One Hour with You
One Hour with You
NR | 23 March 1932 (USA)
One Hour with You Trailers

Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi's husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other.

Reviews
Redwarmin

This movie is the proof that the world is becoming a sick and dumb place

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AniInterview

Sorry, this movie sucks

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TrueHello

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Kaelan Mccaffrey

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

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Chris Haskell

Over the past month my wife and I have been on a Lubitsch bender. His films are completely intoxicating as he invites the viewers to a fantasy world where wealthy people cavort around and constantly get into trouble with the opposite sex.One Hour With You is no different, as Maurice Chevalier's aw-shucks smile and French charm are on center stage as he considers an affair with his wife's best friend. It is a musical, but not in the traditional Hollywood sense; rather a more subtle approach where it just might actually be possible for these characters to break into song. There were some down moments in this movie, which is extremely rare in anything Lubitsch. They are few and far between, however, and there are some laugh out loud moments as Chevalier justifies his actions to the audience, since, after all, he is only doing what any of us would do. The good far outweighs the less than great, and One Hour is well worth the watch.Rating: 30/40

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Jem Odewahn

When discussing the concept of the "integrated musical" names that first come to mind are Kelly/Donen and Vincente Minnelli. But wasn't Lubitsch really the pioneer? While this isn't as impressive as his almost effortlessly wonderful "The Merry Widow", it's so well put-together and flows pretty seamlessly (until the last act, that is) for a film made in the early sound period. Maurice Chevalier and Jeanette McDonald are the married couple crazy about each other, that is, until McDonald's old friend Mitzi comes to visit. What follows is another delicious look at marriage from the master of the romantic comedy Lubitsch. The tunes flow well even if I'm not a huge fan of opera. The camera technique is sharp and fluid. The performances are good. But the final act isn't. After a delightful merry go-round it all drags to a weird conclusion.

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didi-5

Jeanette Macdonald is perhaps best known these days for her series of films with Nelson Eddy in the late 1930s/early 1940s, but this is a good example of her previous teaming with that naughty French export Maurice Chevalier.'One Hour With You' features several great songs plus a fluffy plot around a married couple and misunderstood flirtations - helped a lot by other cast members Genevieve Tobin, Roland Young, and Charles Ruggles. Chevalier's charming persona is served well here in asides to the camera and a couple of great solo numbers, while Macdonald is sparky, beguiling, and a real tease.

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Spondonman

I taped this one off UK TV in 1988 on the off chance it was good, kept it and have seen it about 10 times since. I wonder if a remastered DVD would be a little less murky as this is in places. Although a notch down from "Trouble in Paradise" it would still make it a worthy bookend, same director in Lubitsch, same studio, same year, same lightheartedness. Or maybe a triple bill with "Love me tonight", Mamoulian's masterpiece for my money, or a foursome with Sternberg's "Blonde Venus" if you feel in an even more arty mood.The plot is pretty straightforward, turning the unfaithful wife and cuckolded husband scenario on its head with Roland Young (and his maid) pleased at the situation instead of demanding a duel to the death with Chevalier. The climax seems a little awkwardly handled, but ultimately the end credits plus a final snatch of the theme make it OK. And the music is brilliant and witty, helped by Paramount's brash Orchestra producing some marvellously angular but tuneful interpretations - even with the background noises (and similar in this respect also to the non-musical TIP).Lubitsch re-used the plot from his film "The Marriage Circle", a silent with Adolphe Menjou, and although it has some fine moments is nowhere near as classy as the talkie version is. Being silent it has a completely different ambiance, but it's fun guessing where the songs should go.All of the a/m films are sublime and should be on prescription!

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