Purely Joyful Movie!

A Disappointing Continuation

This movie was so-so. It had it's moments, but wasn't the greatest.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

I gave the film a 6 because of its beautiful overall appearance and the Chinese Opera scenes, which was what drew me to watch the movie. I loved 'Farewell My Concubine' and have watched it countless times, but despite shamelessly borrowing a similar love triangle and plot structure from 'concubine' was forgettable within the half hour it will take me to read the reviews and compose my own. To begin with, the film was set in 1920's Shanghai, but the glamorous young actors had today's Japanese animation hairstyles, especially General Lu, who must have been the youngest General in the entire police force and whose youthful appearance seriously undermined the film. Next, the martial arts was just plain distracting and again, out of sync with the period. Just because you can fly through the air and run up walls on wires does not mean that you should - I was expecting Jackie Chan to burst in at any time. You can have Peking Opera films and you can have martial arts/chop socky, but the two don't mix well - as if you had mixed a classical piano concerto with boogie woogie. The fight scenes in Peking Opera are very ritualistic, precise and stylised. Last was the tortuously convoluted plot which required me to keep flipping back to earlier scenes on the DVD to see if I had missed something. Perhaps the English subtitles had left a lot of explanation out of the translation, but it was very hard to figure out what was going on, and because of this dramatic tension was completely lost. A major plot twist, which later turned out to be a red herring, was obvious right from the start, and the big reveal of the red herring was dropped as casually as if someone had accepted a cup of tea, thanks. Overall, the ending wrapped up too hastily with no tension or drama. Perhaps this was intended to be a teen age flick where no one expected them to follow the plot as they would be too busy swooning over the handsome leads. Maybe taking back the film and recutting it might make a difference, but as it stands it is a wasted opportunity - a teenage Bugsy Malone.

This movie is a lot better than the other reviews might lead you to believe. I'm not sure what the other reviewers expected. If anything the movie suffered because it had greater ambitions than it could possibly live up to, but the overall viewing experience was not conspicuously unpleasant. The choice for General Lu was the biggest flaw of the film. Many problems existed, but none of them crippled the entertainment value of the film. Most of the other problems were easy to ignore.International cinema fans have been spoiled by the above average quality of the movies that come our way. Hollywood has such a stranglehold on the industry that foreign directors face a much higher artistic standard to become successful here. Because of that so many really magnificent pictures have come out of Asia in the past ten years. To become commercially successful on this side of the Pacific requires nothing less. When a movie like My Kingdom comes along and it is merely entertaining instead of a virtuoso production the criticism leveled against it can be less than fair.

My Kingdom fails big time because the director forgotten the cutting floor. The film suffers from poor pacing, editing and everything associated with the production room. It is the kind of film that is beautiful to look at, namely the actors, the actress and the surrounding 1920s Shanghai backdrop, but comes off empty and unfulfilling. You know there is a problem when you enter the film with zero expectations and still managed to be disappointed. It is all the more disappointing when you realise an actress in the calibre of Barbie Hsu is suitably wasted and probably the best thing to happen in the film. There is no ongoing debate as to the other two male leads in Wu Chun and Han Geng as neither can act above their restricted wooden facial expressions and range. Fans of old school kung fu cinema can rejoice in seeing veteran Yuen Biao and Yu Rong-Guang gracing the screen in the opening minutes, but its all downhill from there. All in all, My Kingdom does not feel like a complete film, but rather an episode of happenings here and there. The plot is unbelievable and the acting is non-existent. Barbie Hsu has done better works and even the action sequences directed by Sammo Hung cannot save this Kingdom from sinking into hell… Neo rates it 3/10www.thehkneo.com

Gao Xiaosong's "My Kingdom" is set in the 'glamorous' world of Chinese opera, with the main part of it based in the tumultuous period of 1920s Shanghai. With Sammo Hung touted as action director, many would expect hot kungfu action - and many would be disappointed. There is a mixture of genres here, part costume drama, part soap opera, part kungfu flick and with a touch of romance. Those who like twists and turns in the plot would like the second half where the vengeance plot starts to unravel.The film opens at the end of the 19th Century, when the Prince Regent of the crumbling Qing Dynasty orders the beheading of the entire Meng clan. Awaiting execution, a five-year-old Meng boy named Er-kui sings an aria. Deeply moved, opera Master Yu Shengying (Yuan Biao) and his seven-year-old pupil Guan Yi-long rescue the boy and the two orphans become as close as brothers. Yu, who wins a coveted golden plaque from the Prince Regent, is challenged to a duel by a Shanghai rival, Yue Jiangtian (Yu Rongguang). He loses and is forced to retire.Master Yu trains the boys as warriors in the Peking opera and when they 'graduate' Yi-long (now played by Wu Chun) and Er-kui (Han Geng) move to Shanghai to reclaim the coveted plaque from Yue, who, together with his co-star Xi Mu-lan (Barbie Hsu), operate an opera show in the British concession of Shanghai.Many important scenes are left to our imagination. Er-Kui's rescue at the opening and his revenge sequences are done in super quick cuts. Actually the 'rescue' scene is non-existent while the revenge scenes are shown in a series of flying dagger shots followed by newspaper reports announcing the murders. The characters are so poorly defined and portrayed that they appear like caricatures. On the opera stage, the main cast of Wu Chun, Han Geng and Barbie Hsu may get away with unconvincing performances, but not when they are offstage.There is no chemistry among the trio and the 'brotherhood' of Yi-long and Er-kui smacks of 'Brokeback Mountain' at times. Wu, Han and Taiwan magician Loius Liu Qian were obviously chosen for their looks. However, the biggest miscast is of Liu Qian as General Lu. His performance sticks out like a sore thumb as we would be wondering how he manages to be a police chief at such a young age.As for Sammo Hung's kungfu choreography, we get two: one at the start of the film between veterans Yuen Biao and Yu Rongguang, and a climactic duel between Er-Kui and Mu-lan in a wine cellar which is more dramatic for its wine spillage than the action. On the plus side, the locations and sets of Shanghai look lavish and fabulous. Ditto that for the opera costumes and music score. (limchangmoh.blogspot.com)