Pagan Love Song
Pagan Love Song
| 26 December 1950 (USA)
Pagan Love Song Trailers

Island girl Mimi plans to leave Tahiti, but maybe she'll have a reason to stay when Mr. Endicott arrives.

Reviews
Develiker

terrible... so disappointed.

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KnotStronger

This is a must-see and one of the best documentaries - and films - of this year.

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Neive Bellamy

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

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Winifred

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

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juliastarkap

I've always been a fan of musicals in tropical settings, and Pagan Love Song is no exception.The Music is beautiful and tropical, and Howard Keel and Esther Williams make a beautiful couple. I loved the scene at the end where Howard Keel imagines Esther Williams swimming.Although there is a very thin plot, Pagan Love Song is great entertainment for any occasion

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gridoon2018

Howard Keel inherits a plantation in Tahiti, Esther Williams is a local girl he falls in love with....and that's about it as far as story goes in this light-as-air, exotic musical. Eye-filling Hawaiian (actually) sights and two very attractive stars (Esther must have been in the best shape of any female movie star of her time) make "Pagan Love Song" a pleasant diversion, even though it is mostly uninspired, both musically and comedically. The one exception is an extended underwater sequence with Esther near the end. The DVD includes a number of songs deleted from the final cut, which accounts for the short running time (only 76 minutes). ** out of 4.

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guil fisher

This is a gorgeous film. Scenery of the island of Tahiti was exceptional. Esther Williams and Howard Keel make a beautiful pair on screen. They seemed to suit each other. They did appear together again in "Jupiter's Darling". This was at the peak of their careers. MGM gave them a no nonsense type story line and interlaced it with some nice songs and one spectacular water ballet. I am an Esther Williams fan. I love watching this beautiful woman on screen. And when she's wet, she's fantastic! In the underwater scenes, with beautiful coral plants and colorful foilage, she seems to be like a mermaid in her own world. Rita Moreno plays a feature role, in her early MGM days, complete in sarong and long flowing hair. And look for Ben Gage, Esther's real life husband at the time, making an exit down the gangplank, carrying a little girl from the ship that brings Keel to the island.A wholesome entertaining film from the MGM Musicals. Charming and fun to watch. You'll find yourself smiling all the way through the film.

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artzau

The other comment here is that this movie has no plot. Well, there is, but it's a thin one. But, consider the social context of this film, the beginning of the 50s, a time when musicals were king and the world was still optimistic. Things looked good: the horrible WW2 was over and the boys were home; the economy was so-so but people were hopeful: many ex-GIs had returned to school (a social feature which would bear fruits in the coming years); Rosie the Riveter had put up her tools and was now in maternity clothes waiting to socialize her daughters and make them aware that they could earn money just like the men and not have to stand for being deprived of the opportunity to do so; the Korean war was still a year away. Things looked good. So, why not have a bit of Hollywood costume mind pablum about a guy inheriting a small plantation in Tahiti, having a romance with swimarina Esther Williams in dark-skinned make-up and all of that. No plot? Sure, there is. It's just not very tension-fraught. Is that bad? To tell the truth, I don't think folks went to see this film for extensive intellectual challenges. It is full of memorable songs, lovely-to-look-at moments and some nice shots of Tahiti. Rosie and her back-from-the-war GI Joe likely held hands during the colorful dream sequences, unknowing that their daughters and granddaughters would be horrified at the chauvinist late 40s dialogue. I missed this film as a kid and saw it on video a few years ago. I loved Howard Keel and Esther Williams as a kid and would likely have loved it more then. But still, there were moments, e.g., during the confusing (and somewhat confused) dream sequence, when I could smile, losing myself in the same way that thousands who go to Las Vegas and see shows at the club do-- and it only cost me a few dollars! Check it out. I agree. The plot is scarce but, doggone it, it's sure fun to see.

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