Truly Dreadful Film

Don't Believe the Hype

Story: It's very simple but honestly that is fine.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

This is one of Frazer Lee's best work so far, and it is a funny sight to see Doug Bradley in a role without pins sticking out of his head. Of course it is not the best movie out there, cause the length of it is a problem - No real story to tell really, just one perverted scene which will make all those of you who are afraid to go to the dentist even more afraid.But really... A fantastic job by Mr. Bradley, and maybe one of Lee's movies that will be a cult in the future, if he can make some good hit movies. Got myself a signed copy of On Edge and Red Lines (also Frazer Lee and Doug Bradley), with both of their signatures + a little something extra from Frazer. :) A piece of work that every horror fan should watch. At least once!

I laughed the hell out of me....and today I just went to the dentist so it was perfect! I was disappointed as we could not really see the face of the guy on the net...I hope we can see it perfectly on a real cinema screen.I like the doctor guy (Doug 'Pinhead from Hellraiser' Bradley)... The fact that the 12 first minutes are really slow in the scenario, that we could never see the face of the patient once the dentist took over with his monologue, the weird logic of his speech and the end gives a real Hitckock atmosphere added with violence & humour. This is totally (Frazer) as a creator. Hard Core!Concerning the construction of the movie/scenario: Intro: the disco and the music: Great- dark!2 minutes- metal- hard core (Frazer's band Self Destructive Nature) : announce the corpus of the movie without explaining why. The fear is not there yet. * Introduction of personnages: (2 minutes)- Total new environment-whiter & slower- Introduction of the general individual fear (uncomfortable- doubt) of the audience: a dentist office!!!!but balanced by the apparent kindness of dentist and the relaxing stated of the patient.* Monologue & dentist actions: (6 minutes) Intimist- rhythm given by the voice of the dentist & his excitement: it grows minutes after minutes. At the opposite side: Passive intervention of the patient. Almost absent of the crazzyness of the dentist. Maybe the speech could have been shorter (I think you could have used one or two minutes of that to something else as describing better at the end the disco). The laser tool is too funny!!!Then, the patient awakes- The dentist leaves- end of the intimity:Dentist-patient* The result (2 minutes): Discovery-the audience now see what really happened like the secretary who succeed in entering in the room (her play is not really convincing and does not entirely satisfy his role of being an intermediary-bridge between the movie and the audience)and the patient itself; (the result of the dentist actions was expected- the poster of the movie & the laser utilisation...That kills your face, man!* Chute ((2 last minutes- End): the disco place, the music, and the dentist which finally links the Disco (intro) and the story. The dentist sitting at the bar, watching around... Very American Standard..... In your movie he is only an observer in the disco. He does not act at all. I would have like to see him in the same situation than the patient...(parabole situation); That would have been a scary psychopat! I would have love to see something different as a devil girl with piercing nastly moving around the dentist.... and see a Sado-Maso relationship installing between the 2 of them (this time: Maso is the dentist acting passively - he undergoes the situation this time / sado is the girl), or something like that.The goal would be anyway to see the dentist's behaviour (action) in his inspirational environement......but I believe you have only 15 minutes...General: finally not scary, but upsetting.

Hijacking a funky London cinema for the premiere of your first short film has to be the coolest move for a new film-maker wanting to make waves in the business.I was first exposed to Frazer Lee's work at the Prince Charles cinema in Leicester Square, having paid to see Very Bad Things.Before the main feature, though, four figures mounted the stage (one of whom was just recognizable as Doug Bradley, aka Pinhead, star of Lee's piece). After their stylishly rambling introduction, the curtains rolled back and we were treated to 15 minutes of some of the most promising and compelling horror to hit British cinema in decades.A visit to the dentist goes horribly wrong when the patient (Charley Boorman) realises he's decidedly not in safe hands. The gruesome end product looks like a flossing incident conducted with barbed wire.The dentistry theme is of course a winner for any horror movie, and Lee does not flinch on the emotive drill-work. Bradley excels as the twisted tooth-totaller, balancing humour and psychosis with expert skill.The real treat, though, is Lee's tight script and taut direction. Not a second is wasted and the film is a perfect showcase for his consumate skill. Surely this talent must soon spill over into a feature-length production (by which time I may just have plucked up the courage to visit the dentist again).

This is an effective short film featuring Doug Bradley of Hellraiser fame, as a dentist who gives treatment to an obnoxious patient. The story unfolds as the dentist tells the patient about his past. It has a rather neat, surprising and gory conclusion.