Good concept, poorly executed.

The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Writer and director Maggie Betts makes an auspicious debut with this excellent film - beautifully written, bringing a significant moment in Catholic history into view, and blends a dramatic story about the conflicts and rewards of life inside a convent to our attention. Her cast is excellent, the cinematography by Kat Westergaard is splendid, and the impressive musical score by Christopher Stark (with exceptional integration of moments from the Faure Requiem and music by Arvo Pärt), and perhaps most important is Betts' uncompromising, ultimately compelling questions of faith and feminism among the members of the convent and the young girls entering the mystery.The opening moments of the film offer statements about the impact of the 1960s Vatican II as instigated by Pope John XXIII on the life in the convents around the world. 1964. Cathleen Harris (Margaret Qualley), in her late teens, has resided at the Convent of the Beloved Rose in her home state in the American south for close to two years, first as a postulant for six months, before taking her first vows to become a novice. Unlike the other postulants and novices, Sister Cathleen was raised in a household without religion, let alone Catholicism. As such, her decision to become a nun, which went against abusive father (Chris Zylka) and her divorced mother's wishes (the mother is portrayed in a stunning manner by Julianne Nicholson), may be more secure in her mind than her colleagues for which this life course may be more bred within them. The convent is led by the Mother Abbess, Reverend Mother Marie Saint Clare (a brilliant Melissa Leo), whose entire life is this convent off of where she not stepped foot in forty years. Reverend Mother believes she is the voice of God within the walls of the convent, and thus does not tolerate any of the sisters questioning her authority. She also believes that the Catholicism which she has known all her life is perfect. When she receives an edict regarding the Second Vatican Council - more commonly referred to as Vatican II - which, opened in 1962 as a process to make the Catholic church more open to modern ideals, she refuses to implement any of the changes, let alone discuss the edict with any of the sisters, especially with the likes of Sister Mary Grace (Dianna Agron), the Mistress of Postulants and Novices who has more contemporary views of the church. Sister Cathleen's drive to become a nun is set against this backdrop, her process which is not as easy as it appears to the others, and whether she makes it to nun is affected by the Reverend Mother's strict methods and refusal to modernize. Her challenge to her beliefs and needs is brought into focus by the arrival of the sensuous Sister Emanuel (Nora Harris). The ritualism, the meaning of bells, the confession of faults, and the interaction of the young girls waiting to become novices and postulates is all painted subtly and with style. This is an exceptionally fine film that deserves a large audience.

I find myself a little indecisive about my opinion of this movie. Don't misunderstand me, it's not a bad movie, in fact I think it's good in many aspects, therefore the rating is 8/10. Let's start...First, a film that looks behind the scenes in religion always generates high expectations, like a hunger for gossip ... ha! And in this film several controversial issues are raised. The uncomfortable relationship between the nuns and the Catholic religion, the effects of religious openness (Second Vatican Council) for a significant part of the Catholic Church: the nuns; and the exploration, maturation and development of sexuality in the environment of chastity proper to the nuns, or in this case the novices.That said, indecision results from this matters being treated almost superficially, it is perhaps a mere presentation of facts, which leaves the viewer all value judgments (which is almost plausible). However, the relationship between the Reverend Mother and Sister Cathleen is sometimes painful, inappropriate in others, confusing and even tender, a chemistry very well achieved. The subjectivity of the faith is presented in a very honest and unpretentious way. I think finally constitutes an impeccable narrative.On the other hand, the performances are excellent, highlighting the interpretation of Melissa Leo. The setting and the wardrobe very well cared, the photography very evocative. In short, it is a film that undoubtedly brings up more questions than answers. Emotional and reflective.

A piece of salacious and ill-informed garbage. There are much better films about the difficult lives of nuns, especially prior to Vatican 2, than this one and handled much more sensitively as well. Very disappointing.I wish I could have given this film 0 stars because that's what it deserves.

"Novitiate" (2017 release; 123 min.) brings the story of Kathleen. As the movie opens, we are told it is "1964" and we get to know Kathleen as she is in a nuns' convent. "I was 17 when I entered the convent, 18 when I started the novitiate. We are all women in love." Wow. We then go to "Ten Years Earlier", as we get to know young Kathleen and her mother, and how Kathleen becomes interested in Catholic school, then the Catholic faith, and eventually the Catholic church. At this point we are 10 min, into to movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.Couple of comments: this is the feature length debut of writer-director Maggie Betts, And what a debut it is! Betts takes a close look at what the road is like towards becoming a nun, with a 6 months postulate and then the 18 months novitiate. These are all young women with an idealistic view of the Catholic church. In a parallel story, Betts also examines the consequences of the Vatican II reforms. The Reverend Mother who runs the convent is entirely opposed to any ref0rms. "Isn't the church just perfect as it is?", she retorts when a younger nun questions her. As one might expect, the pace of the movie is quite slow and deliberate, so this isn't for anyone in a hurry. At times it almost feels like a documentary. I was bowled over by it all, to be honest, and felt deeply invested into these characters. There are a number of scenes in the movie that will break your heart (the disbelief of Kathleen's mother upon learning what Kathleen intends to do with her life; the "chapel of faults"--I shan't say more...). As it plays out, one can't help but be reminded of "The Nun's Story" starring Audrey Hepburn (when asked why she decided to become a nun, one of the young ladies refers to that movie). The movie is helped enormously by several towering performances: Melissa Leo as the Reverend Mother is outstanding, but even better is Margaret Qualley as Kathleen (in one of her first movie roles--she is best known for her recurring role in HBO's The Leftovers). Qualley reminded me physically immediately of a younger Kirsten Stewart. The range of emotions that Qualley is able to convey on the big screen makes it very clear to me that this is a major up-and-coming talent, the last of which we surely haven't seen. Same can be said of writer-director Maggie Betts. If it sounds like I am gushing about this movie, you bet I am. This movie is for me one of the best I have seen this year."Novitiate" premiered at this year's Sundance Film Festival to immediate critical acclaim. No idea why it's taken so long to reach my local art-house theater here in Cincinnati, but better late than never. The Saturday evening screening where I saw this at was attended very nicely. You could hear a pin drop, as the theater was enraptured by this film. If you are in the mood for a probing psychological drama that poses some serious questions about religion and faith and features several stunning acting performances, you cannot go wrong with this, be it in the theater, on VOD or eventually on DVD/Blu-ray. "Novitiate" is HIGHLY RECOMMENDED!