One Way
One Way
| 21 October 2006 (USA)
One Way Trailers

To cover up his infidelities and protect his upcoming marriage, a star advertiser helps free an accused rapist by giving a false alibi and suffers the brutal revenge of the victim.

Reviews
Ensofter

Overrated and overhyped

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Baseshment

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

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Dynamixor

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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Francene Odetta

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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Len9876

From the start of the film, the audience knows that this is going to be a complex, and not a simple who-dun-it. The audience is enlightened by the completely truthful depiction of rape as violent. Beyond lust or sexual molestation, rape is brutal and violent. It is not at all uncommon for the victim to wish the rapist(s), and any accomplices, dead. To survive, the victim must initially fantasize a murder of the perpetrator(s), and holds on to a strong feeling of revenge.There is the wealth and power of the Birk family, who maintains a 'we against them' philosophy to cover-up any corruption, and to protect each member of the immediate family. A strong matriarch and patriarch holds the family together, no matter what. Somehow, I think the entire family knew about the evil deeds of the son, but protects him anyway, with the help of corporate lawyer with a track record of winning most, if not all, of his cases. The son engages in blackmail, to selfishly hold onto the Birk fortune (he covets wealth, at any cost). Things get so chaotic and heated that, towards the end of the film, the daughter is pitted against the son, even after he is sexually violated (here, one of the victims gets her moments of revenge), and shot to death. But, has justice been served?I will not give any more details because I do not ruin the excitement and thrills of the film. If you are like me, the film will hold you on the edge of your seat. The film is riveting.I was disappointed that the film has a rather bittersweet ending. I so much prefer happy endings. But, the film is true to life. Yes, life does have its compensations. Unfortunately, however, there may be some harsh realities and shattered dreams. In the end, do the victims win? And, will the perpetrator(s) be brought to justice? Is there equality and fairness in the judgments made? Does life go on after injustice and rape? Find out the answers, to at least some of these questions, by seeing this very worthwhile film, which really makes you think about the issues surrounding corporate power, cover-ups and corruption, the judicial system, ethics, morality, rape, status and wealth, etcetera.This film is a must-see, and I rank it a 10 out of 10. The ensemble cast is superb, as is the direction and writing by Reto Salimbeni. The editing is well executed, and the music aptly adds to the film's mystery, suspense and tension--which constantly builds and increases the tautness of the spellbinding thrills of this crime drama. I hope that we will see more of these fine actors, including Eric Roberts.

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Claudio Carvalho

In New York, the competent creative director of Birk Advertising Eddie Schneider (Til Schweiger) is living a successful moment of his professional life and is engaged and has just proposed Judy Birk (Stefanie von Pfetten), the daughter of the owner of the company where he works. Eddie is also a wolf and very successful with many women, and is having an affair with a neighbor of the street where he lives with Judy. When he gets the account of the greatest American airline for his company, he is promoted to partner and he celebrates with his assistant and friend Angelina Sable (Lauren Lee Smith) in a lunch party in a restaurant. After hours, when they are in the garage, Angeline notes that she had forgotten her car keys in the office, and when she returns, she is violently raped by the despicable brother of Judy, Anthony Birk (Sebastien Roberts). On the next morning, when Eddie arrives in the garage, he finds the traumatized Angeline on the floor and he takes her to a hospital. He returns to the company and Anthony blackmails Eddie with pictures of his many affairs. Eddie has to take a side between his career and engagement and his friendship with Angeline."One Way" is a great movie supported by a magnificent screenplay that uses elements of thriller, crime, drama and even soap opera. The intriguing beginning, with a girl being gang raped by four teenagers and an enigmatic general rescuing her is absolutely original and brilliantly explains the character and traumas of Angeline, magnificently performed by Lauren Lee Smith. Sebastien Roberts is perfect in the role of a cynical scum and I confess that I loved when Angeline uses a sexual device to rape him. Til Schweiger has also a great performance in the role of an ambiguous character divided between his career and the loyalty for his friend, but he redeems in the end refusing to blame Angeline. The sweet Stefanie von Pfetten fits perfectly to her characters and her confession about a family secret in the end is the great twist of this movie. Eric Roberts has a minor but efficient participation in the role of Eddie's lawyer. In the end, I really liked "One Way" a lot and I do not understand why it is so underrated in IMDb User Rating. My vote is eight.Title (Brazil): "Pacto Quebrado" ("Broken Pact")

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marc armstrong

I enjoyed this movie very much, I like that as the plot unfolds we are thrown many curve balls that catch us by surprise and keep us in our seats. I was impressed with most of the acting (especially the villain)Anthony Birk played by Sebastien Roberts. I didn't know him before so I don't know if he plays villains often but man is he nasty!! I love Eric Roberts, I thought he was great but I was expecting to see him a lot more. I wasn't certain about (the General) character played by Micheal Clark Duncan but in the end it works.The only thing that bothered me in this movie was the overwhelming violence in the opening scene, I thought that was a little much. Definitely a movie to see.Marc

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Yva-Laz-Vegas

I'm afraid this film is rather bad. I just went to see it yesterday and was surprised it was given a cinema release.I am a strong supporter of independent film and especially of Swiss directors, but this film sadly never gets out of C-Movie territory. The story itself has the makings of a fantastic movie, the themes of violence against women, betrayal and revenge are topics of enduring interest.I am normally delighted to see European (in this case German) actors participating in international films which will showcase them to a wider audience. I'm well acquainted with Til Schweigers work, but I thought his acting was awful in this film, full of clichés and hamminess. He was even better in King Arthur (another bad film) where he only had a few sentences of dialogue. Even though he was typecast as a villain in that one, his acting was miles better than in this latest offering.The supporting cast were also pretty bad in this film, especially the guys who played the boss of the advertising agency and his son, they were just awful.The filming of the violent attacks were needlessly graphic in this case and did not lend to the gravitas of the film. Other films have done this in a much more poignant(or relevant) manner e.g. Lilja-4-Ever, The Accused, Boys Don't Cry, Irreversible...etc. etc.The whole concept of the victim introducing an imaginary hero to help her cope with the trauma of rape didn't work at all in this instance and I thought this was a very weak point in the script and it's direction.The plot of the film is actually very interesting material, and if worked with in another way, could have been great. I intend no disrespect towards the makers of this film, as releases like these are normally a labour of love and an awful lot of very hard work goes into them, but i cannot give this film a good rating as it simply badly executed.

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