the audience applauded

Just so...so bad

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

this animated short comments on free will in modern society through the creation of an intricate machine-operated world in which the characters - impeccable re-creations of antique tin wind-up toys - are pulled along predetermined tracks.no computer-generated gimmickry here. the puppets created for "paradise" are incredible - created using the same process that was used to make tin toys in the 1950s. 5 main puppets were built, each hand-painted with its own distinct character and hinged at key joints to allow movement. as well there are cars, bicycles, and an entire environment consisting of home, office, and suburban outdoors. the technical achievement here is amazing.while the visual style is very different, the themes explored here are similar to rosensweet's earlier film "the stone of folly," which premiered at the cannes festival and screened at festivals around the world and is also well worth watching. both are must-sees for any fan of stop-motion animation.