Waste of time

Good story, Not enough for a whole film

Did you people see the same film I saw?

The film may be flawed, but its message is not.

The ever handsome Cornel Wilde looks great in colorful outfits obviously recycled from the last big Arabian knights adventure or simply rented from Western costumes. Obviously as fictional as Aesop's fables, this tells of a simple poet's influence on the Shah, here played as a basically decent ruler by an excellent Raymond Massey. When Massey makes young Debra Paget (whom Wilde loves) his newest bride, Wilde must practice what he proverbs and turn the other cheek, especially as he helps prevent assassins from slaying the Shah as one of his own sons attempts to absurb the throne. More a feast for the eyes than for its silly dialog in spite of a plot that sounds more complicated than it is. Strictly entertainment, I didn't feel I knew anything more about Omar Khayyam coming out. Still, the sets are sumptuous and the costumes on scantily clad slave men and women are sublime, and there's plenty of great action sequences. For added camp, there's a musical sequence featuring Yma Sumac hitting notes that don't seem to be in any other human's range.

Unfortunately we do not have a lot of biographical detail on Omar Khayyam, one of the world's greatest mathematician, astronomer and poet, and a philosopher as well. His tomb, still existent in Iran is a great monument of Islamic architecture. This movie is a monument to Hollywood's inability to capture any of those values and turn it all instead into a vapid adventure story with miles of cheap fabrics that look 'exotic'. We even get a band of "assasins' that is very similar in spirit, logical plan and training to today's Taliban. Cornell Wilde is unable to project the charisma and genius of this Persian poet. He looks like a retired banker that lives in NY, has a mild interest in the theater and is doing this movie because he wants to have a tax right-off. He should have been played by Omar Shariff. Margaret Hayes is great camp as Queen Zarada, the queen mother whose ambition will stop at nothing to secure the throne for her sons. She is also capable of sustaining a platinum blond mane in the midst of the harem with great aplomb, as a symbol and reminder that all queens should be white, blond and preferably from Philadelphia. She is always trailing several yards of Technicolor blue cape behind her every move. Joan Taylor is so ferociously loyal and annoyingly organized as Yaffa, Omar's slave, that one is relieved to see her being pushed from a cliff. Debra Paget plays Sharain, Omar's great love and inspiration for his poems, as a secular nun who also clearly has a cross-eyed problem. This role should understandably have gone to Arabian Night-resident-Hollywood-expert Maureen O'Hara. Michael Rennie is the EVIL Hasani Sabah, and gives the best performance in his role as the ruthless leader of the Assassins sect. One laments not to see him shirtless and wearing a pendant cabochon emerald from one of his handsome earlobes. As a vapid Arabian Night action movie it has all the polyester, plated gold, architectural plaster and Technicolor spectrum of saturated glamorama to while away a lazy summer afternoon. Great double feature with a Sinbad or Baghdad movie.

Leaving aside whether this film has some accuracy on the Persian poet and matemathician's life or not (history doesn't know much about him), I agree with a review here that states a better movie could have been made with this story.The picture is very slow in its first part -almost boring- and it gets more interesting when the plot to kill the Sultan by the Assassins appears and some action with it. The settings are acceptable -no more than that- if we consider this a 1957 product and so are the costumes and the musical score by Victor Young.But I think the major flaw in this movie is Cornel Wilde's casting as the main character. Wilde was never a more than average actor and here he is unable to support the weight of a film in which he is the center. He lacks charisma, strength and presence as Kayyahm and renders a dull performance. The rest of the cast is standard with the exception of Michael Rennie who plays a great villain worthy of a much better effort.Perhaps if the movie had focused on the second part only -that is the the Assassins sinister plans and the fight against them- and included a much more suitable actor in the main role, we would be talking about a really enjoyable epic adventure film.

"Omar Khayyam" is in many ways a typical 50s Hollywood oriental sword and sandal epic but with a few twists and tremendous (unmet) potential. The actual story of three friends (Hassan, Omar and Nizam) goes back hundreds of years and is pretty engaging. The historical personalities of Omar and Hassan al-Sabbah are quite interesting characters. There is potentially a great film here.The actual production is not great but it has some nice things: Michael Rennie gives a great performance as Hassani. It is one of his best things, right up there with the alien in "The Day the Earth Stood Still." It also has Raymond Massey and the great Abraham Sofaer, a distinctive character actor, as Tutush, the Sultan's brother. It has a fine score by Victor Young and some neat matte paintings of Alamut. Some of the lines are great: "I know of some other heads that should be sealed with wax and honey." But in the end it is too formulaic of a Hollywood spectacular. Cornel Wilde is too stolid. Such a rich historical backdrop and fascinating subject matter is worthy of a better film.