Neighbours
Neighbours
| 01 January 1952 (USA)
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In this Oscar-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.

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Reviews
LastingAware

The greatest movie ever!

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TrueHello

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

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Mischa Redfern

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

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Logan

By the time the dramatic fireworks start popping off, each one feels earned.

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Horst in Translation (filmreviews@web.de)

I have to say I don't mind Norman McLaren getting an Academy Award. I am generally not too big on his movies and that includes this one here, but he is sort of considered a legend in animation from the 20th century, so it's fine with me. That does not change, however, the way I perceived this short film here. It is in color, runs for 8 minutes and not only won the Academy Award, but was nominated in another category as well, something that is not possible today anymore, at least not for short movies. The entire film is about two men fighting for a flower which grows in their garden. First, the dispute is verbally, then it gets physical and in the end it is lethal. The story is too absurd for my taste already, which hurt my perception of this film and I felt that it dragged occasionally. Then again, this is the point as the actions by the two men are not human at all, but basically all special effects. One of the two was Grant Munro, a famous animation filmmaker himself and still alive in his 90s today. This short film from almost 65 years ago did not do a lot for me. Only worth a watch for those who want to see all short film winners from the Oscars. Everybody else is not missing much, even if this is maybe the most famous short film from the legendary NFB.

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bob the moo

Two neighbours sit opposite one another reading the same paper, smoking the same pipes and enjoying their property and lives. Things get even better when a beautiful flower grows in the middle of the joint garden that both men love for its appearance and aroma. However when they both try to appreciate the flower at the same time a minor squabble starts up regarding ownership of the flower and soon the conflict spirals out of control.I watched this short film after having it mentioned in discussions on classic short films I should see as part of trying to see more films than just the blockbusters that Hollywood kicks out month after month. Watching it more than fifty years after it was made I was surprised by how fresh it did feel. Of course it is still relevant, which is not really down to Maclaren but more down to the nature of man I think but the plot does still work. Modern viewers might feel that it runs a little longer than it should and it is pretty obvious in what it is saying and this was a quibble for me but not a deal breaker. What carried this simple morality tale was the animation, which is stop-motion but still feels fun and creative now.Using live things to do stop motion must be pretty difficult – it is a time consuming and painstaking process with clay and things (that can be kept still when you need them to be) but with humans that can lose position it is more challenging. Credit to Maclaren that it looks great and flows really well throughout. A classic short then even if it is not perfect. The simple message is laid on pretty thick and is not as smart as some would say but it is still smart enough to hold it together while the animation feels fresh and inventive.

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bkwrds

norman mclaren's neighbours is a masterpiece of animation- it entertains, educates, and satirizes, all at once.the plot of the film is simple, and predictable: two neighbours are fighting over a flower, which seems to fall directly between their two properties. naturally, the two fight over the flower until both they and the flower are destroyed.however, underneath that simple plot, there lies a strong anti-war message. it points out that war does not allow for winners, only losers; and it reminds us that we've been known to forget why, exactly, we're fighting each other, killing each other, as well as each other's families.the battle is shown with live-action/stop-go animation- which allows the effects of the flower on the two men to be exagarrated easily. this suits the film well, giving a serious topic a little light-heartedness.an interesting side-note- the soundtrack was not recorded, but rather hand-painted (by mclaren himself) onto the soundtrack. this gives the soundtrack a boxy, nintendo-like quality.in my mind, this film could sit easily with modern anti-war classics; never too preachy, never too simple.truly enjoyable.

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clurge-2

This film is amazing. Truly amazing.The knack for animation seems to be one of Canada's greatest gifts, so I guess that would make Norm McLaren the most generous man at the party. This piece is visually stunning; watching the characters cascade across the screen with the help of stop-motion techniques is a thing of beauty. The awkward, electronique-esque soundtrack conjures up, and speaks for, every single emotion that McLaren is trying to get across visually. In eight minutes, McLaren develops the two male characters, and their emotions, better than a feature length Hollywood production could in two hours. Could he have made it longer? Sure...but he said all he needed to say in the few minutes he worked with...namely, "Love Thy Neighbour". If you can't find this Oscar winner (for Best Animation Short oh so long ago) you are really missing out on something magical. A thing of beauty, and a Canadian gem. Thanks, Mr. McLaren.

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