Our Own
Our Own
| 22 June 2004 (USA)
Our Own Trailers

It is August 1941. With the battle line far away in the east, three soldiers who have managed to escape from captivity find it difficult to hide: the territory is occupied by the enemy. The local woods are not safe: you can easily get embogged. Are the villagers loyal? Nobody can say. There is an old man who offers to help them. Is he reliable enough? He may kill them or report them to the local German authorities. Anything may happen, but one of them, the sniper, is his son who is his youngest, his dearest.

Reviews
Clevercell

Very disappointing...

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AniInterview

Sorry, this movie sucks

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Moustroll

Good movie but grossly overrated

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Stevecorp

Don't listen to the negative reviews

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mchenrykrm

As is typical of so many Russian made war films the acting and cinematography is outstanding and the depiction of Russian village life during the war is realistic,I tend to find the quality of these movies superior to what Hollywood puts out but then films of this nature might not click with the American public. The actors look like real people and the plots lack the melodrama and symbolism of too many American made films in general. Implying sex doesn't seem to be enough in the good old USA either but I think in this film it is handled quite well. We know what they are going to do and have done but rather than the overacted graphic stuff that appears to be required in US films, the act itself is left to the imagination. The plot centers on a group of three prisoners who escape the Germans during the first year of the German invasion. They hide out in a Russian village and struggle to survive in an area where the Germans are in control and friend or foe among peers is difficult to discern. From the Germans to the Russian village girls all of the actor's depictions are spot on. That's one of the things I love about these films.Extremely well done and to all involved in the film I say bravo! .

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Armand

a Russian war film. or, only, a Russian film. impressive script, admirable acting. and profound role of landscapes images. a movie like a rope. nuances of duty and love, communism and life under occupation, about chance, fear, cruelty and sacrifice, about profound image of reality in a village and splendid eulogy to basic values. so, a film about wars. each detail, each side of violence, the construction of dialogs and the waters of faces are important because , more than a story it is a picture about sense of small gestures,moral force in dark times. as many others movies of genre from Russia, using a noble tradition, it is a Christian movie and, in same measure, reconquest of past events in a new and clear light.

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Lee Eisenberg

Dmitri Meskhiev's "Svoi" (which means "one's own") focuses on the moral dilemma of some Soviet soldiers during WWII. After they escape a POW camp, they end up on a farm. But this farm, while Russian, turns out to be not much different from anything operated by the Nazis. The character Nikolai, due to his manipulative actions, has more control over things than the Nazis do. To Starosta, the Chekist represents the 1930s repression in the USSR. As for why Starosta doesn't kill the man at the end...it's because the man is still one of his OWN (not a German).I certainly recommend this movie. Full comprehension of the plot does require some understanding of Soviet policy during WWII, namely that Stalin vowed to punish the family of any soldier who surrendered to the German army. But anyway, it's a really good movie.

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cat-that-goes-by-himself

I would call this movie "anti-Zvezda". As "Zvezda" was the archetype of the brainless glorification of Russian patriotism, "Svoi" is a kind of archetypal self-indulging praise of the "slavic soul" (for lack of a better term).The 3 main protagonists are absolute anti-heroes, motivated only by instincts and urges, cunning rather than intelligent, emotional rather than rational, calculating rather than friendly. I felt like the director was patting the audience on the head, saying "see, I show us at our worst, but we're still a great people". A strange case of reverse-patriotism ?Don't get me wrong : I happen to like the Russian way of thinking myself (as far as a "foreigner" is supposedly able to grasp it :)), but here frankly I think the director went way over the top. The result is a heavily demagogic movie, wading in senseless chaos and human degradation with an all too obvious nihilistic pleasure."Svoi" reminded me of the very disappointing sequel "nezavisimaia zhizn'" ("an independent life") of the excellent "zamri, umri, voskresni" (freeze, die, resurrect) from director Vitali Kanevski. I mean to say, "svoi" could have been a very good movie with a bit more finesse and some sense of proportions.Too bad, since the story in itself has a great potential, the director knows how to shoot powerful and beautiful scenes and the actors are really good. This made my disappointment only worse. But here again, I'm no Russian ;).

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