To all those who have watched it: I hope you enjoyed it as much as I do.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I think when you go into a film and see that there aren't many actors you recognize you immediately think.."Uh-Oh". This is one of those films.A well known American person (or spy) gets a call and goes to North Africa. He's suppose to talk to some important people there but gets kidnapped and told if he doesn't co-operate they will kill his butler. He does but the kidnappers (who are nazi's with pretty amazing non-German accents) already know he will tell his superiors so they work out a plan to get what they want (the plans for the minefields in the Suez Canal) in reverse. Throughout all this we get a butler who constantly gets kidnapped and harassed and spies that, if you aren't blind or stupid, you figure out pretty early on. Will they get the plans before they get caught?This one wasn't terrible but wow was it pretty easy to see who the double agent was. I mean very early on you see in span of 5 minutes 2 separate incidents that show no other perpetrator but 1 and throughout the film your suppose to be guessing who the culprit is. The fact that it had a young Lloyd Bridges didn't really help cause his role is very minor. The casting for the 3 main leads was good and were noted character actors but the leftovers weren't really that impressive. For a mild B-grade film it was fairly entertaining because of the Casablanca feel it has to it but it's still just a nothing special type of film.The butler is the highlight for me. Also watch for the heavy who looks painfully like William Conrad of Jake and the Fatman fame. If you've got a spare 71 minutes then try this one and see some mild WWII spy intrigue.

With a long bow to Casablanca Warren William as Michael Lanyard The Lone Wolf gets an espionage assignment of which we're never quite sure because the Nazis capture him and valet Eric Blore.William has joined the war effort and the bad guys try to decoy him and the British authorities away from their actual purpose which is to bomb and disable the Suez Canal, lifeline of the British Empire. They've recruited no one less than Blore's daughter-in-law to be Ann Savage as one cool spy. Is there no end to their scheming?The film is set in Alexandria and it tries to be a cut rate Casablanca with Sheldon Leonard as nightclub owner Johnny who runs a café like Rick's where intrigue is an appetizer on the menu. Leonard usually a villain, is William's stalwart friend as the spies come real close to making a fool out of him.This was the last of Warren William's films starring him as the Lone Wolf. But the best was definitely not saved for last.

Enjoyable entry in the Lone Wolf series with ERIC BLORE supplying most of the humor with some clever lines and scene stealing tactics from WARREN WILLIAM, again playing the title role. It's a wartime espionage story with something about spies, mysterious laces, the glass on wristwatches and some '40s technology thrown in for good measure. All of it is highly improbable, as played here, and yet it's probably just the sort of escapist entertainment audiences wanted during WWII.ANN SAVAGE is the femme fatale (as usual), but it's really Warren William and Eric Blore who share the spotlight beautifully, playing off each other with their usual dexterity.SHELDON LEONARD has a good turn as a nightclub owner on the right side of the law and LLOYD BRIDGES again shows up in a brief supporting role.Not bad, but not much above average either.

A very good film for Warren William to end his Lone Wolf career on; after a break Eric Blore soldiered on as valet for a few more films. This outing has an interesting plot, fascinating characters and relationships, inventive photography and Fritz and Karl had to suffice as the only links to the unmentioned Nazis.The Baddies are out to get the plans of the Allied fortifications for the Suez Canal to eventually control the region and then the world ... How they go about it, get it and lose it is as ingenious as it is ridiculous but as it's the McGuffin it's not that important anyway. The similarities to Casablanca are striking but this is a good film in its own right - the inter-relationships of everyone (all slow, sly or slinky) and especially everyone to Rembrandt, Whistler and Cezanne and vice versa are engrossing to behold and is perhaps the film's strongest point. The badinage between Blore and William was perfect, hardly any serious exchange between them throughout, except when Blore was either tied up or being untied. Lloyd Bridges was wasted in this one.All in all well worth watching as a non-serious potboiler, heavy political commentary will not be found here! William only made a few more films after this before he died of cancer in 1948, which makes Blore's hopeless look at the camera at the end with "Here we go again!" all the more poignant.