Othello
Othello
R | 15 December 1995 (USA)
Othello Trailers

The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own end in the film version of this Shakespeare classic.

Reviews
Hellen

I like the storyline of this show,it attract me so much

... View More
SpuffyWeb

Sadly Over-hyped

... View More
Sexyloutak

Absolutely the worst movie.

... View More
ThedevilChoose

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

... View More
Kirpianuscus

it is almost a spell. of a meet after a long time. because the performance of Laurence Fishburne is amazing. the result - scene by scene he becomes Othello in a manner who escapes from a simple role. and Kenneth Branagh - yes, he gives to Iago the right word and though and intention and gesture. because this is the best good point of film - to recreate a world in each of its details. maybe, it is not the best Othello version. but it is one of the most honest. and realistic. you feel the Moor. each of his states. each traits of his jealousy and fury and doubts. maybe, it is the memorable role of Laurence Fishburne career.

... View More
duane19

I think this is a excellent adaptation. The scenery's wonderful (Cala Violina is a magnificent place and that's why the film was familiar to me because I go there often on holiday and the rock Othello's sat on is the one on which I used to catch crabs when I was younger... ^^), the actors, especially Branagh, are superb and I even was surprised by Laurence Fishburne's performance... Well everything's good, I think (although I don't like Othello saying 'Amen' like 'Hey men' instead of 'aaah men', and the place where Desdemona is in Venice is not the rights place, but those are details...) So, it's a very good film you Shakespearians should know. Welles' Othello possibly remains the best one because of its script. The ending's better because it's quicker but the text got much changed from the play. Also, the music of Othello (1995 version) composed by Charlie Mole is very beautiful I think.

... View More
Jonathon Dabell

Director Oliver Parker wanted to make Othello a more "pacy" story, so he omitted quite a lot of the original text when writing this version for the screen. Luckily, the cuts and alterations that he has made do little damage to the old Shakesperean chestnut. I wouldn't say that any of the tweaks are particularly for the better, but the essence of Shakespeare's tale of envy, jealousy and deceit is so powerful that it would take a bungling fool - an Ed Wood wannabe, for instance - to rob it of its power. The weighty themes shine through as strongly as ever in this latest presentation. Laurence Fishburne plays the titular character, a renowned Moorish soldier. His courage has impressed young Venetian lady Desdemona (Irene Jacob) and the pair of them secretly marry. However, her father is displeased by this secret ceremony and he warns Othello that if she can deceive her own father then she may one day do the same to him. One of Othello's soldiers, Iago (Kenneth Branagh) fails to get a promotion of rank which he feels he deserves, and to gain revenge he engineers a series of lies and incidents designed to convince Othello that his wife is being disloyal to him by fornicating with another man. Inevitably, viewers may find themselves comparing this version with other productions. How does it rank alongside the 1952 Orson Welles version and the 1965 Laurence Olivier one? To be honest, it depends upon the viewer. Purists would probably opt for the Olivier offering, since it is only very slightly abridged and contains such strong performances that all four lead actors earned Oscar nominations. Film buffs might go for the Welles version, with its moody b&w lighting and a now-classic murder scene, not to mention the fact that the production history itself is as fascinating as the story. This version will undoubtedly find favour with viewers more inclined towards modern tastes. It has high production values, a sweeping score, accessible delivery of the lines, flashy photography, and "cool" stylistic touches (Fishburne's head tattoo, for instance). Personally, I feel the 1952 Othello will always be the benchmark, but this one is reasonably well made and it compares quite favourably with other versions.

... View More
C Dallas

Laurence Fishburne is awesome in this excellent rendition of Shakespeare's tragedy. Very well done, I definitely enjoyed it, and would recommend it to anyone looking for a good traditional enactment of Othello. Of course, like any Shakespearean tragedy you can expect everybody to die at the end (if that ruined the story for you, then you haven't seen enough Shakespeare). However, the framing, colors, and very presence of the actors was well played out, and I give it an A+, five stars.

... View More