Wonderful character development!

Excellent adaptation.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Although it has its amusing moments, in eneral the plot does not convince.

In 1931 Frankenstein and Dracula were thrilling audiences. But neither is as scary as 1932's Night Court because the events depicted here could really happen to you and me. Philips Holmes and Anita Page do the best work of their careers, first as a loving married couple, and later as desperate persons undone by a corrupt system. Things go from bad to worse and still worse until it seems there is no hope for the couple - torn apart, imprisoned, assaulted. Walter Huston plays the villain wonderfully until his over-the-top mad scene. Holmes' acting at the climax must be seen to be believed - absolutely perfect. There are many instances of horror in films of the period but Night Court maintains this fear from the moment Page opens the envelope. This film is a class act, better than Public Enemy or Scarface in its depiction of corruption. It deserves to be better known.

Disregard the mundane title, this is a good movie. The website classifies its genre as a crime/ thriller picture, and it is exactly that. It stars Walter Huston, arguably America's best actor, as a terminally corrupt judge who is interested in self-aggrandizement and self-promotion. Rotten to the core, he victimizes a young couple with a baby he suspects knows something about his lurid after-hours affairs. Huston has never been better when at his worst and runs up against a good guy (in this case, a good judge), who, as they used to say in the 30's, wants to 'get the goods' on him. Good Guy Judge is played by Lewis Stone (Judge Hardy, of Andy Hardy fame).Things get worse before they get better, and the scenes with Anita Page, as the young wife arrested on a phony charge, are hard to watch. Phillips Holmes plays her husband in one of the best roles of his short career (he was the cowardly weasel in "An American Tragedy").The movie, made so long ago, is outdated particularly in the resolution of the cases that come before Judge Moffett. Defendants are held and tried at breakneck speed, often with out benefit of counsel. As we know, the wheels of justice grind very slowly nowadays. And everybody has at least one lawyer.Do yourself a favor and get past the unimaginative title - this film is proof that you can't judge a book by its cover, or a movie by its title.

This film had a very poor script--filled with clichés, ridiculous story elements and was way too predictable to be enjoyed. While I am a huge fan of Hollywood films of the 1930s, I really hated this film because of the script and because the film had some excellent actors who were totally wasted. Walter Huston played a crooked judge--in a rather one-dimensional way. It was really hard to see the brilliance of this actor in this turgid film--even though in DODSWORTH and TREASURE OF THE SIERRA MADRE he gave truly amazing performances. Lewis Stone, an excellent character actor, was also given a pretty thankless role. And the part of the film where the innocent woman is "railroaded" and sent to prison is just ridiculous and nonsensical. The bottom line is that it really looks like MGM put little, if any, effort in making this very standard and very silly film full of plot problems. Not everything old is good.

When MGM released "Night Court" in 1932, its story of crooked judges and a corrupt system of justice in New York City was pulled from the newspaper headlines of the previous year. When, in the movie, cabbie Mike Thomas's wife is set up, arrested and jailed for prostitution, that part of the story didn't surprise New Yorkers, who had read for months of the activities of Chico Accatuna (the spelling of his last name varies), nicknamed the "human spitoona." Just as in the movie, this unsavory character would set women up for an arrest by the vice squad. Once the woman lost her job and reputation as the result of the arrest, criminals such as Lucky Luciano would then force these women into prostitution.In this movie, Mary Thomas is sent to jail to discredit her, since she accidentally saw the bank book of the crooked Judge Moffett, played by Walter Huston. He had given it to his girlfriend when he told her to hide out while Lewis Stone's judicial commission was investigating Moffett and others for corruption. She moved in next door to the Thomases,in a rundown walk-up rowhouse, and managed to drop the bank book (which showed tens of thousands of dollars in the judge's secret account) into the crib of Mary's son when she dropped by.At one point, this picture is as grim as any you will see. Mary is in jail. Her little boy is in a city foster care facility, crying his heart out. Mike, trying to spring her, goes to a lawyer who is a crony of Judge Moffet and informs the judge of Mike's plans. Moffet, lying on a sofa, tells an associate to "get me bad boys, very bad" to take care of the troublemaker cabbie. These "bad boys" beat the cabbie to a pulp, then put him on a slow boat to South America.In a great scene, Mike later tells Moffett, now a prisoner in Mike's apartment, about all the questions Moffett's henchmen had asked him. Mike closes by saying they didn't him the most important question: "Could I swim?" Audiences in 1932 must have cheered when they heard that line, delivered just right by actor Phillips Holmes.Now, "Night Court" is like a time capsule, a reflection of a world long gone. Mark Hellinger, the co-writer of the play the movie is based on, was a reporter who had first hand knowledge of the real life events he borrowed for the story. The hero in this movie is a cabbie, not a cop, a district attorney or any other government official. In this movie, except for Lewis Stone's character, who is murdered, all the public officials you see are on the take. The movie makers didn't identify the cop who arrested Mary Thomas as a member of the police Vice Squad. If they had, that would have dated the movie. As a result of the tremendous scandal involving Chico Accatuna and the compulsory prostition racket, the NYPD Vice Squad had a new name, the Public Morals Squad. This scandal helped get La Guardia elected Mayor and is the basis for this pre-code crime classic from MGM.