Pretty good movie overall. First half was nothing special but it got better as it went along.

It's entirely possible that sending the audience out feeling lousy was intentional

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Even now a few hours later, I'm still not sure what to give this movie. I went into it expecting it only to be stupid and ridiculous, because what else is a movie starring one-third of Head Cheese (Head counts as as third!) going to be? But it was far more ridiculous than even I expected. But in a stupidly, goofy, surprisingly entertaining way. Don't get me wrong; this isn't a "good" movie. The acting is . . . well, it stars Al Snow. The dialogue, man, the dialogue. It's something. Something that you can easily imagine the two writers being high as heck and laughing their butts off as they write it (though I give credit; there are some very clever lines scattered about). The IMDb estimate for the budget is $5,000 (yes, thousand). And that shows. But damn if Al doesn't do his damnedest to bring his domestic yet shadily employed character to life, and John Wells and his engaging smile delivers some of the cheesiest, stupidest freaking jokes and inappropriate laughter with a sociopath's sincerity and charm that's hard to resistYou know those movies that people say "You just have to turn your brain off for a little while" about? The kind of B-movie that's so bad, it's ultimately good? *This* is exactly that kind of movie. Just sit back and let the only slightly above "Beavis and Butthead" humor wash over you like a (insert favorite metaphor here). Okay, since I rate movies not based on their quality, but on how much I enjoyed them, then I guess I've got to give "Overtime" a 7/10. Because stupid as it is, I laughed my ass off through the entire thing. Sometimes at that stuff they wanted me to laugh at, sometimes not, but it was all good. In fact, of all the B-movies I've watched over the last year, this is either the best, or at least tied with (I can't believe I'm saying this) "Sharknado" (yes, I laughed my ass off through that one). Give it a shot. If you're inclined to drink or indulge in some of the Reefer Madness, you might do that before and during the film.

I lost count of how many times I bypassed this movie on Amazon Prime. I like Al Snow, but the cover of the film on AP, looked so stupid, I couldn't bring myself to watch it. Bored, scrolling completely through every AP zombie movie listed, twice, and coming up with nothing, I decided that this movie couldn't - in any way - possibly be any worse than the rancid garbage I've seen as of late.Glad I finally gave in and watched it. Al Snow and John Wells work very well together...very believable as partners, but John Wells steals the entire film. Glib, hilarious and a complete smart alleck, he's the type of character you love to watch because he makes a film, fun. I know he's done some serious roles and I'd like to see if he can as easily as he makes it seem, move from one personality, to another.Different story line and just genuinely fun.Give it a go. While not the greatest film ever made, you'll be glad you watched it.

Henpecked hit-man Raph (a sturdy and likable performance by Al Snow) is asked by his hard-nosed attorney boss Samantha Carter (a pleasingly sparky turn by Katie Stewart) to work on a Saturday. Things go terribly awry when Raph finds himself locked in a zombie infested lab with his eager partner Max (an equally sound and engaging portrayal by John Wells). Worse yet, Raph has his son's birthday party to attend. Writers/directors Matt Niehoff and Brian Cunningham offer an extremely inspired, energetic, and entertaining blend of crime, action, humor, and horror: The brisk pace never lets up for a minute, the breezy tongue-in-cheek tone is well sustained throughout, the rousing action set pieces are staged with rip-roaring brio, and there's plenty of gore splattered around. Snow and Wells display a strong and appealing natural chemistry in the leads; their constant snappy rat-a-tat-tat banter in particular is simply hilarious. The rest of the cast are likewise up to par, with especially praiseworthy work from Sebrina Siegel as the tough Stephanie, Cristina Mullins as Raph's formidable wife Tammy, Erica Goldsmith as the feisty Monica, and Rita Hight as the deranged Dr. Bolland. The filmmakers warrant extra kudos for thankfully avoiding the usual end-of-the-world apocalyptic zombie premise. Cunningham's sharp and dynamic cinematography greatly enhances the movie's galvanizing hopped-up flashy style. Jason Paige's cool rocking score hits the spirited spot. A total blast.

I was lucky enough to make it into the standing-room-only premiere of this movie. The energy and hype proceeding this event was well received and warranted. Getting to see the reaction of the standing ovation on the faces of the writer/director team of Brian Cunningham and Matt Neihoff was worth the price of admission alone. A great movie that covers a lot of genres. The perfect blend of drama and comedy,,,gruesome and goofy. The main characters had great on screen chemistry that kept the movie fun,with a solid job from the supporting cast and crew. Great effects and a rocking soundtrack make the icing on the cake, because "F*ck Yea, I love cake!" Instant cult classic. Proof that you don't have to have a huge budget or an L.A. locale to make something entertaining.