The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

The best films of this genre always show a path and provide a takeaway for being a better person.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

It can't be adequately described in words so I implore you to experience this bizarre film yourself, but every line by the main characters is delivered in an uninterested deadpan monotone, and they act as though there was nothing remarkable happening. Meanwhile the female lead is turning into animals, vomiting up snakes, witnessing black magic duels and having her severed head fly around as a vampire-like creature. The juxtaposition is very funny. Why she puts herself in this insanely dangerous situation is never really explained either, she just says she's "studying black magic", which may as well have been "I thought it would be a laugh."I'm guessing that at least some of the lower scoring user reviews saw a subbed version?

'Mystics in Bali' - sometimes known as 'Leák' - this Indonesian horror film focuses on an American woman whose research into black magic leads her Bali where she gets more than she bargained for upon befriending a local witch. With her constant cackling, unusually long fingernails and snake-like tongue, the local witch makes for a genuinely creepy character and all her scenes are divine. The low budget special effects also work more often than not, with gooey transformation effects, lots to like in the sheer bizarreness of a floating human head with entrails attached and a highly unsettling bit in which the said head confronts a pregnant woman. Whether the film has much to offer beyond its sheer weirdness is debatable. The protagonist's romance with a local Bali man lacks sparks and comes off as under-developed (does she really love him or is she just using him since he can help her with her research?). The acting is hardly top notch here either. There is, however, enough zany and offbeat imagery on hand that the film engages the whole way through. Quite a few aspects of the plot resonate too, especially how quickly she becomes a victim of the very black magic that she is trying to disprove and how her sheer skepticism makes her all the more vulnerable. The film almost in fact works as a cautionary tale regarding the risks of dabbling in things that one does not properly understand.

American author Catherine travels to Bali to learn the art of "Leák" – some kind of black magic. Her native boyfriend Mahendra introduces her to a shady Leák mistress. The witch teaches Catherine strange rituals including (but not limited to) maniacal laughter, erratic dancing and pig transformations. Pretty awesome, isn't it? Well, unfortunately the witch turns out to be evil. She takes control over Catherine's head at night and forces her to gather blood. Mahendra tries to cut the bond between Catherine and the witch, but that's easier said than done."Leák" (better known as "Mystics in Bali") is an Indonesian horror movie about the mythological figure Leyak: a flying head floating trough the night and sucking the blood of newborn babies, with the entrails of its former body still hanging from it. For Indonesians, this legend might be familiar, but for us westerners it's decidedly weird, especially because the director H. Tjut Djalil doesn't feel the need to explain what's happening on screen. But regardless of our cultural background, I think we can all agree that this movie wonderfully crazy trip which will conjure a smile on the face of every trash fan out there.The plot is strange from beginning to end, and there's no point in me listing all the lunatic scenes - you have to experience them first-hand. What makes "Leák" so funny is the fact that neither Catherine nor Mehandra seem to be bothered by the outrageous events. They're like: "Let's meet with this disfigured witch and learn black magic! You can't go wrong with that, can you? Oh, could it be that Catherine killed someone?! Ah well, whatever. Let's kiss and be all lovey-dovey!" Those two might be the most carefree couple in film history.Amidst all the chaos there are some quite effective scenes. The cheap special effects are disturbing at times. But "Leák" seldom is truly scary. The story is told roughly. The ending is an overhasty jumble: Things seem to happen at random, and then the movie ends abruptly.All in all, "Leák" is an interesting yet clumsy introduction to Indonesian mythology. The shocks are few and far between, but the movie amuses with obscure ideas and visuals.

A great piece of foreign obscure. Complete with laughing witches, black magic, flying heads, gore, percussion tunes and Indonesian people running around with traditional clothing.Plot line: This Australian girl, expert in voodoo, want to learn more about the original Indonesian black magic called ""leák"", the strongest en most dangerous form of black magic known to mankind. When she arrive she's been helped out by this local citizen guy. He introduced here to the master of the leák, the ugliest and having the most nasty laugh of them all. Pretty soon the local town is experiences all kind of strange voodoo things attacking them.8 out of 10