Don't Believe the Hype

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

There are better movies of two hours length. I loved the actress'performance.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

This procedural is notable for a focus on forensics before that was a thing and for a solid script. But mainly it's notable for its women. The always-fascinating Elsa Lanchester is absolutely wonderful as a scheming landlady. Jan Sterling does well as a brassy bleached blonde while Sally Forrest, as sweet, unfortunate wife, has a terrific scene in which she blows up, in a defeated desperate way, at a cop.The men are a bit less interesting. While I like Marshal Thompson as Sally's hubby, the other main men strike me as a bit too generic in that way that was common in the 1960s. Still, Montalban's scene being talked down to by a privileged blue blood is pretty terrific.The story is generally solid, although the action in the last third feels a bit forced.A must-see for Lanchester fans, and worth watching for anyone who likes detective movies.

RICARDO MONTALBAN is thoroughly convincing as a detective who has to solve a baffling murder when a woman (JAN STERLING) disappears suddenly in Cape Cod. Turns out she was a prostitute, so there's a long list of possible suspects, the chief one being an innocent man (MARSHALL THOMPSON) who is wrongly accused of the crime.BRUCE BENNETT is effective as a professor at Harvard Medical School who is able to obtain some clues from the skeletal remains washed up on the beach. SALLY FORREST is fine as the accused man's wife who never believes he could have committed the crime but isn't sure about his infidelity. And ELSA LANCHESTER just about walks off with any scene she's in as a batty landlady who turns out to be too greedy for her own good.With its shadowy, low-key lighting and film noir atmosphere, it's a fast-moving story well paced by John Sturgess who keeps the tale taut and tense enough throughout, only slowing a little toward the ending.Well worth watching, a surprisingly noirish melodrama full of gritty moments not usually found in the glossier sort of films MGM was more famous for.

The somewhat generic title "Mystery Street" offers no real clue as to what is contained therein, and belies the fact that this film exhibits some very contemporary themes and devices. It is partnered with "Act of Violence" on a "film noir" DVD which offers an excellent evening of entertainment from two lesser-known movies of that genre.Ricardo Montalban plays a Portuguese-American police detective trying to piece together the clues left behind by a skeleton found buried in the sand dunes near Hyannis, Massachusetts. The proceedings are a definite precursor to TV's "C.S.I." and similar series devoted to police forensics and procedures, and a crime lab run by Bruce Bennett at Harvard University features prominently. It's no secret to the audience who the skeletal remains are, but it is for earnest, hardworking Montalban to discover for himself.In the process, the youthful Montalban interacts with several potential suspects and witnesses, all the while treating us to his special brand of Latin charisma that made him so popular with female audiences. He's in fine form, confident and looking great in a trench coat and fedora, although sometimes his accent gets a tad in the way.The stellar supporting cast includes fabulous Elsa Lanchester as an avaricious and corrupt landlady who soon finds herself in over her head. Her expert dramatics are priceless, and she is allowed ample screen time to flesh-out a unique character who is both compelling and repulsive. Next mention should go to beautiful Jan Sterling in a pivotal role of a cynical but desperate dance hall girl looking to strike it rich. Marshall Thompson and Sally Forrest appear as a young married couple with their share of problems and more than a few secrets. The rest of the cast is filled with great little cameo performances, most with one scene each in rapid-fire succession.So fans of classic police drama will find much to enjoy in "Mystery Street," a movie which certainly foreshadows current trends in that genre, and gives fine actors a great showcase for their talent.**** out of *****

"Mystery Street" (1950) is an odd title to find on commercial DVD. True, it's an "A"-feature from M-G-M, but it's what we in the trade used to call "a double bill movie." In other words, it's a film that had little selling power and needed strong support, preferably from another "A" attraction. Its New York showcase was the Palace where it ran a pre-set week supporting a live vaudeville bill. The cast list is as long as your arm, but the leads – Ricardo Montalban, Sally Forrest (top-billed, despite her small role), Bruce Bennett (giving a rather off-hand performance), Elsa Lanchester (at her best!), and the well-cast Marshall Thompson – hardly qualify as box office draws. The movie's one memorable portrait comes from Jan Sterling, who is featured in the trailer, but not by name. Connoisseurs will also enjoy an excellent study by Betsy Blair as an unwilling witness. For DVD sales, the major selling point is that it's a film noir – and photographed by master of the genre, John Alton. Actual on-location lensing adds to the undeniable mood of suspense and helps paper over some really gaping holes in the plot.