Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This is a dark and sometimes deeply uncomfortable drama

I can really appreciate a film I've never heard of when it delivers an intriguing story with compelling characters. Elsa Lanchester is positively off the rails here as a scheming, money obsessed landlady who has the temerity to attempt blackmail on a guy who's already killed someone, and she knows it! How she couldn't figure out that he might try to kill her just as handily kind of escapes me, but I guess she only saw the dollar signs. Funny, but I had the same impression of the pharmacist in "The Two Mrs. Carroll's" when he tried to put the screws to Humphrey Bogart. Not a smart move.If you didn't know who Detective Moralas was starting out, his familiar appearance might have driven you crazy while the story progressed. This is probably the earliest film I've seen Ricardo Montalban in and he did a nice job here as the Boston homicide cop. If nothing else, the story line reveals the excruciating detail that forensic investigation requires to catch a murderer. I don't really watch TV shows like CSI so maybe I'm not in tune to modern police methods much, but for an early story dealing with the science, it took one through a lot of twists and turns to find the killer.There was one remarkable element in the story that I got a bit of a chuckle out of having nothing to do with the movie per se, but with Mrs. Shanway's (Sally Forrest) stay at the hospital when she had the miscarriage. One of the receipts she produced for Moralas was a forty eight dollar hospital bill. I was born the same year this film came out, and believe it or not, my mother saved the hospital bill as well. Lest you think the amount they came up with here was made up for the movie, I can confirm that my own delivery was a bargain at sixty dollars!

This one really knocked me out. The screenplay is so tight. There is nothing unbelievable. The characters are all interesting and then there is Elsa Lanchester perfectly understanding how to make the most of every second. Ricardo Montalban was such a fine actor. He deserved a much better movie career. Then to see people like Jan Sterling and Betsy Blair in such good roles and offering such solid performances is such a pleasure. We kept saying, "This is Law and Order!" And what complement could be greater only this came about 40 years earlier. Of course you know it will have a satisfying ending but you won't believe the roller coaster ride you are given first. And Boston!!! When has that city ever been given such prominence. The movie is a knockout. Not a wasted second. How did this one get away? Masterpiece is overused but this is one.

'Mystery Street' is a solid drama, with some nice little 'film noir' touches. The script is knowingly cynical. "She called everybody 'honey'. I wonder if that meant she liked them," muses the detective.It's nice to see Montalban so young and in a good early role. Jan Sterling nails 'trashy blonde' down in this role, as she would in the later 'Ace in the Hole' by Billy Wilder.A truly bizarre moment occurs when the killer is caught carrying the lifeless body of the Sterling character out of her car by a passing motorist. For a moment, he must feign making love to the lifeless corpse to allay the onlooker's suspicions. I think even the great Sir Alfred Hitchcock would have appreciated a moment like that.The forensics scenes are quite good for a 1950 movie, and rather graphic. The skull image superimposed over the face of Jan Sterling is unsettling, disturbing. Although never an exact science, the process of facial recognition to a skull goes on today and remains fascinating.This movie is well worth a view.

The somewhat generic title "Mystery Street" offers no real clue as to what is contained therein, and belies the fact that this film exhibits some very contemporary themes and devices. It is partnered with "Act of Violence" on a "film noir" DVD which offers an excellent evening of entertainment from two lesser-known movies of that genre.Ricardo Montalban plays a Portuguese-American police detective trying to piece together the clues left behind by a skeleton found buried in the sand dunes near Hyannis, Massachusetts. The proceedings are a definite precursor to TV's "C.S.I." and similar series devoted to police forensics and procedures, and a crime lab run by Bruce Bennett at Harvard University features prominently. It's no secret to the audience who the skeletal remains are, but it is for earnest, hardworking Montalban to discover for himself.In the process, the youthful Montalban interacts with several potential suspects and witnesses, all the while treating us to his special brand of Latin charisma that made him so popular with female audiences. He's in fine form, confident and looking great in a trench coat and fedora, although sometimes his accent gets a tad in the way.The stellar supporting cast includes fabulous Elsa Lanchester as an avaricious and corrupt landlady who soon finds herself in over her head. Her expert dramatics are priceless, and she is allowed ample screen time to flesh-out a unique character who is both compelling and repulsive. Next mention should go to beautiful Jan Sterling in a pivotal role of a cynical but desperate dance hall girl looking to strike it rich. Marshall Thompson and Sally Forrest appear as a young married couple with their share of problems and more than a few secrets. The rest of the cast is filled with great little cameo performances, most with one scene each in rapid-fire succession.So fans of classic police drama will find much to enjoy in "Mystery Street," a movie which certainly foreshadows current trends in that genre, and gives fine actors a great showcase for their talent.**** out of *****