Paterno
Paterno
| 07 April 2018 (USA)
Paterno Trailers

After becoming the winningest coach in college football history, Joe Paterno is embroiled in Penn State's Jerry Sandusky sexual abuse scandal, challenging his legacy and forcing him to face questions of institutional failure regarding the victims.

Reviews
Kattiera Nana

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Cubussoli

Very very predictable, including the post credit scene !!!

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Stellead

Don't listen to the Hype. It's awful

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Rosie Searle

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

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eddie_baggins

If it does nothing else than remind you that acting legend Al Pacino still has what it takes to deliver a commanding lead performance, then HBO's and Barry Levinson's Paterno is worth the watch.After what seems like years' worth of average to bad performances in feature films (bar the loveable Danny Collins), Pacino has quietly been going about his business with some impressive projects in the world of the small screen in roles for such films and series like Phil Spector and You Don't Know Jack and Paterno is another impressive feat for the living tressure, even if the film around him can't quite match his on-song turn.Much like Pacino, director Barry Levinson has struggled over the last decade or so to recapture the directing form that helped him deliver classics like Rain Man and Good Morning Vietnam in the 80's, with forgettable 2000 films such as Envy and The Humbling doing nothing but tarnishing his reputation as a filmmaker of note, so it's nice to see Paterno offer the talented artist a chance to showcase his abilities once more, even if this experience is a lot more dreary and dramatically focussed than we'd usually see from him.Focussing its attentions on a very specific and publicly profiled period in the life of the aging and famed Penn State football coach Joe Paterno and his entanglement in the horrific sexual abuse allegations that swirled around his onetime colleague Jerry Sandusky, Paterno offers a brief glimpse into the life of the winningest coach in college football history and how these terrible abuses tarnished his final days as a member of the Penn State fraternity.Paterno gives Pacino one of his most quietly devastating performances to date, there's no showy moments here and under some impressive makeup, Pacino utterly convinces as the recognisable and well-loved American figure even if the film around him does feel like it can't quite escape its TV movie origins.With Levinson focussing so much of his time on Paterno, other characters within the film feel rather underdeveloped and lacking in screen time but with Paterno taking centre stage, we are gifted into an insight into a haunted man who is slowly but surely coming to the realisation that despite all the good he has done, a misguided and terribly misjudged component of his life will be what he takes to his grave.Final Say - It feels and acts like the TV movie that it is but thanks to Pacino's commanding turn and the insight it offers us into a particular time in the life of one of the most fascinating football figures ever to have lived, Paterno is a cut-above other similar TV biopics and a reminder to us all that Pacino still has what it takes to anchor a feature film.3 ½ campus riots out of 5

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Jack Spencer

Maybe a few facts presented, but this film was not at all enjoyable.Agonizingly slow. Overall theme was dark, and Coach Paterno himself is presented at times, as a bumbling clueless idiot. No background on his achievements was preswnted, and football is just a very small part of this story. Sandusky himself is rarely ever seen, and we do not get an accurate representation of his motivations. I thought this movie would be interesting, but it is bleak and no fun. My time was wasted

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Kai Stoll

It's unfortunate that now a days movies get blasted for their message or perspective, regardless of how well they are made from a cinematic experience. I see this movie get blasted simply because of the way it painted Paterno, or its confusion of "good and bad guys". While everything is this movie was basically factual and based on actual reportings, it actually indicated Paterno much less than I thought it would. Levinson gives life to the personal workings of a darkness that none of could imagine. The brilliant cinematography, along with a stunning Pacino, somehow humanizes the turmoil and pain of someone worshipped as a god for 60+ years, suddenly facing indescribable demons that challenge everything he has ever stood for. If you really paid attention to the message, as well as any other work done on this particular scandal, you can understand that one not need separate the legacy of Joe from the moral character and human.

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bbrebozo

I was really looking forward to "Paterno," and boy was it a let down.Don't get me wrong: Al Pacino was amazing. He gave his performance a world-weary, old man perspective. And he definitely had the look and feel of the real Joe Paterno.But it seemed like the production really had to cut corners in order to pay Pacino's salary. The rest of the cast, with the exception of the actress who played Paterno's wife, was unimpressive. Not that they were necessarily bad actors. But it felt very soap opera-ish, "okay kids, learn these lines quickly 'cause we're on in five minutes." I had the feeling that the actors who played Paterno's family members and colleagues hadn't had much of a chance to meet or rehearse with Pacino before the cameras started rolling.The whole production had a high-school-film-project feel about it. Particularly the frequent flashbacks, which were all blurry, echo-y, quick, and pointless. The mobs of protestors looked and acted like a bunch of movie extras who were waving signs and chanting on cue, not a genuinely passionate and outraged mob. The script wasn't particularly memorable or dramatic.One of the worst parts was the terribly annoying background music. It was mostly a single synthesizer, played like a fifteen-year-old had just gotten it for Christmas and was eagerly showing off the "spooky" new chords he had learned. And it was incessant, snaking it's way through most of the show. It played over, and ruined, some of Pacino's most dramatic scenes. If you're a die hard Pacino fan, you should probably see this. For everyone else: "Paterno" isn't up to HBO's high quality standards.

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