I gave it a 7.5 out of 10

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

After playing with our expectations, this turns out to be a very different sort of film.

This is a gorgeous movie made by a gorgeous spirit.

So beloved are the Dickens novels that each new adaption of them sees fresh scrutiny. Everyone has an idea in their heads of how the characters should look/sound.I thought this mini series was OK, without ever being great. There are good portrayals, and others where I felt too many liberties had been taken.I liked Timothy Spall in his role of Fagin. He brought a fresh spin on it, that was engaging.It was a hit and miss adaption for me though on the whole.

Her most outstanding merit is what we may call the perfect balance of evil in the film. Fagin is evil in his greed and mischief of goyim world Sykes is evil in his resentment which find its roots in his biography The judge is evil in his prejudices and arrogance. Mr. Brownlow is evil is his socially inherited ignorance of poverty and the very harsh conditions of the poor.All characters are credible in our present day perspective. Coky Giederoyc is sensible, cultured, pityfull, and fair in the treatment of all characters and considers the context, the time, the beliefs of the era. True that she sacrifices some features of the original novel but this is done in benefit of the better understanding of this social novel. A 10 for this extraordinary director!!

I'm surprised that this adaptation of the Dickens classic has received so many negative reviews and that there are comparisons with the musical which is a whole different type of production. All the performances are very strong, although I think that the Artful Dodger could do with a few more acting lessons. I thought that Tom Hardy, Sophie Okonedo and Timothy Spall were particularly outstanding. Viewers seem to expect the characters to be fairly one-dimensional and stereotyped - just because Bill Sykes is a psychopath doesn't mean he has to yell all the time! I think that the director did a good job of portraying the harshness and grime of Victorian London and the cruelty and depravity of the era also. I don't want to see Dickens adaptations through a soft focus lens, this is what I want from a period piece. I do agree about the randomness of the music though.

This isn't one of BBC's greatest moments. I wouldn't go as far to call this rubbish But though a great production it falls down on many levels. For the authenticity the BBC has made a little effort and all due credit, but I did think that have a coloured Nancy did detract from the realism for me Sophie Okowendo is a great actress but I feel the part of Nancy was not for her. Fagin was a bit of a let down he was just so passive. Even when he was hanged (which as far as I know, this is the only production to show that, if only in sound!) The real problem with this production for me. is Sikes' death. If you are being true to the book, he does not exactly hang himself. In the book he attempts to escape over the rooftops. he makes a noose and slips it over his head. He is getting ready to slip it under his armpits when He sees Nancy's eyes in the darkness! He screams in terror and loses his footing and so hangs himself by accident! I always expected Sikes to be macho and tough (like Oliver Reed and Robert Newton) and an utter psycho this Sykes was, like Fagin, too passive. It's worth a watch but if you want a good production watch David Lean's version!