I like the storyline of this show,it attract me so much

Good concept, poorly executed.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Blistering performances.

When the film begins, rich American, Lucky Lawton (Bing Crosby) is about to marry Barbara when the unexpected occurs...they discover she is STILL married and she needs to return to Paris to get her divorce. The plan is for Lucky to soon follow and meet her there for the wedding. However, when he goes through a small town on his way to Paris, he discovers a comely local lady (Franciska Gaal) and falls for her as well! How do alcohol and attempted vehicular homicide have to do with sorting all this out??The film is fair and pretty predictable but could have still worked...mostly because Crosby was always such a great screen personality. But the alcohol gimmick and how it played out was really, really stupid...as was the finale. Frankly, I expected more.

Workhorse director Frank Tuttle is in charge of a Bing Crosby programmer in this decent but unexceptional movie. Bing's all set to marry Shirley Ross, but it turns out she's still married to a French Count, so they go to Paris to arrange the divorce. While waiting for the courts, Bing heads off to a small Balkan village run by Akim Tamiroff, where he falls in love with annoying Rose Queen Franciska Gaal. The usual hi-jinks ensue, and there's an amusing running gag involving Tamiroff, village idiot Ben Blue and a one-armed bandit. It's all predictable and rote, and even Edward Everett Horton doesn't do much to liven up matters, nor three decent but unexceptional songs.There's some decent Leroy Prinz choreography for the peasant dances; Evelyn Keyes has a bit role as a peasant, but as usual, I couldn't spot her.

Bing Crosby starred in some great films (i.e. 'Holiday Inn' and 'Going My Way') but also a few not so good ones (i.e. the 1956 version of 'Anything Goes'). 'Paris Honeymoon' is a minor, and pretty much forgotten, film, but it is a pleasant diversion and nothing more or less.The title is misleading at the very least. There is a little bit of Paris, but it is more Ruritania than Paris (probably done because it sounds catchier?) and there's no honeymoon. That however is a nit-pick and not really a flaw. There are things that stop it from being great, but there are a good many good things to make 'Paris Honeymoon' very much watchable.Franciska Gaal agreed is irritating and displays very little warmth or charm. The plot, while still warm-hearted and light-footed, is pretty paper thin nonsense, and although there is some enormously fun comic relief from Akim Tamiroff and especially Edward Everett Horton, the script is every bit as flimsy in places. The songs have been criticised for being forgettable, well they are not the most memorable in a Bing Crosby film or any musical for that matter but they are pleasantly tuneful.Crosby however carries 'Paris Honeymoon' with ease, it is a reasonably early film in his filmography and he is much more comfortable than in some of his earlier roles. As ever he also sings a dream. Shirley Ross is also charming, and Horton and Tamiroff are very funny, Rafaela Ottiano also. Ben Blue is amusing too, though one can't help think of Harpo Marx when seeing Blue, except not as good.It is a good looking film too, hardly a cheapo while also not being elaborate. There are two particularly great scenes, when Horton gets water spilt over him by Ottiano and particularly the scene in the castle.All in all, a pleasant if not exactly great film. 6/10 Bethany Cox

"Paris Honeymoon" is an above-average Bing Crosby musical. Bing plays a superstitious Texas gambler, engaged to marry a European countess (Shirley Ross). They're planning a Paris honeymoon ... but first Bing needs his good-luck charm: a horseshoe from a left hind hoof. While Bing's valet goes hoof-hunting, Bing takes a wrong turn in the Pyrenees and meets a pair of knees attached to Franciska Gaal.Hungarian actress Gaal was discovered by Paramount and given the movie-star build-up in three Hollywood films. ("Paris Honeymoon" is her best and last Paramount movie.) She's incredibly annoying in this film, as a peasant girl who latches onto Bing and tries to woo him away from Shirley Ross.The supporting cast are excellent. Edward Everett Horton gives his usual superb performance as Bing's hoof-hunting valet, a bit more "nelly" than usual. Akim Tamiroff is amusing as a crooked politician promoting a soft drink called "Karloca-Cola". Ben Blue plays a Harpo Marx-like European village idiot, remarkably similar to the role Harpo Marx played in "Two Many Kisses". Like Harpo in that film, Ben Blue here is almost entirely mute, but he spoils the effect when he speaks. "Paris Honeymoon" features a gag sequence with a slot machine that pays out jelly beans to everyone else, but which pays out cash jackpots to Ben Blue: this is very similar to Harpo's slot-machine routine a few years earlier in "Horse Feathers".The funniest scene in this film occurs when Bing disguises himself as a ghostly head without a body, hoping to scare away Franciska Gaal. (Of course, Bing sings "I Ain't Got No Body".) The songs and production numbers in this film are just a notch below first-rate. The only fly in the paprika is Franciska Gaal, who was strictly from Hungary and went back there after this movie.