It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

The movie is wildly uneven but lively and timely - in its own surreal way

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

This 1966 comedy is campy, silly, and a bit ridiculous, but on the other hand, it has Natalie Wood, and that rounds it up to an almost passable film - and if you adore her as I do, worth watching, maybe lightly, in the background while reading. She is absolutely beautiful in the role of an irrepressible housewife who turns to robbery because her husband doesn't pay enough attention to her. Jesus, talk about a plot hole right there. :P Peter Falk is good as the detective on her trail, and it was interesting to see Jonathan Winters in a small part as well (he's a sex-crazed professor who chases her around until her clothes rip off and she's left capering about in her underwear … not exactly politically correct).On a more somber note, it's sad to think of the troubles this 5' tall daughter of Russian immigrants had in her life, ultimately leading to her creepy drowning death at the age of 43. She took several years off from acting after making this film which speaks to some of the turmoil she was going through, and it's jarring to understand that in light of just how airy this film is, and how happy she seems to be in it.

Enjoyed this slap-stick film which dealt with all kinds of crazy things that Natalie Wood,(Penelope Elcott) "Sex & The Single Girl",'64, managed to get involved with, in order to get the attention of her husband, a Bank Executive. There are lots of laughs in this film and Natalie Woods had just gotten a divorce from Robert Wagner when she made this film and still managed to give a great charming and sexy role, where she runs around in her bra and panties. Peter Falk,(Lt. Horatio Bixbee),"Columbo TV Series" plays a police officer and seems to be captivated by the wiggle of Penelope's body and takes exceptions to putting her in jail when she really commits a bad crime against her poor husband. It is rather sad to view this film and see a beautiful Natalie Wood and realize she had to die in such a horrible way in life.

I was 16 when this movie came out and completely overlooked it. I'm afraid I was more into the new wave at the Paris than this kind of thing at the mall. I saw it 30 years later and was astounded by the beautiful and to my eye authentic documentation of New York City at a moment of awesome and perishable beauty--a phrase that describes equally well the amazing Natalie Wood. The screenplay is a failed attempt at a 60s 'modern' screwball comedy, but the film work and editing are wonderful, and the camera has loved very few people with the intensity it loves Natalie Wood who glows in the wonderful 60s fashions.

Natalie Wood finally gets a comedy vehicle all to herself, but the results are half-cocked. Crafty woman conspires to rob her husband's bank--perhaps because she needs love or attention--and that's the entire plot in a nutshell. It's dragged out for 97 minutes. Natalie and the supporting cast (colorful players like Peter Falk and Jonathan Winters) have, understandably, very little to work with, though the production values are plush and some of the comedy is breezy and amusing. Director Arthur Hiller mistakes broadly staged gags for funny set-pieces, and most often the movie is just silly. As for Natalie Wood, she provides what interest there is, she looks great (and sings beautifully!), but the entire film rests on her shoulders and it's not in her to carry the load alone. ** from ****