All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This movie feels like it was made purely to piss off people who want good shows

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

The film never slows down or bores, plunging from one harrowing sequence to the next.

"Now You Tell One" is an American 21-minute silent black-and-white short film. These limitations should not come to anybody as a surprise as this film has its 90th anniversary this year. Charly Bowers (writer, director, lead actor) made quite a few films, but he never managed the success of Keaton or Chaplin, maybe because when he did these, silent films were almost already a thing of the past. And also he may have looked too similar to the duo and just been a weaker version. People were in the mood for changed and he clung to the old. Anyway, about this one here, I thought the first half was bearable and okay to watch, but then it gets really boring and repetitive at some point. I cannot say I enjoyed this watch. Not recommended.

Although I've been a silent comedy buff practically all my life I never heard of Charley Bowers until quite recently, but after one look at his amazing two-reel short Now You Tell One I wanted to see as much of his work as I could find. Take my word for it, once you see a Charley Bowers film you'll want to see more, and you'll want to know more about the guy, too. Unfortunately, several of his films are missing, and biographical info about the man is sparse, but as in recent years, as interest in this unusual artist has grown, all of his surviving movies have been restored and released on home video and DVD. I've managed to see several of Bowers' other comedies, but keep coming back to this one, which I feel stands as his most accomplished and surreal comedy.The premise is ideal for Bowers' off-the-wall imagination: the story concerns an organization known as the Liars' Club, whose members bestow an annual award upon the Champion Liar. The film kicks off with three brief whoppers related by club members (one of which involves impressive animation depicting a herd of elephants marching into the U.S. Capitol building), but this is merely a warm-up for the main event. Once Charley arrives on the scene and launches into his own tall tale we're truly in Never Never Land, with imagery that rivals Salvador Dali's most feverish nightmares. And make no mistake, what Bowers gives us is more dream-like than funny, in the traditional sense, although you may well laugh at the sheer craziness of it all. The imagery includes boots that lace themselves, a straw hat that sprouts on a man's head, terrorist mice firing pistols, a Christmas tree -- complete with ornaments and tinsel -- which grows before our eyes from the handle of a farmer's plow, and, most disturbing of all, a pussy willow sprig that produces actual cats. When it's all over you may feel the way you do after viewing the most outrageous Fleischer cartoons, goggle-eyed and dazed.This fascinating film was first made widely available a few years ago as part of Kino's "Slapstick Encyclopedia" video collection, where it was included in a cassette of the more offbeat or semi-forgotten comedians. Seen in this context, alongside the comparatively famous Ben Turpin and Larry Semon, Bowers' obscurity is all the more bewildering. The guy was so original, so amazingly creative, why wasn't he better known? His work jumps right out at you, but maybe that in itself was the problem -- perhaps he was just too weird for widespread, mainstream appreciation. Whatever it was, we're lucky that any of Charley Bowers' work survives at all, and movie buffs with an interest in silent comedy, animation, or screen surrealism should make it a priority to see his films and spread the word about this unsung, eccentric artiste!

For something so little known now, this is pretty impressive and very entertaining. Charley Bowers had some amazing creativity, if this short comedy is any indication. The story itself is amusing enough - Charley's character gets involved in a tall-tale contest at the Liars Club - but it is the visual effects that set it apart. The nearly seamless effects are well-chosen in illustrating Charley's stories, and show an extraordinary creativity in using so many simple objects in clever and surprising ways.It's not even necessary to say that the effects are good 'for their time'. If anything, they are more creative and effective than most of the computer-created visual effects you see these days, because Bowers knew how to create something interesting and enjoyable to look at without resorting to explosions or other tired devices. Based on this feature, it's a real shame that more of Bowers's work is not readily available. But "Now You Tell One" is an excellent little feature, and one that is easily worth the trouble it takes to track it down.

I was so impressed by the sheer inventiveness and unique combination of live action and animation in this short -- from the elephants storming the Capitol to a cat's tail spawning off a pussy willow. Mr. Charles Bowers is definitely an unsung comic innovator of the silent era -- he has the crafty sight gags and deadpan persona of Buster Keaton, the impishness of Harry Langdon, coupled with the absurd imagination of an animator. This film is one of the highlights of the mostly excellent compilation, "Slapstick Encyclopedia."