Pink Floyd: Delicate Sound of Thunder
Pink Floyd: Delicate Sound of Thunder
| 21 July 1989 (USA)
Pink Floyd: Delicate Sound of Thunder Trailers

Concert video taken from the A Momentary Lapse of Reason tour. It was largely filmed during the concerts running from August 19, 1988 through August 23, 1988 at the Nassau Coliseum in Uniondale, New York, with some additional footage from June 21, 1988 and June 22, 1988 at the Place d'Armes of the Château de Versailles, Versailles, France (used to provide the performance of "The Great Gig in the Sky").

Reviews
CheerupSilver

Very Cool!!!

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Sameer Callahan

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Keeley Coleman

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

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Fleur

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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ccthemovieman-1

The concert included some of the most innovative "light shows" I've ever seen in a musical venue. I saw it on tape so I'm sure it looks even better on DVD. I think the visuals were better than the music, to be frank. I didn't find the songs to be anything special. They weren't bad, but nothing I would want to hear over and over. Perhaps being stoned would be the ticket but those days are long over. Speaking of the "old days," I found some of the lyrics in here so '60s-ish with the irreverence of the period that it turned me off. Those ultra-Liberal days are over, too. It didn't inspire me to hear these songs again. "Hey, teacher....leave them kids alone!" should be changed to "Hey, guys, give those lyrics a rest! (or, "Hey, guys - learn some grammar!")

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El Guapo-2

The director constantly uses a swooping camera, slow motion, and dissolves over and over and over... the result is the concert film gets very boring quickly. The documentary style that they used to film the concert, i.e. grainy, smoky footage doesn't match the visual style of slow motion and dissolves, especially when it's just repeated for every song. The backup singers were pretty hot! Pink Floyd here is really Pink Floyd version 3. Roger Waters sued Nick Mason, David Gilmour (guitar god) and Rick Wright over the use of the name "Pink Floyd" but the three remaining band members won the legal use of the name "Pink Floyd" but have to credit Waters where credit is due and pay him royalties, I think. Anyway, either the sound editing is horrible or their singing wasn't up to snuff on that day because it sounds really muffled, and along with the way the film was edited, I would not recommend this film unless you are a die hard Floydhead.

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Nick_Denife

I saw this show at Cleveland Stadium before they tore it down and put up the monkeyhouse they call Jacob's Field. I had seats WAAAY back in the stands, and, although they would be considered bad seats at any other concert, those seats are the only place to see a Floyd concert from. One of the things I really appreciate Pink Floyd for is the fact that they know if they give a concert, there are going to be several thousand people attending it, and only a handful of them will be able to really SEE them perform - for everyone else, it'll be a bunch of doll-sized (or smaller) images doing something that looks like playing instruments. Because of this, a Pink Floyd concert is a show in the true sense of the word - the lights, the movies shown on the round screen, the surround sound set-up, everything - is designed to be experienced from a distance. I enjoyed the show live and enjoyed it even more in this excellent video.One of the great things about this concert is the inclusion of outside musicians. Pink Floyd does amazing things in the studio - lots of layering and overdubs that give their records a rich, unmistakable sound, and the fact that they go to the added expense and trouble of hiring other musicians and back-up singers to fill the sound out instead of relying on pre-recorded tapes is something I appreciate. When I go to a concert, I want to hear what I heard on the record re-created live, not a "Gee, that was close, but where is the such-and-such" live version.This video is flawless - no cutaways to "psychedelic" footage of amoebas or such during solos, no "Hey, look at the neat effects we can do" - type transitions. The director used his multiple cameras very well, employing skycams, cranes, and handheld cameras perfectly and editing what he ended up with beautifully. He and his crew capture the essence of a Pink Floyd show expertly, employing dissolves, black and white footage, angles and camera movement with real care and deference to the music and the show itself. One of the hallmarks of a good concert film is not seeing the cameras or operators in the background, and you'd have to look very hard in this one to spot any. This video is about the music and the show, not about the style of the direction, and that's how it should be.The audio is good for what it is - Hi-Fi VHS stereo - and was great before the advent of DVD and DTS and Dolby Digital, but now, like everyone else, I'm spoiled. I WANT THIS MOVIE ON DVD! NOW!!! I have no idea what the holdup on this is. The company that owns it HAS to know that there are millions of Pink Floyd fans that would snap this up the second it's released.

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jettech7

The movie was not too bad. The concert was real good the effects, lasers and pyros. The only problem is that it does not look nearly as good on the video as I remember them from the concert. The concert CD has much better sound than the video in VHS format.

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