What a waste of my time!!!

Stylish but barely mediocre overall

Good concept, poorly executed.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

This is a film with a very strange plot. There are so many bizarre plot elements that I think the overall picture comes off as very, very difficult to believe and is one of the worst films I've seen that stars Clara Bow. Now the film sure LOOKS nice...but the plot?! Weird.The film begins with a gang of thieves breaking into a rich professor's house. However, things don't go smoothly. One of the robbers wants to kill Professor Marcel--but the other stops him. Just then, the cops arrive. Marie (Clara Bow--who is the lookout) escapes, the would-be killer is killed and Armand (the good thief) is protected by the Professor--who tells the police that he's his house guest. You can understand this--after all, this lovely thief did save Marcel. However, this scene and the subsequent scenes might be interpreted to have a gay subtext when seen today--especially when the Professor invites Armand to live with him and treats him in a very familiar manner.In the meantime, Marie sneaks into a party at Professor Marcel's house and sees Armand--with another woman. She assumes that he no longer loves her and she is angry--determined to destroy Marcel for taking Armand away from her. So, she later pretends to be a rich lady and meets Marcel--and makes him fall in love with her. Just after the marriage, Marie's mother reveals to Marcel the truth--and that she'd stolen Marie from a rich family when she was a baby(???!!!). And, without knowing the truth, Marie then tells Marcel that she married him just to get revenge on him for breaking up the relationship between her and Armand(??!!). JUST THEN (again), Armand shows up--and the old gang does as well and shoots Marie!!!! Then, she miraculously survives AND the Professor leaves--allowing Armand to have Marie for himself!!!! This has to be the most contrived plot I've ever seen in a silent film--and I've seen about a thousand of them. So many silly surprises and twists thrown into a film barely over an hour long--it made me laugh with all these story elements. While the film looks nice and is entertaining, it also is fundamentally stupid. Not one of Bow's shining moments and the sort of fluff she'd no longer be doing once she really hit it big with films like "Wings" and "It"...at least until her star faded at the advent of sound.

Parisian Love (1925)** (out of 4) A lot of times "B" movies are put down for not having enough plot and not running long enough to matter. That saying is really put to the test here as this film runs a mere 62-minutes but there are enough plots here for ten movies. The film starts out as Apache lovers Marie (Clara Bow) and Armand (Donald Keith) break into the house of the rich Pierre Marcel (Lou Tellegen). Marie takes off when the police arrive but Armand becomes "friends" with Pierre who eventually saves him from blood poisoning. Still awake? Pierre then hooks Armand up with another woman, which Marie finds out about as she's gone undercover in the house as a maid. This upsets Marie so she plans on marrying Pierre to get even with him while other goons try robbing him for more money. There are several other subplots going on in this thing, which happens to be just one of fifteen movies Bow would make in 1925. The amazing thing here is how much stuff they try throwing at the viewer and for the life of me I really can't figure out what it was for. There's really no romance here even though, I guess, in the end that's what the story is suppose to be about. None of the goons are ever threatening and there's no tension from anything that happens with them. There's very little comedy and there's really no strong character development. There's pretty much nothing going on here but the thing is just so weird, so over-the-top that you can't help but keep watching just to see what's going to happen next. I would call this a really bizarre film but it's worth noting that director Gasnier would later make REEFER MADNESS so I guess this film could have gone even further (although there is a cocaine snorting scene here). I think the main reason people will be drawn to this film is just to see Bow. This isn't the greatest performance out there but she does a fair job with the role. Some of her acting towards the end of the picture is too far out there but she's nice to look at. Keith is a tad bit too bland in his role and Tellegen is so far gone that you can't help think he'd perfectly fit into REEFER MADNESS.

With a plot line that is as convoluted as a ball of yarn, PARISIAN LOVE barely manages to escape ignominy due to the presence of Clara Bow, who with her huge eyes, expressive face, and earthy beauty just dying to burst out of its confines manages to transcend well beyond the material she was handed (which tended to be unremarkable, as she wasn't considered glamorous enough to garner or carry that sort of film). Even so, PARISIAN LOVE is an odd movie, one that starts out as a dance-duel between partners, evolves into an adventure, and then turns into a revenge drama where Bow's character decides to go after Armand (Donald Keith) after believing he has betrayed her love for him in a rather implausible way. All in all, it's an okay movie, for completists of Bow's cinematography only, but for anyone looking for true acting and in a timeless style, the preferred movie to view would be IT.

Am I just deluded or is this the tale of a woman driven to extremes of jealousy, when her boyfriend becomes the lover of another man? The story goes like this: A handsome young robber is caught while robbing a wealthy man. Instead of handing him over to the police, the man claims that the robber is an old friend, and then nurses his wounds in his own bed. He insists that the young man live with him or he will turn him in. Meanwhile the robber's girlfriend finds out what's going on and, while the robber is away on a business trip for his "friend", she decides to seduce the wealthy man and trap him into marrying her. This she describes as revenge for him stealing her lover from her. A title reads: "All of Paris whispered when Pierre Marcel was married - he had been so aloof from love". Mmm. Well if anyone could "convert" a gay man it would have to be the wondrous CLARA BOW.