Most undeservingly overhyped movie of all time??

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

One of the worst ways to make a cult movie is to set out to make a cult movie.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Cute little antic comedy from very early in Edmond O'Brien's career. If you only know him from his later character work you'll be surprised how lean and attractive he is here. He also shows himself adept at the knockabout comedy the script calls for.Joan Carroll, more well known as Agnes Smith in Meet Me in St. Louis and Patsy the troubled young girl in The Bells of St. Mary's, is winsome as the mischievous child who causes the plot to be set in motion. Ruth Warrick, famous from years as Phoebe Tyler in All My Children, is pretty and properly exasperated as the object of O'Brien's ardor.Filmed at a breakneck pace and stocked with a bunch of reliable character actors, chief among them the great Eve Arden, this is a breezy minor comedy that is more enjoyable than you'd expect from a quickie feature obviously meant for the lower half of a double bill.

A very annoying young girl's rich parents are getting a divorce. Apparently this is big news, as reporters are flocking to interview them as well as the child. In order to keep the child away from this hysteria, the child is sent on a vacation in the country--with a fake mother so reporters won't recognize her. In the process, Edmond O'Brien meets up with the pair and instantly falls for the lady (Joan Carroll) and spends the film following them.I love romantic comedies from the 1930s and 40s, so you can't attribute my indifference to this film to any sort of dislike of the genre. I also love Edmund O'Brien and he could have handled this film better....if he'd had a decent script. The combination of a romantic comedy and O'Brien simply SHOULD have been a lot better.The biggest problem with "Obliging Young Lady" is a complete and total lack of subtlety. As a result, the humor sure seems very, very forced. Too many story elements just seemed to be tossed in for effect--not for coherence. And, because of this, the characters seem, at times, more like caricatures than real people. Now SOME of this is due to the genre--in "Bringing Up Baby", Katharine Hepburn's character sure isn't all that believable--but the script was so good that you could suspend judgment. With "Obliging Young Lady", the script just doesn't have the energy or quality to do this.Here are a few problems with the script. First, the young lady (from the film's title) was so completely unlike a real child it was ridiculous. She ran around putting tacks on people's seats compulsively--for a VERY cheap laugh that they did AGAIN and AGAIN. She also manipulated the heck out of everyone with a finesse that few, if any, adults could match. And, she was too 'cute' for her own good--and the film makers really tried too hard to make her adorable and kooky. I just wanted to hit her! Second, while O'Brien could have been great (especially since he was thinner and not yet Film Noir ugly back in 1942--plus he was a nice actor), his character too often was annoying. His "Heinie Manush" joke simply wasn't funny--yet it was repeated again and again and again. This really got me hating O'Brien's character and made me wonder if Manush (a retired baseball player) ever thought of suing these folks! Also, his character often got too close to the border between being a nice, cute guy AND being a creepy stalker. The way he forced himself on the leading lady made me wonder if he might just be a date rapist--he came on THAT strong and ignored every request to leave her alone. Nice. Third, while the bird watchers sequence could have been very funny, it was WAAAY overdone--too kooky and ridiculous--almost like it was made for a Three Stooges short (for which it might have been appropriate).So is the film worth seeing? Well, it's not all horrible and is a watchable time-passer--but nothing more. If you love old movies, it's worth seeing--otherwise, try seeing "Arsenic and Old Lace", "My Man Godfrey", "His Girl Friday" or "Bringing Up Baby" instead--these are all far more worthy romantic/screwball comedies.

From the opening of this minor screwball comedy from RKO, the silly tone is set for an enjoyable romp.Joan Carroll plays a girl abandoned by her silly squabbling parents to the lawyer's secretary--Ruth Warrick, who is being chased by a crazy reporter--Edmond O'Brien. They all end up at Lake Mohawk in the off season.The opening motif of repeating Heinie Manusch to the sounds of the clattering train wheels is very funny and starts the film off on a perfect note. Manusch was a famous baseball player. Warrick has a stuffy boy friend (Robert Smith) and the voracious lady reporter (Eve Arden) is after the story of the little girl.At the lodge, Carroll and Warrick pose as sisters until O'Brien shows up and says he's the kid's father. The hotel staff gets intrigued especially when Smith shows up and says he "Mama's" boy friend.Lots of fun and made funnier my a sterling supporting cast: George Cleveland, Ceorge Chandler, Almira Sessions and Fortunio Bonanova are the hotel staff. Charles Lane is the detective. Luis Alberni is the deranged composer. Franklin Pangborn heads the birding party. Marjorie Gateston and John Miljan are the parents. Pierre Watkin is the lawyer. Andrew Tombes is the train conductor. George Watts is the judge who wants chicken.Warrick and O'Brien are attractive leads. Carroll isn't too sticky and is funny as she puts tacks on everyone's chairs.and always remember: HEINIE MANUSCH!

Ruth Warrick does not exude charm. Edmund O'Brein is fun but a little strange in a comic role. The child is all right.The plot if lots of fun, though, and some of the supporting players are delightful.Franklin Pangborn gets one of the juiciest roles I've ever seen him in. He plays the leader of a bird watchers group.I have to say, his role seems modeled somewhat on Charlie Ruggles's in "Bringing Up Baby." But the bird watchers' assault on the hideaway hotel is genuinely hilarious.The whole movie has a sweet, friendly quality.