Good movie but grossly overrated

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

An old-fashioned movie made with new-fashioned finesse.

Per IMDb, this is Day's second movie. Since I know her mostly from her work in the 60s in movies and TV, it was fascinating to see her a bit younger in a 1949 flick. Full disclosure, I am a huge Doris Day fan. Her sweet and sometimes sassy personality combined with her beauty and voice strike the troika of near perfection for me.I am not a big fan of "musicals" but this one was entertaining. The music was blended smoothly into the movie and advanced the plot. Day had great chemistry with the other actors, and I found myself rooting for her and her agent and pulling for a happy ending. This movie had a 50's-60's feel to me, a little ahead of its time. I enjoyed being immersed in the culture of 1949. I was also surprised that I did not find Day as attractive at this age as I found her when she was 10-20 years older.I suppose this is a pretty traditional drama/musical for its time and not particularly groundbreaking, but I found it entertaining, unexpectedly so.About my reviews: I do not offer a synopsis of the film -- you can get that anywhere and that does not constitute a meaningful review -- but rather my thoughts and feelings on the film that hopefully will be informative to you in deciding whether to invest 90-180 minutes of your life on it.My scale: 1-5 decreasing degrees of "terrible", with 5 being "mediocre" 6- OK. Generally held my interest OR had reasonable cast and/or cinematography, might watch it again 7 - Good. My default rating for a movie I liked enough to watch again, but didn't rise to the upper echelons 8- Very Good. Would watch again and recommend to others 9- Outstanding. Would watch over and over; top 10% of my ratings 10 - A Classic. (Less than 2% receive this rating)

A considerably reworked remake of "Twenty Million Sweethearts" (1934), this one features Doris Day in the Dick Powell part. Most contemporary critics found it disappointing after Romance on the High Seas, but there are plenty of songs (even if there are no musical production numbers at all – let alone Busby Berkeley set- pieces). Most contemporary critics also complained that the script lacked wit and originality. Frankly, the lack of production numbers didn't worry me. The songs themselves are put over with a great deal of verve and bounce – with the exception of the Lee Bowman numbers which are delivered at a slower pace but sung quite pleasantly by Hal Derwin. Doris Day handles herself with the same pep and confident charm she displayed in "Romance on the High Seas". As for the script, I found it very amusing. True, the plot is old-hat, but it makes a good vehicle for witty lines. Furthermore, there are so many inside jokes, that it's a real fun picture for those of us who know our Hollywood. For instance, the guy who pesters Carson for money is his real-life brother, Robert. In real life, of course, it was the other way around. And I love the bit when Doris Day's "Martha Gibson" is so anxious to meet a radio talent scout at her uncle's bar that she brushes aside one of Hollywood's greatest directors, William Wyler! And how about when Doris is gonged by Ray Heindorf (here playing a night club owner) and Carson advices Doris to take no notice: "That guy is tone deaf!" In another sequence, Curtiz himself can actually be glimpsed – smiling yet! – behind Carson's right shoulder at a radio rehearsal. Unfortunately, the film comes to a good climax when our heroine finally breaks into the big radio time – but, alas, it doesn't end there but continues for a sluggish twenty minutes or so in order to tie up all the romantic loose ends. This last portion of the film deserved to be considerably trimmed. Also rather uninspired, in my opinion, is the very well thought-of cartoon sequence in which Carson and Day cavort in juvenile Easter Bunny outfits with a technically mediocre and harmlessly unfunny Bugs Bunny. The song for this sequence, "Freddie, Get Ready", was easily the least tuneful in the whole movie. I really enjoyed all the others and – as I said above – Doris Day both sings and acts with presence and charm. She gets great support from Jack Carson and the rest of the cast, particularly Eve Arden, S.Z. Sakall, Lee Bowman, Edgar Kennedy, Sheldon Leonard and Franklin Pangborn. Menjou is only moderately effective (and despite his high billing, his role is relatively small). Curtiz's direction is certainly admirably polished. But, aside from a long take in Menjou's office, it is technically uninventive – but that's the way most fans like it!

