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Não Nasci para Deixar meus Olhos Perderem Tempo

| 10 July 2019 (USA)

The fading of composer Zé Keti’s career. The sad portrait of Brazilian Congress closed in 1977. The pain of a mother who lost her 15-year old daughter run over by a car. The Brazilian Presidents since Castelo Branco. Characters and settings registered through the keen and sensitive perspective of photographer Orlando Brito, in a career spanning 50 years as a professional. From the political sidelines to the lives of Brazilians from the interior, Brito recalls experiences and discusses the role of the photographer and the pain of registering someone’s grief.

StunnaKrypto

Self-important, over-dramatic, uninspired.

Cortechba

Overrated

Ketrivie

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

pointyfilippa

The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.