Strong and Moving!

Sorry, this movie sucks

Better Late Then Never

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

This is MGM's film version of composer Pyotr Ilyich Tchaikovsky's famous ballet, The Nutcracker, filmed at Burbank Studios in California.I would watch this movie when it is aired on TV during Christmas time for several years in a role. It tells the story of Clara dreaming about her Nutcracker Prince while The Pasha tries to win her heart and delight her with musical dance sequences - Spanish Dance, Arab Dance, Chinese Dance, Russian Dance, Dance of the Clowns and Waltz of the Flowers. These sequences are probably the highlight of the entire Nutcracker Ballet.Except for the narrator, there is no spoken dialog in the movie. It is just the cast of characters dancing around the huge stage through Tchaikovsky's rich music, performed by the London Symphony Orchestra. Maurice Sendak did a terrific job on the art and costume design - vibrant and brilliant and not too flashy. The story is told through the unspoken actions of the cast, which I thought were brilliantly done. While no dialog, it is still pretty simple to follow the story, even if you are not familiar with the original concept of the Nutcracker Ballet.Though a majority of the movie is shown on a typical theater stage, the special and visual effects made the setting much larger than it really is and it gives you the impression you are right on stage with them. The water scene with the "floating ship" is my favorite effect. I also like how the entire movie is told from the perspective of the toymaker; the plot of the movie begins after he falls asleep on his desk and the figurines begin to dance in a large music box he just designed, which then leads to the main story. The only problem I have with the movie is that some of the dancers were not in sync with the music, especially during the "Waltz of the Flowers" sequence. Other that that, this is an overall terrific film that brings back the nostalgia and spirit of past Christmases and today.Grade A

This is the version of the Nutcracker that I grew up watching, and fell in love with. I loved its dark undertones and its creepy aesthetic, and as an adult I can appreciate the psychology behind the production. It seems some people are put off by the darker aspects of this interpretation, but I guess it's all what you're used to; after becoming accustomed to this version, other versions made me recoil with their saccharine cuteness. If you are looking for a strict ballet performance, this might not be the film for you, as it is first and foremost a dramatic film--think of it as a fantasy movie with dance in place of dialogue. The attention to detail and the deliberate choices in the casting, costumes and props are all wonderful, as are Maurice Sendak's sets. Again, this is a somewhat off-beat interpretation of the story, and does not ever get very sugary, but its multifaceted, complex and provocative imagery is definitely pretty sweet.

PickMePickMe's commentary is almost three years old now, but it isn't too late to completely refute it. What was this reviewer watching? As far as the performers and dancing is concerned, this troupe has been 'fooling' the people of the US Northwest for over twenty years now with the Sendak Nutcracker. Tell it to the annual sold out performances! As for the production itself, it couldn't be more cinematic without losing its balletic base. The Drosselmeyer toyshop background for the overture, for example, isn't even seen on stage, nor are the soaring views of Clara's living room. I could go on, but I suspect that PMPM is locked into to the wooden performances of the seventies, well represented in the current VHS/DVD world.The overall production, as far as Nutcrackers go, is a stupendous, breathtaking affair and very accurately implies the dark E.T.A. Hoffmanesque background of the ballet.The only letdown associated with it is the lack of a DVD, with which everyone's Christmas would surely brighten.

This is easily the best adaptation of The Nutcracker I've seen, on stage or film. Ballard is a great director who adapts his skills to the material. The images really flow, and the Maurice Sendak designs are at once graceful and funny and slightly malevolent (giving the material the edge it needs to avoid candyland preciousness). The critics (Ebert, Maltin, et al) really missed the boat on this one. Most of them criticized the fact that Ballard edits into the dancing. But he edits superbly, highlighting the movements that should be highlighted, at precisely the right moment. There's never a cut or a camera move that feels out of place. It's a classic--sadly neglected now (not even available on video).