Warner Brothers made two very, very similar films--one after the other and with the same two stars. In fact, they are so similar, I could easily see viewers confusing the two pictures. "My Dream is Yours" and "It's a Great Feeling" BOTH star Doris Day as a young woman hoping to be discovered and a fast-talking guy, Jack Carson, promises to make her a star. However, "It's a Great Feeling" is more of a comedy and "My Dream is Your Dream" is a bit more of a romance. Both are about equally good in my opinion.Martha Gibson (Day) has a lovely voice--and Doug (Carson) is determined to try to get her on the radio. However, again and again, Doug is either unable to get her an audition or folks insist she must be a 'name' before they'll put her on the air. Eventually, Doug is able to get Martha a break--when Gary (Lee Bowman) shows up drunk for his show--and after that, her career takes off. But, one problem persists--she's a single mom and Doug insists on finding her the perfect man.Towards the end of the film, there is an odd animated sequence where Bugs Bunny, Tweety and a bunch of birds appear. Even odder are Day's and Carson's outfits and choreography for this sequence. Unfortunately, the sequence falls flat, as there were much better live-action/cartoon hybrids from the period--such as with Gene Kelly dancing with Jerry Mouse or Esther Williams swimming with Tom and Jerry. This one in "My Dream is Yours" just seems pretty pointless and unnecessary. Fortunately, although this slows down the film and isn't needed, the acting and singing are good throughout the film and it is enjoyable and worth seeing. It won't change your life, but it's nice.

One of the best of Doris Day's early Warner Brothers films is My Dream Is Your's. In this one she's a World War II widow with a young son who is also a singer looking for a big break in radio.In a sense My Dream Is Your's was dated before it hit the theaters in 1949. That thing known as television was starting to spread across the land and someone looking for a break in radio that year would have had to have one's head examined. As many of radio's top personalities were moving to television, there were more opportunities in radio than ever before.This film was done at the tail end of radio as it ended its thirty year run as an entertainment media. It took several years for radio to redefine itself as a news/entertainment media that it is today. Still the plot is a nice one.Doris has two men to choose from here, an egotistical radio singer that makes the ladies swoon as Frank Sinatra did played by Lee Bowman and a talent agent who discovers Day and sticks with her played by Jack Carson.Some of Doris's finest words of praise about her co-workers in her memoirs were written about Jack Carson. This part may have been closer to the real Carson than the usually egotistical blowhards Carson took a patent out on in Hollywood. Doris went out with him a few times in her early days at the studio and she describes him as a sweet, kind, lovable man who unfortunately drank a little too much. Her scenes with Carson show the real affection she had for him though.Harry Warren made a return visit to the studio where he wrote so much lasting movie music in the Thirties. He wrote the title song which sold a few platters for Doris back in the day(no pun intended) and a few other new songs. Several of his old songs got into the film as well they should because the studio owned them already. One was a nice ballad called I'll String Along With You that Dick Powell introduced and Doris sang as a lullaby to her son. That record also sold pretty well for her. The new songs had lyrics by Ralph Blane.Jack Warner, not to be outdone by Louis B. Mayer, got a couple of his animated stars to appear in My Dream Is Your's with Day and Carson the same way Jerry Mouse danced with Gene Kelly in Anchors Aweigh. It's done in a very charming child's dream sequence and not to be missed by animation fans of that wascally wabbit known as Bugs Bunny.My Dream Is Your's also boasts one fine set of character players, as good as you'll find in any film. You can never go wrong with a film that has Adolphe Menjou, S.Z. Sakall, Eve Arden, and Edgar Kennedy all at their finest. This was in fact the farewell film for Edgar Kennedy and you can see how ill he is in his scenes as Doris's uncle.Maybe if My Dream Is Your's had been done a year later we would have been talking about Carson getting Day a break on television. But the film would have been just as good.