I like the storyline of this show,it attract me so much

Sadly Over-hyped

Fantastic!

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

This movie started off with a bang , and we have crack FBI agent Flynn investigating a bomb in 1920 New England. Strathairn is always fun to watch, and is utterly convincing, but why he took this insulting script is beyond me. The film quickly devolves into "big bad businessmen vs little immigrant worker" propaganda of the sappiest kind. Set pieces and the lead character's side romance with his neighbor Conchetta (the Irish gets together with the Italians)are fine, as is the casting (with the exception of Flynn's young wooden protege, also an "Italiano"). The direction and pacing are also good. The film bravely insinuates (in)famous anarchists such as Emma Goldman and Sacco and Vanzetti. But the script moves away from detectivework and finding the culprits (there is very little detail given, to preaching about the dangers of nativism, and treats the anarchists as one-dimensional heroes, instead of the violent murderers they very possibly were, which I found insulting and spoiled the movie.Don't expect a detective movie; expect a cringey sermon.

This is not an action pack movie. It is somewhat of a documentary of a part of history. History is not pretty and laced with the making of a star studded movie. I haven't really seen much about the Italian heritage. It is interesting to see what the early immigrants had to go through. There were spots in the movie that were a bit slow and could have had improvement. But I am sure the movie was made to explain history. I live in Milwaukee where much of the film was made. It was fun watching it from a distant. I remember that summer. The actors were lucky we had such nice weather. Around here the seasons are pretty erratic. I talked to one of the stagehands and it was interesting. Glad I finally got a chance to see it. I have been looking for it ever since I viewed it being made. David Stratharin is a great actor. I feel he hasn't gotten the praise that he should get. I have seen him in many movies. Again he did a great job in this movie making it believable. I really like Sam Witwer and think he will be a good actor. Love him in "Human Beings."

If you want to see just how Marxist our film industry has become, by all means watch this, Wonderful performances, and a total distortion of the Sacco-Vanzetti case. But drama has never had to be valid, just effective.IF you want to check on the Marxist Progressives attempts to rewrite history, this is one of the most interesting. Forget history. Go with propagandaAnd this is effective. Some terrific work by David Straithearn and others. And the scenery chewing of Mitchell Palmer is great fun... The humble people (AKA immigrants) just trying to get their rights against the capitalist imperialists, who can resist?Don't miss it.If you want to know where Barack Obama has come from, make sure you watch THIS.

OK, I love period pieces and tried to like this one despite the obvious budget constraints of No God, No Master as it moved along, but the no- nuanced presentation of the historical characters made it a task. The simplistic and fiery speech of Galleani (face lit from underneath to emphasize "evil") was a prime example. Flynn in the middle of a melee of activists and cops as his boss (who instigated the fight) looks on passively, is another. Say what you will about baddie Palmer, he seemed to have an awful lot of patience with the uncooperative Flynn.Just taking it as a movie - a "work of art" as opposed to reportage - it failed to satisfy. The all too many plot lines were hard to follow and hard to buy into. The "romance," in particular, was just too cute and convenient and made some of the final scenes pretty screwy. But maybe my attention drifted and I missed some details. Would that I could convince a smart friend to watch this movie and answer my questions, because I am befuddled and left to wonder...Why was the boy taken?What are we supposed to conclude when Flynn finds Louise Berger living in a nice apartment, rather than a tenement hovel?Is Flynn partially blind? If not, how come such a brilliant couldn't see the car following him during his ride in the country?How did agent Swanson beat him to the hideout? Who the !#!!^>< is agent Swanson?Why was the boy in the barn? Are the anarchist bad guys also pedophiles?If Flynn is such a liberal and is so disgusted by Palmer's actions, why doesn't he want to talk to the press when the boss first makes the offer?Why in blazes was the boy in the barn?