Better Late Then Never

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Fay Wray (Carol), Grant Withers (Chief Petty Officer Steve Roberts), Dewey Robinson (Nick Salado), Craig Reynolds (Jimmy Woodford), William von Brincken (Cronjer), George Sorrel (Slavins), André Cheron (Benje), Robert Frazer (Peter), Joseph Crehan (Daly), Duke York (Babe), Arthur Housman ("drunk"), Joe Girard (captain), I. Stanford Jolley (waiter).Director: HOWARD BRETHERTON. Screenplay: Harvey Gates. Based on a Cosmopolitan magazine story, "Shore Leave" by Steve Fisher. Photography: Harry Neumann. Film editor: Russell Schoengarth. Art director: E.R. Hickson. Wardrobe: Louis Brown. Music director: Edward J. Kay. Production manager: Charles Bigelow. Assistant director: W.B. Eason. Producer: William Lackey. Executive producer: Edward R. Dunlap.Copyright 27 January 1939 by Monogram Pictures Corporation 1939. U.S. release: 8 February 1939. No New York opening. Never theatrically released in Australia. 7 reels. 60 minutes. COMMENT: A movie in which Dewey Robinson heads the support cast is certainly a novelty. Alas, like many of his contemporary character players who added such luster to small parts, he seems unable to carry a larger role. True, he does give it a good try, but he simply can't muster the charisma or the presence to effectively carry it off.Never mind, the leads are certainly attractive, whilst the direction is both fast-paced and action-full, often making ingenious use of standing sets and real backgrounds within the studio itself to augment production values. The script too is moderately engaging. A few scenes (the boy on the bicycle in the park) even have genuine charm.Whilst the "solution" to the budding romance between possible spy Withers and possible agent Wray will possibly come as no surprise to most viewers, it is nicely worked through by the principals and an able support cast.

Running at just an hour, the 1939 Monogram film "Navy Secrets" barely ranks any interest as its plot gets off the ground. Craig Reynolds is a sailor in love with Fay Wray who is arrested for being late returning to his ship, and sends pal Grant Withers off to meet her so they can turn in some supposed rare stamps for a large monetary sum. Obviously, it is more than stamps he is selling, and it becomes a wild goose chase between obvious German bad guys (never identified by race) and obvious government agents. Wray and Withers end up stranded in a park with Wray's purse filled with nickles after she wins at an illegal slot machine and an annoying kid riding around him on a bike. Of course, for the few people who have seen this movie, that is the scene they all remember, but the poor kid doesn't seem to be credited anywhere that I can find. Wray and Withers seem out of sorts too because she's supposedly involved with his pal Reynolds (who basically disappears less than 10 minutes into the film) and all of a sudden is flirting with Withers whom she makes several escape attempts from while they are on the run from the bad guys. A few moments of comedy don't make up for the fact that the plot is absurdly put together and never really intriguing.

OK, this is not a great movie, but the real problem is that the plot description on IMDb and the back of the DVD box gives away the only real mystery in the film. Without reading the plot description about "two naval officers", there really could be some mystery in this mediocre spy film from Monogram, and some people would actually be surprised at the ending.I got this movie only because I'm on a somewhat unhealthy quest to see everything that has Fay Wray in it, and she looks great here, although she basically wears the same clothes throughout the entire film, as it takes place over the course of one night. The sets are pretty cheap looking, the direction is pretty lame, and the pace is a bit choppy. However, Fay and Grant Withers do a good job with what they have to work with, and the movie is almost saved entirely by a couple of scenes. One involving a kid on a bicycle interrupting a quiet moment in the park, and the other involving Fay in a phone booth trying to make a call with bad guys roaming around. The second scene is ruined at the end by a complete lack of timing on the part of the editor or director, or maybe they just couldn't afford another take.The DVD I bought is from Reel Enterprises and the picture was pretty bad and the sound uneven, but hey, thanks to them for actually making this one available. Any other obscure Fay Wray films out there? I'm on a mission, you know....

Poor little second feature has Grant Withers and Fay Wray wandering around the city trying to track down who wants an envelope carrying navy secrets -- only they think it's collectible stamps. Withers and Wray try to carry this one along on their charm, but they aren't up to it, although there is one good scene in a park and a small, annoying boy on a bicycle.