Lack of good storyline.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

.Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

My Favorite Duck (1942) **** (out of 4) One of the all-time greatest animated shorts finds Porky Pig going out to the country for some rest and relaxation but instead he runs into Daffy Duck who wants to make sure that pain and torment is all he gets. MY FAVORITE DUCK is without question one of the funniest animated shorts ever made because there's just so much great action and I'd argue that neither Porky or Daffy were ever better than what we get right here. It's hard to pick out one or two favorite scenes because the entire short is just one bit of greatness after another. If I was forced to pick a highlight it would probably be the sequence where Porky finally snaps, burns to a crisp and then starts his revenge. The film manages to be downright hilarious at times and the level of violence is just priceless.

Visually this is much more like a cartoon from the late 40s rather than 1942. It shows the way for the future, refined Chuck Jones style. The long perspective shots and the stylized backgrounds are rare for that time and the timing and nature of the dialog is unmistakably Chuck Jones (his first cartoon with writer Michael Maltese). If it wasn't for the early loony trickster characterization of Daffy this could easily be mistaken for a release from '49 or '50. Daffy also tries to exploit "duck season" as he would ten years later with Bugs in the "Duck Season/Rabbit Season" toons. Don't miss this one! It's on volume 6 of the Golden Collection and, for the first time in many years, you can really enjoy the full impact of the color scheme.

This is an amusing cartoon, which (as was pointed out in another comment on this thread) was taking a typical Bugs Bunny - Elmer Fudd situation ("Peace and welaxation at wast!", said Elmer in one very similar earlier cartoon), using Daffy Duck and Porky Pig as the alternates. At this point in time (1942) Elmer was still in a period of change in shape and features, sometimes fat and sometimes with a red pickle shaped nose - and sometimes referred to as "Egghead". But Porky Pig's basics had been laid down by the late 1930s (originally he too was immensely fat, but gradually his rotundity was made more acceptable). Daffy and Bugs went through alterations too, though not as extreme as Porky and Elmer. Both the duck and bunny were anarchistic and malicious, but Bugs had demonstrated a cleverness and control over the world that lasted until the end of every cartoon. Bugs is a master of his universe (much to the discomfort of such foes as Elmer, Yosemite Sam, Wile E. Coyote ("Genius"), and the Tazmanian Devil. Daffy due to personality problems never is such a master, and the conclusion of this cartoon demonstrates it.Porky is going on a hopefully restful vacation in the wild, but he finds Daffy tagging along to annoy him at every possible moment. This includes preventing him from putting his tent up anywhere on land, and even stealing his food. But the real ace up Daffy's sleeve for most of the cartoon is that it is not Duck hunting season, so nothing can be physically done to harm Daffy by Porky in retaliation for what Daffy has been doing.It is a good trick - unfortunately it doesn't last. Daffy suddenly finds that it is now Duck hunting season, and (moreover) he in particular is to be targeted for destruction. Daffy finds he is in serious danger from an enraged Porky.The ending of the cartoon was actually slightly reused years later in a Bugs - Yosemite Sam cartoon, where the film seems to break and we are unaware of what happened to the two characters. It is symbolic of Bugs mastery of his universe as opposed to Daffy's attempt at mastery that Bugs gets the better of Sam, while Porky gets the better of Daffy.

In this cartoon, Daffy hasn't "grown up" yet. He doesn't have the character flaws like greed and vanity we came to love; he's just a troublemaker, another tool for the artists to use to explore their craft.And explore they do! Gravity, point of view, and finally, even the "reality" of the cartoon itself are discarded, each for precise comic effect, thirteen years before the classic `Duck Amuck' did it.They even use music in unexpected ways. An often-missed gag revolves around the songs assigned to each character. For Porky, it's a peaceful "Moonlight Bay", an old song, even in the 1940's. Daffy sings the more current swing piece made popular by Cab Calloway, "Blues in the Night" (My Momma done told me, when I was in knee pants).Each song helps to define the characters, so you don't think it's unusual for them to be singing as they go about their business, but Porky accidentally starts off Daffy's song, reacts, then corrects himself. "My Momma done told me ... nghhh! ... We were sailing along". He looks directly at us to register his annoyance as he realizes his mistake, just in time for us to realize we've been set up.It's not only a hilarious cartoon; it's an example of animation stretching the limits of the medium as both an artistic and comedic exercise.