Why so much hype?

Fresh and Exciting

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Pal Joey (1957): Dir: George Sidney / Cast: Frank Sinatra, Rita Hayworth, Kim Novak, Barbara Nichols, Bobby Sherwood: Witty musical about the person that we can be as oppose to what our reputations display. Frank Sinatra plays a womanizing nightclub singer who is torn between two woman. As the film opens he escorted by police to the train station. From there he attempts to reenter the nightclub business, eventually succeeding. Rita Hayworth plays a high class wealthy widow whom he wants to convince to finance his club. She is withdrawn yet plays his game as seductress leaving him near exhausted in his pursuit. Kim Novak plays a chorus girl whom he meets through a neutral friend. Despite he efforts to charm her, she reacts cold and distant. When he rents an apartment next to her's she is hardly impressed that they have to share a bath. To even the odds she tricks him into purchasing a dog. While beginning and structure are detailed, the ending doesn't quite gel. Director George Sidney is backed by energetic production numbers and festive performances by the three leads. Sinatra plays off the sly nature of Joey whose voice and song are persuasive weapons. Hayworth is the withdrawn mysterious demeanor to Novak's insecure inner being who would prefer to avoid the seductive act. Other roles are as cardboard as a stage prop. Theme regards a genuine nature exposed when the curtain closes the act. Score: 7 ½ / 10

O.K., so alterations had to be made to some of them, and with his death over a decade before, much of the wit is gone from them. But what remains is a clever update that will upset theatre purists (like myself) but ultimately satisfy those searching for a fun musical time (like myself). Frank Sinatra's Joey is as far from his former co-star Gene Kelly's Joey (and Harold Lang's in the 1952 smash hit revival), but he is still a cad, using women to get ahead, if not as voraciously as the Broadway version. He's basically been tossed out of every city he's been to, most recently for breaking "legal age" laws. Now in San Francisco, he sets his sights on two beauties: a shy chorus girl (Kim Novak) and a wealthy socialite (Rita Hayworth) whose past Sinatra knows a thing or two about. This gives Hayworth the chance to take on the altered lyrics of "Zip!", initially sung by a reporter as a parody of Gypsy Rose Lee, but here made to be the former theme song of Hayworth's stage career.Of course, the older socialite makes demands of Sinatra, funding a nightclub for him to host, but will Frankie boy remain true to purse strings or his heart? If he could write a book, it wouldn't probably be about the lady who's a tramp, most definitely more open to the one with the funny valentine. Interpolated Richard Rodgers and Lorenz Hart songs from other shows ("Babes in Arms", "On Your Toes") replace many cut from the show that was fresh to many filmgoers in 1957 because of the recent hit Broadway revival which toured for years afterwards.As film entertainment, this is totally acceptable, but for representing a Broadway musical that was initially ahead of its time, forget about it. Sinatra is a bit of a ham here, trying to steal scenes every chance he gets, and the role of the blackmailing Gladys (here played by sex-pot Barbara Nichols) has been watered down to practically nothing. She had more to do in the same year's "The Pajama Game". Hayworth, dubbed by Jo Anne Greer, is still a beauty even if now a 40-something "has-been", yet at the end of her Columbia years, is still a sight to behold, especially as she sings "Bewitched, Bothered and Bewildered" in her bedroom and shower. When she joins Novak with long tresses for the fantasy number, "What Do I Care For a Dame?", it appears that the hands of time have rolled back the clock. As for Novak, she would go on to better performances, but it is apparent that here, having risen to stardom several years before, she's still a novice compared to the company she keeps. Her shy, butter wouldn't melt in her mouth routine is never fully believable, and when she does a striptease to "I Could Write a Book", it is obvious that this is where it's at for this former model who was Harry Cohn's last shot for stardom . Elizabeth Patterson is witty in a small role as Novak's landlady. The direction by George Sidney is as crisp as anything he did over at MGM, but the truth of the matter is that this isn't anywhere near the classic it could have been had it stuck closer to the original intentions of John O'Hara from his scandalous book which later scandalized Broadway and made Gene Kelly a star.

Date: August.12, 2012 -First Time Watch- Continuing my journey through Frank Sinatra films I watched 'Pal Joey' next. In it Sinatra plays Joey Evans, a lady's man who wants nothing else then to run his own joint. He soon finds himself in the middle of two women, Linda English (Novak) a show girl and Vera Simpson (Hayworth) a wealthy widow. If you ask me, you couldn't go wrong with either women. I'm not a big musical person but I rather enjoyed this one. It didn't have too many musical numbers and the acting was really good. I especially love the scenes between Joey and Linda at the house where they're renting rooms right next to each other. Also a nice touch was the little dog that becomes Joey's after Linda pulls a bad trick on him. I really did like this movie and Frank Sinatra is quickly becoming one of my favorite actors.

Pal Joey (1957)This is a vehicle for Frank Sinatra to sing. And that's all we need, in a way. The movie has a plot, and two stellar actresses who are neither quite at their best (the overrated Kim Novak and the restrained Rita Hayworth). And it has some nice full Technicolor filming in and around San Francisco which is its own attraction. But Sinatra rules nearly every scene. He has his regular guy persona, perfected years ago for lots of musicals and even some dramas, with the slight tweak that he's a bit full of himself. Except we know it's an act just to survive. He meets chorus girl Novak and likes her rather a lot, and he meets high society and ex-showgirl stripper Hayworth and likes her rather less, but they seem to have some hot flashes anyway. And he needs her money to make it big in town.That's the plot, as the two women vie for his attention. Meanwhile a new nightclub featuring, yes, singing and dancing, is opening and so that becomes the center of all the swirling. It's all predictably held back from anything realistic, of course. I mean, Sinatra is this guy who's totally broke and desperate, but he doesn't really show it. (He says it.) When he swoops on stage at the first opportunity it's all in that fantasy world of possibilities that are what make musicals musicals. Those of you who are tempted to say, "Oh, come on!" you need to let go and just find the flow. Get used to the idea that it's a kind of parallel universe, slightly false and dreamlike on purpose. The improbable is meant to be just that because it's more fun that way!Meanwhile there's Sinatra the singer. He goes through a whole list of numbers, some of them rather famous, and he hums and sings bits of other great songs. These include "My Funny Valentine" which Novak performs in full on stage, and "Bewitched, Bothered, and Bewildered" which Hayworth performs to herself in her spacious bedroom. Both of the women's vocals are dubbed in by other vocalists, however.And yes, there are some really famous songs here. The composers are none other than Rogers and Hart, coming from their 1940 Broadway play of the same name (and originally starring Gene Kelly). Most of the songs originated there, but four, including "The Lady is a Tramp" and "My Funny Valentine" came from a 1937 musical "Babes in Arms," also by Rogers and Hart. The "charts" are by the great Nelson Riddle, who arranged Sinatra's most classic albums of the 1950s. Everything is in pitch perfect form here, and if you want a dose of pure Sinatra, the actor and singer, this is the place to start. Don't expect too much of a movie, but don't worry, either, because it's all solid and very enjoyable. And a dream you can really inhabit.