This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

Mon Pire Cauchemar is a watchable French drama/comedy. I wouldn't say it's the best movie with Benoit Poelvoorde but it's okay to watch once. Benoit Poelvoorde plays one of his typical characters we are used to see, a bit vulgar, obnoxious, fast speaking. I guess it's his type of character. I thought he was funnier in other movies than this one but this movie is more a drama than a comedy anyway. Isabelle Huppert on the other hand is always a delight to watch. Not only for her acting but also for her natural beauty. Time seems to have no grip on her. Her eternal elegance is her trademark. I guess some people have it and others don't, she just has is. The movie itself is like I say watchable, a little bit predictable but no necessary boring. Good enough for me to kill a couple hours.

I liked this movie even though it is not a masterpiece. The acting is great, the story may be not exactly original but believable, even though I was a bit skeptical about it when I read this movie information. Also, you can't go wrong with Isabelle Huppert-she is agelessly beautiful. I liked the absence of female hysteria when it comes to male-female relationships, that dominates most Hollywood movies and TV shows these days. I love French movies and gave up on trying to find one worthy Hollywood movie- they are all the same-terrible performances , soap opera content. I don't find it amusing when males, as species, being degraded to disposable sperm donors. The other French film that i really liked-The big picture (2010)- Oscar worth performance by Romain Duris.

This adult French comedy can be extremely funny at times, but can also wander off into implausibility especially in the second half of the film.Isabelle Huppert, whom I would rate as one of the great actresses of our time, stars as Agathe Novic, a museum art gallery director. She can be quite brusque, imperious, and sarcastic. She's living with Francois, who's a publisher, portrayed by the veteran actor Andre Dussolier. They are the parents of Adrien (Donatien Suner) who is friends with Tony (Corentin Devroey).One day Tony's father comes to pick up his son at Agathe and Francois' apartment. That's when the fun really starts. Tony's father, Patrick Demeuleu, magnificently played by the Belgian actor Benoit Poelvoorde, is a lewd, crude, and vulgar construction worker but is also quite a likable guy. I recently saw Poelvoorde in the movie "Romantics Anonymous" where he played a completely divergent character, as an extremely shy owner of a chocolate factory. This contrast really illustrates his versatility.Francois takes a liking to Patrick and hires him to complete the re-modeling of his and Agathe's apartment. Sparks and hilarity fly as Agathe and Patrick play off each other.The film then veers off into various subplots such as Child Protective Services looking for Patrick and Tony, being concerned that he's not getting the proper care. Also, Francois fed up with Agathe's iciness takes up with a much younger woman (Virginie Efira) and leaves the apartment. To me, when the film went in these directions it often lost it's way.Certainly, the best scenes are between Agathe and Patrick. One night, after drinking way too much they end up in bed. From, there all kinds of surprising, and sometimes implausible plot twists occur. Huppert is such an amazing actress that you just never know what she's going to say or do next, which adds to the fun.All in all, I felt that when the movie worked it really worked and when it didn't it faltered. However, based on the wonderful performances by Huppert and Poolvoorde and the strong laughs I took out of it, I would rate it favorably.

The chance encounter of two different characters, from opposite social environments, having divergent interests, one sticking to the other without the latter being able to get rid of the clinger, is a narrative outline which has been used and abused over the years ("L'emmerdeur", the Pierre Richard/Gérard Depardieu comedies, many a screwball comedy of the golden age of Hollywood,...), so don't expect "Mon pire cauchemar" to surprise you in any way. As a matter of fact, Anne Fontaine's film reproduces the "odd couple" model, with its two main protagonists bickering back and forth most of the film's running time before mellowing at each other by the end of the story. Here you have Isabelle Huppert as a stiff, supercilious bourgeoise vs. Benoît Poelvoerde as a hopeless tosser who sticks like glue to her. However, although "Mon pire cauchemar" does not break any new ground in terms of narrative, it nevertheless works well, both as a pure comedy and a romcom. Two reasons can account for this apparent paradox. The first one is that Anne Fontaine is well aware that she is not innovating here. What she is after in fact is to use the stereotypes inherent in this type of comedies and to play with them in a laid-back way. We have seen Benoît Poelvoerde so often in the role of the self- satisfied pain in the neck that we can guess in advance what his character will say and do. In this case, laughter comes from these very expectations. The same applies to Isabelle Huppert who has more than once been uptight and cold on the big screen. The second reason, as far as the romantic aspect goes, is that Anne Fontaine (along with her co-writer Nicolas Mercier) manages to make us believe in the love story, highly improbable as it appears in the first half. And if she does so, it is because she has been able to give flesh to her lead couple. Even if, for a time, they seem to be nothing but puppets that wiggle their heads and flap their arms in the air, their humanity is gradually revealed when Anne Fontaine goes beyond their blatant defects (Agathe's snobbery and haughty coolness ; Patrick's terrible shamelessness) and shows either partner bringing to the other what he/she misses. Seeing Huppert letting loose and starting at last to ENJOY life and Poelvoorde declare in a moving scene: "I'm just a pathetic schmuck. I'm toxic" marks a welcome change of tone. The funny but mechanical comedy of the beginning has become more profound and we can now adhere to the two characters instead of merely laughing at them. All in all, this is surely not the best comedy ever filmed, but being a well-paced one, moreover very well interpreted by Huppert, Poelvoorde and André Dussolier (never better than when he can, as is the case here, be smart, light and weak), it is well worth seeing.