again, Hollywood size budgets are certainly no guarantee of quality either. In short. If you do not require constant impractical martial arts action, or silly slapstick, then you will enjoy this for what it is. An action-drama, with enough action to satisfy your blood lust, but also an attempt at telling an interesting story.