Best movie of this year hands down!

This movie was so-so. It had it's moments, but wasn't the greatest.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

The best films of this genre always show a path and provide a takeaway for being a better person.

Cant figure out who someone rated this a 10, it is a B movie. Plot was good, but acting was bad, the sounds, music, everything was too loud compared to the voices, which were soft and had to deal with the loud sounds to hear the actors speak. Filming was bad, only thing I liked about it at all was the plot, being quite original, outside of that, I gave it a 2.

Several strangers are connected unawares and those points of contact will bring them into collision. This kind of construction is exciting when executed well, as in "Amores Perros", and again here in "Off Jackson Avenue." A violent Albanian pimp (Stivi Paskoski), a victimized Mexican immigrant (Jessica Pimental), a carjacker (John-Luke Montias) and a Japanese schoolteacher who moonlights as a hit-man (Jun Suenaga)will profoundly impact each other's lives, literally and figuratively. Warning: The brutalization of a young girl is hard-to-watch and enraging. But there is justice, satisfying justice, in the working out of things.Aside from Mr. Paskoski, none of the actors have a long resume, yet all the characters come across vivid and true. You wouldn't know they were acting. When everyone in a movie is good, praise the director. And he is John-Luke Montias who directs here as well as acts. He also wrote the taut, efficient script. The language is raw, real, and in the case of a Chinese entrepreneur who hires the hit-man, a pungent delight. Jun Suenaga's moonlighting English teacher is fun and funny. I'd hang with him and a bottle of Scotch any old time."Off Jackson Avenue" is a gem. Hopefully, it will get a wide distribution. But most indies do not. While it is still available to see in a real movie house, it is well worth the price of a ticket. At just under 80 minutes, not a frame of film or a line of dialogue is wasted. Jim Smith