A different way of telling a story

I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

One Way is an interesting, unpredictable sort of genre bending thriller that shouldn't be judged by its cover, which makes it out to be an action flick. Not even close. It's the story of several different characters who intersect by the mistakes they make, and the lengths they go for redemption and revenge. In the opening sequence we see a young girl pursued by a pack of perverted hooligans through the woods. After being sexually assaulted, she is visited by a hulking military general (the excellent Michael Clarke Duncan) who seems to be her guardian angel, brutally dispatching the youths with an automatic machine gun. The story then switches randomly to a cocky, adulterous ad executive (Til Schweiger trying hard not to ham it up) who's in crisis with his suspecting wife, arrogant boss (Art Hindle), and his boss's son, a vile prick with a penchant for sexual assault himself. Lauren Lee Smith plays the older version of our heroine in the prequel, whose continuing story collides with Schweiger's predicament for some really surprising thrills that take you by surprise. It's a really unique setup, without any sort of warning or conventional intuition as to where it's going to take us, and eventually gets to some dark places of morally frightening danger. Smith is excellent in the intense lead role that requires some harrowing work, which she pulls off without a hitch. Sebastian Roberts is a snivelling little piece of human garbage as the boss's son and Schweiger's brother in law, and provides an antagonist that you just love to hate, and gets what's coming to him in a a disgusting sequence that lets just say, sneaks up on you....from behind. Michael Clarke Duncan is only around for a few scenes but makes his usual impression, and is unforgettable as the sympathetic general. Eric Roberts shows up out of nowhere in the third act, nailing his role as a slick defence attorney, and Kenneth Welsh kills it as the rival lawyer. Stephanie Von Pfetten is heartbreaking as Schweiger's put upon wife who has deep issues of her own that come piling out in a devastating courtroom sequence. If you enjoy thrillers that spin a left field, unconventional narrative where you never really quite know who's who or where things are going, give this one a watch. It's a unique treat.

Quite a nice show,though the genre is illegible.Thriller?Crime?Drama?I can even include it in fantasy or poetic.I like the end.Eddie Schneider is just like me,except for our different professional specialties.Even my imaginary end of that serious to-be-married relationship is like just that,sentimental farewell in falling leaves after going through the madding highs and lows...The black general is an awesome concept!He doesn't contribute too much,and isn't overdrawn,instead he just appears exactly where we want to see him in the film as well as in our own real-life imagination.All of this is to say,6.1 on average is literally an undervalued score.

The young advertising executive Eddie Schneider is am ambitious man. He has an appetite for sex as well, and this will get him in hot water, sooner rather than later. He is living with Judy Birk, the daughter of his boss at the agency. Little does she realize what goes on with her young stud when he leaves their place!Eddie's popularity ultimately gets him in trouble. His future brother-in-law, Anthony Birk, who has had Eddie followed, has gathered enough evidence to end his engagement. Anthony also has eyes for Eddie's assistant and one-time interest, Angelina Sable, who he wants to bed. Angelina, a young woman fighting the demons of having gone through a rape when she was a teenager, proves to be the wrong person for Anthony to mess with. When Anthony turns dead, Eddie turns against Angelina, something he will later regret, since only the girl knows what really is going on."One Way", written and directed by Reto Sambileni, is a film which pretends to have been made in New York, but just by looking at it, one realizes it was filmed in different parts of the world, with some exterior photography to give the impression this was American. Then, there is the performance of Til Schweiger, an intense German actor, that tries hard to give the impression he is the slick New Yorker, he is not. Mr. Schweiger bears an uncanny resemblance to Anderson Cooper, minus the gray hair.The actors, mainly Canadians, do what they can with the thin material they were given to perform. Eric Roberts is one of the lucky ones with his defense lawyer. Sebastien Roberts, who plays Anthony, has some good moments. Lauren Lee Smith, is not quite convincing as Angelina, the girl with a dark past. There is an absurd prologue involving a young Angelina as she is being hunted by some youths, as a US general comes to make things right for her.

I'm afraid this film is rather bad. I just went to see it yesterday and was surprised it was given a cinema release.I am a strong supporter of independent film and especially of Swiss directors, but this film sadly never gets out of C-Movie territory. The story itself has the makings of a fantastic movie, the themes of violence against women, betrayal and revenge are topics of enduring interest.I am normally delighted to see European (in this case German) actors participating in international films which will showcase them to a wider audience. I'm well acquainted with Til Schweigers work, but I thought his acting was awful in this film, full of clichés and hamminess. He was even better in King Arthur (another bad film) where he only had a few sentences of dialogue. Even though he was typecast as a villain in that one, his acting was miles better than in this latest offering.The supporting cast were also pretty bad in this film, especially the guys who played the boss of the advertising agency and his son, they were just awful.The filming of the violent attacks were needlessly graphic in this case and did not lend to the gravitas of the film. Other films have done this in a much more poignant(or relevant) manner e.g. Lilja-4-Ever, The Accused, Boys Don't Cry, Irreversible...etc. etc.The whole concept of the victim introducing an imaginary hero to help her cope with the trauma of rape didn't work at all in this instance and I thought this was a very weak point in the script and it's direction.The plot of the film is actually very interesting material, and if worked with in another way, could have been great. I intend no disrespect towards the makers of this film, as releases like these are normally a labour of love and an awful lot of very hard work goes into them, but i cannot give this film a good rating as it simply badly executed.