Although it has its amusing moments, in eneral the plot does not convince.

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Chow Yun-Fat in the wild west? Why not?Known as "The Killer" yet again, Chow commits mass murder in a blind rage, and then vanishes from the murder scene to build the "Peace Hotel," a supposedly sacred place for crooks and degenerates to run to if they're on the run from the law or any criminal element, and have nowhere else to go.That all changes when a woman played by Cecilia Yip arrives claiming to be Chow's long-lost wife. I tell you, I've never heard more lies spewed forth from a movie character in such a short amount of time until I saw this movie. It's just lie after lie with this one, and she's persistent, too. Chow never falls for these sob stories of hers, and quickly debunks them as the myths they are, usually following up with a smack upside the head with a paper fan or a broom or something.Then a gang arrives, apparently after her for killing one of their bosses, but Chow's code won't allow her to be killed by them. No matter. It's obvious and inevitable that he'll take up the sword once again.As a comedy-drama, Peace Hotel works in a few ways, but not many. It makes for an unconvincing romance story. And as an action story, it's abysmal. The swordfights are some of the worst-edited sequences I've ever seen. Imagine Paul Greengrass filming a man swinging a flaming torch (and later, a sword) through countless bad guys. Now imagine Olivier Megaton, fresh from Taken 3, editing that footage. Now imagine that footage sped up. Yeah. It's bad.The single shootout sequence, however, is fantastic, and a major contrast to the editing style applied to the swordfights. I suspect John Woo, who helped produce this film, took over the director's chair for this sequence, because I can't see how the same director who did such poor swordfight sequences could have done such a grand shootout like the one on display here. It's the only plausible explanation.Overall, the acting is corny and not all that great, although Chow seems to really give it his all and seems to be the only one really trying to churn out a decent performance. The comedy works, sometimes, but often falls flat. The plot twists are silly. The music is distractingly poor sometimes. I think the second half, with the exception of the shootout, is where things really started to fall apart. Unfortunate, because this could have been better had it been handled with more care.

Chow-Yun Fat stars in this Hong Kong spaghetti western as 'The Killer', an unstoppable bounty hunter and mercenary who has decided to retire after his wife's death. Setting up the 'Peace Hotel', the Killer offers sanctuary to anyone who is on the run from someone who wants them dead. But his altruism is tested to the limit when a young female swindler (played by Cecilia Yip) arrives, on the run from a gang that wants her dead. Soon the Killer is forced into an unpleasant choice - to send her on her way, or violate his own rules and risk an all-out war with the gang.Well directed, good casting and decent acting. I like the narration at the start telling the story of him you get to know a bit about his character and why he did the thunga he did.The action is decent but ruined by poor editing. Good film as i said but could have been much better.Overall a decent Western action film.

Review: I quite enjoyed this film, mainly because of the crazy lady who told load of lies to stay in the hotel but the action scenes wasn't that great, because of the shoddy camera work. Chow Yun-Fat puts in his usual great performance and the different characters also made it quite enjoyable. Once Chow Yun-Fat's character, The Killer, falls for the lying, cheating and very deceptive girl, the storyline does get a bit weak but the witty storyline and original concept beforehand, was great. Although the movie is full of subtitles, it's still easy to follow and the open ending was sad in one way but intriguing in another. Most of the movie is based around a hotel, with a Western backdrop, so the scale of the movie isn't that big but the ending was still pretty epic. With that aside, everything about this small budget movie worked and I'm slowly becoming a big fan of Chow Yun-Fat. Enjoyable! Round-Up: This was the first movie directed by Ka-Fai Wait, 54, in 1995 and he has gone on to direct 17 more movies for the Oriental market, which I personally haven't heard of. Chow Yun- Fat also wrote this movie with the director, and with the production skills of John Woo, it's not surprising that this project turned out so well. I recommend this movie to people who are into their action/crime/drama/romance/westerns starring Chow Yun-Fat, Cecilia Yip, Ho Chin and Shun Lau. 5/10

This contribution to the "Western" genre from Hong Kong is just about the most offensively poor film I've seen that actually had a budget. I don't know how much it cost to make (I'm guessing at a few million), but it was money down the toilet. I am an admirer of the work of Chow Yun Fat, both in Hong Kong and Hollywood, but I was shocked and disappointed to discover how low his standards are capable of dropping, as demonstrated by his heavy involvement in this shoddy piece of work (main actor and co-writer). Essentially, the story is of a part of wild China in/around early 20th c, in which a former gangster and mass-murderer reforms his life and builds the Peace Hotel, a refuge for all the area's disowned and hunted. This situation is maintained for 10 years, when a woman of dubious character turns up and claims refuge. However, she is at the centre of a plot to bring down the Peace Hotel, the owner, and all he stands for. Why is this a disastrous production? Where do I start.....The back-stories of the two main characters are treated in an overly sentimental way, the soundtrack throughout the film is irritating, the story didn't interest me, I found the pacing to be slow without being gripping, and most of the characters seemed to be one-dimensional, pointless, irritating and/or unlikeable. I also got the impression that there were gaps in the story in terms of explaining motives, but it may be that if I had taken more of an interest in the film I might have understood it better. Frankly, I was bored rigid after the first 30 minutes, and couldn't wait for it to end. Yawn.