Point Blank
Point Blank
R | 15 December 1998 (USA)
Point Blank Trailers

Convicted corporate criminal Howard engineers a prison break as he and a number of fellow inmates are being transferred to a new facility. The escapees storm a shopping mall and take a group of shoppers hostage (after killing many more of them) before making their demands. Only Rudy, a former mercenary and brother of one of the fugitives, can take out the criminals before more of the hostages die.

Reviews
YouHeart

I gave it a 7.5 out of 10

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ChanFamous

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

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Sarita Rafferty

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

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Cheryl

A clunky actioner with a handful of cool moments.

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NateWatchesCoolMovies

Point Blank takes a big, silly macho whack at the trashy action genre, and gives fans of such lowbrow, cheese saturated stuff a huge sloppy kiss. It's so ridiculous you have to laugh, but you're laughing with it because it sheepishly knows what an outlandish hoot it is, which is somewhat reassuring in this territory, because a lot of them play it dead straight and are oblivious to their own vapid density. Not this baby. It wears it's stupidity loud and proud, and there's many a moment that will have you howling. Mickey Rourke was in the height of his juicing heyday here, and he looks like Buffalo Bill covered the incredible Hulk in the tanned leather of some poor broad (should have put the lotion in the basket like he told you). He plays Rudy Ray, an ex special ops turned farmhand of few words and lots of action. Rudy's brother (Wainegro himself, Kevin Gage) is mixed up with a nasty bunch of escaped convicts who have hidden out in a rural strip mall and taken multiple hostages. Rudy is summoned by the local Sheriff (Fredric Forrest), and with the resolute blessing of his crusty father (the immortal James Gammon) proceeds to go redneck John McClane on these whackos and basically tear the place apart. Gage is the leader of the pack, but the most dangerous one by far is a coked up, homicidal Danny Trejo, who terrorizes a poor female captive and basically empties clips at anything that moves. Throw in Michael Wright as a seriously intense war vet with a rocky past (he has a monologue that dips between scary and campy quite a bit) and Paul Ben Victor displaying acting so far over the top it'll make your eyes and ears bleed, and you've got one inane B movie crew ready to fulfill your every schlocky need. It's funny because there's an 'emotional' scene near the end where Rourke and Gage go brother to brother and it's supposed to be touching. The writing is so godawful, and the music so beyond ludicrous, but the two of them are such good actors that they end up completely selling it without even trying, like they couldn't turn in bad work if they wanted to. It's basically Die Hard in the sticks, with Rourke instead of Willis, a mall instead of a skyscraper, and you know... the fact that it's obviously not a good movie. It's a hell of a lot of fun though, if you're in the mood to get silly with it.

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Woodyanders

A gang of dangerous criminals escape from confinement and take over a shopping mall in Texas. It's up to rugged mercenary and ex-Texas Ranger Rudy Ray (a credible performance by a pumped-up Mickey Rourke) to stop these no-count scum and rescue his wayward criminal brother Joe Ray (well played by Kevin Gage) who's mixed up in the whole mess. Director Matt Earl Beesley gets right down to exciting brass tacks in the opening scene and brings a blithely low-grade and enthusiastic pulpy sensibility to the derivative, but still lively and enjoyable premise: the brisk pace rarely lets up for a minute, the characters are drawn with some surprising depth, the violence is both plentiful and excessive, the rousing action set pieces are staged with genuine rip-snorting verve and flashy style, a coked-up slut in a g-string does a hilariously gratuitous pole dance just because she can, and there are even welcome moments of touching humanity amid all the brutal carnage (the strained relationship between Rudy and Joe proves to be unexpectedly moving, with the poignant and tragic last scene between them rating as a truly heart-breaking sequence). The solid professional cast helps matters a whole lot: Danny Trejo goes totally over the top with infectious maniacal glee as vicious and volatile psycho Wallace, Werner Schreyer does well as token sympathetic hard-luck young con Billy, Michael Wright brings real soul to his part of no-nonsense former Marine turned killer Sonny, Paul Ben-Victor is a slimy hoot as shrewd nd duplicitous gay ring leader Howard, Nina Savelle doesn't embarrass herself as sweet sales lady Tracey Deakin, Frederic Forrest is typically fine as amiable good ol' boy sheriff Mack, and veteran character actor James Gammon has a nice bit as Rudy's father. Keith L. Smith's slick cinematography offers lots of snazzy razzle-dazzle visuals. The thrashin' pulsating score by Stephen Edwards likewise hits the stirring spot. The big knock-down bash 'em up confrontation between Rudy and Wallace is simply priceless, with Wallace absorbing a ridiculous amount of punishment and refusing to die. An immensely fun Grade B action thriller.

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lasviega087

Warning: Spoilers! I remember first watching this movie not so many years after its release on VHS.Mickey Rourke in his career's best shape, along with Double Team (1997) was what struck me first. There's no doubt he'd been spending some time doing bench press and curls for this part. An impressive physique for somebody who otherwise had an average build. In his boxing days he didn't look anything like this. And I'm pretty sure he could've done the fighting scenes all by himself, had director Matt Earl Beesley given him a chance. Instead, it was wrongly decided he had to be some 'karate master'. Unsuccessful editing ahead, unfortunately. Part from that, he does not speak many lines throughout the movie, but his emotional scenes along with Kevin Gage are as real as can be.Paul Ben-Victor as the 'boss'. I loved him. A bad guy, with his witty comments and nonchalant attitude. Not to mention gay. One of those guys you just love to hate. Of course he gets what he deserves in the end.Michael Wright as one of the ex-military baddies who realizes he's finished. He's "sorry" for catching his wife in adultery, and stabbing the guy who screwed her 14 times and cutting his throat. An obsessive psycho, but I did feel sorry for him. Of course he goes out with guns blazing 'T2'-style. A harmony of closure and violence. Perfect.Werner Schreyer as the young kid who caught some bad luck and got his death sentence. I felt a bit sorry for him too, although not as sorry as I felt for Michael Wright's character. I'm not sure the party's over for this pretty boy or not. Although Danny Trejo said so. He's the perfect main bad guy. On drugs, lousy aim and immune to physical pain. Of course it takes Rourke on steroids to deal with him. The showdowns between, them mixed with the guitar solos have a special vibe to them. Music sets the mood more than you'd think, and could transcend otherwise average fight scenes (which really is the case here) into something you'll remember.Forget about the story, the plot and such. There is no such thing. You would not watch this movie for these things. Yes, it is a rip-off of certain movies which are a lot better. 'Leon' (1994), also mentioned by other users, being one example. Technically as a movie, it belongs in the low budget category, and I can very well understand why it was released direct-to-video.I still give it a 10 out of 10. Call it sentimental value.

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bronsonskull72

Mickey Rourke stars as Rudy Ray a soldier who breaches a group of terrorist's stronghold (This time a mall being held hostage) to save his brother and thwart the terrorists in this mind numbingly awful movie that is so dumb it doesn't even have a sturdy handle on the lame plot. No redeeming value.

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