Terrible acting, screenplay and direction.

everything you have heard about this movie is true.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Really this was an awesome movie, a way ahead of its time and yet refreshing.After watching this movie yesterday i get to consider myself a fool not to watch this one till now. This was a real Indian gem and needs to be watched by every person being an Indian movies fan by heart.The most amazing character of this movie is that of Kishore Kumar playing a role of Love guru leading his guy to the ultimate goal of his love.Talking about "Saira Bano" she was looking so beautiful and gorgeous as always. Sunil Dutt was good playing a character a typical Indian by heart. In nutshell a really fantastic movie with amazing leading characters.

One of the best all time comedies and among the best of Indian cinema. Kishore Kumar and mahmood stand out every one in their comic timing . you keep wondering how versatile can a man be after watching kishore kumar sing and act at the same time. sunil dutt is cute and good with his dialogs. good acting . saira banu is also good. The maestro that he is , once again RD Burman proves that the genius like him are rarely born.kishore kumar and Manna Day have sung the songs awesomely. The songs "Mere samnewali khidki', "kehena Hai ", "sawariya" and the only one of its kind till date in the history of cinema "Ek Chatur naar". Kishore kumar according is the hero of the Film.

...yet Kishore Kumar rules. Sunil Dutt holds his own as the straight man, and the best things about Saira are her figure and her clothes. The rest of the cast is good, too, but for me the main interest was to see a film where the actors (Mehmood & Kumar) do their own playback singing, which I believe became fairly uncommon after the 1940s. These guys deliver, and steal the show whenever they are on screen. Then on top of that, Kishore's character, Guru, after Bhola (Dutt) hilariously demonstrates that he can't learn to sing, pulls a Cyrano and provides the voice for Bhola's picturizing. Then song duel with Masterji, too much, Guru working Bhola like puppet. Guru's troupe (including Bhola) are a gang of 5, working like a chorus, double-takes timed to the music. The scene where they go to Bhola's uncle to change his mind about his engagement is structured as a pretty much a cappella song. I love that. I chose this film to see Kishore work, and I feel like I picked a good one, plus I learned about Mehmood, I'm looking forward to seeing more of both of them.

The most delightful thing to me about this light comedy is the "invention" of playback singing as a seduction strategy for Sunil Dutt. His Guru in the movie is a director of what appears to be neighborhood Mahabharat dramas, with pan juice usually dripping toward his chin, played by Kishore Kumar.Sunil wants to be able to sing to impress the sexy neighbor girl -- but he can't -- so Kishore comes up with the brilliant idea that HE will sing out of sight, and Sunil will -- well, picturise the singing! Fantastic idea!! Which generates wonderful scenes of Sunil picturising seductively while we also see Kishore hopping around behind him singing the songs. (I imagine Kishore is actually playbacking himself here, so it's a great Bollywood-y hall of musical mirrors.)Kishore also sings and dances a number in which I believe he is doing a ladies' dance, playing the part of the beloved, as part of the enterprise of coaching Sunil in his love quest. His comic talent and body language are spectacular. I''ll probably buy this one just to watch this scene 1000 times. ~Virginia in New YorkETA: Nov. 16, 2006 - I just read an interview in which Shah Rukh Khan names this as his favorite movie comic scene. (Current Film Fare Magazine.)