SERIOUSLY. This is what the crap Hollywood still puts out?

By the time the dramatic fireworks start popping off, each one feels earned.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

While it doesn't offer any answers, it both thrills and makes you think.

Are you familiar with the character "Geordi" on Star Trek the Next Generation? He's a blind character on the Starship Enterprise, Chief Engineer. The problem? He just happens to have a visor that enables him to see perfectly, so he's basically no different from a sighted person. Just a gimmick with a goofy visor.Similarly, in "Music Within", we get a supposedly deaf man, but after a 12-second montage of him learning to read lips, he is absolutely "normal". He understands people just fine (even when their backs are to him), and when they speak to him he looks them in the eye, not the lips (major oversight by actor Ron Livingston). And just like Geordi's visor, he has a mysterious device strapped to his telephone that makes him able to understand everything perfectly (even though we're repeatedly shown that $1000 hearing aids don't work for him).Why am I making such a big deal of this seemingly insignificant point? Because it undermines the supposed message of the whole story: that disabled people are exceptional *in their own right*. By making the lead character a deaf person who can hear, by making Geordi a blind man who can see, Hollywood glosses over the reality of having a disability thereby reducing it to trivial.And that's my gripe with this movie; it's has a very "ABC Afterschool Special" feel to it. The producers tackle a difficult subject but only superficially. Just enough to give us a rousing feeling of warmth.Is that warmth, or is that just my colostomy bag springing a leak again? Sheesh.Like several other reviewers, I give this movie a thumbs up for a great subject, but I give it a thumbs down for its clunky, superficial and slightly hypocritical presentation. The whole thing feels somewhat contrived.The scenes showing discrimination are cartoonishly brutal, and it makes you think everyone in the 70s was a tactless creep. I was alive in the 70s, and while I fully agree that disabled people were overlooked, I never noticed the outright hatred that is portrayed in this film. And we're supposed to believe that the American Disabilities Act suddenly made people tolerant & friendly? That's a little too black&white for me to swallow.On another note, I agree with what another reviewer said about casting Ron Livingston as Richard Pimmentel. The real Richard Pimmentel is a heavyset man. Why couldn't the producers cast someone who weighed 280 lbs like the real Pimmentel? Or did they themselves discriminate based on looks? Sheesh.One day Hollywood will make a movie about disabled people and cast REAL disabled people. Until then, I won't be impressed by any lofty message they're trying to impart. We can applaud Michael Sheen all day for his portrayal of a man with Cerebral Palsy, but somewhere out there is an actor with real CP who's out of work because directors figure he's too much trouble to work with.

I ask because, if that is the actual Pimentel giving the speech in the included extras then it's pretty clear that the director intentionally cast someone much "better looking" by Hollywood standards than the real person to play the part; which really undermines the message. As one who hates discrimination, including discrimination against those who don't look or act "normal," I find it really sad that even a film about combating discrimination could not have as the central character someone a bit overweight. As if an audience would not buy the message if it were delivered by someone not "handsome" enough. The movie has a great story line, progress towards equality and opportunity win me over every time, but that casting choice kills it for me. On the other hand, if that is not the real Pimentel in the extras, and Ron Livingston does look like him, then I do recommend this.

The Americans with Disabilities Act (ADA) prohibits discrimination against qualified people with disabilities in employment, transportation, public accommodation, communications, and governmental activities. This act was passed in 1990.Ron Livingston is Richard Pimentel, born in the late 1940s, and who always had superb oratory skills for his age. He is widely credited with being instrumental in having the ADA established. Richard had been in Viet Nam and there had his hearing destroyed by a close-range blast. Trying to "find his own voice" in life, his own "music within", he eventually realized that it was to help the masses of disabled veterans and then all persons with disabilities.Rebecca De Mornay is good as Richard's Mom, who suffered from numerous miscarriages and ended up in an institution. Hector Elizondo is good as Dr. Padrow, the professor that told Richard as a young man, go out and find out what you really believe in. Australian Melissa George is good as Richard's girlfriend Christine who found it difficult to get attention away from Richard's causes.Good movie, well-paced, of a person who has been instrumental in a key chapter of US history, providing equal opportunities for the disabled.

What a masterpiece this is. I luckily got to see it and boy, the first thought that came to mind after seeing this movie is 'this ain't any less than The Shawshank Redemption'. Undoubtedly one of the most (under-rated) inspiring movies I've ever seen. The direction by Steven Sawalich is excellent and three lead characters Ron Livingston (Richard Pimentel), Melissa George (Christine) and Michael Sheen (Art Honeyman) did full justice to their roles. Special mention of Michael Sheen who played Art Honeyman in this movie is fantastic. In the very first scene of his, he catches your attention when he tries to open the Coke bottle. His characters is way too funny with perfect one line dialogs, for example when Richard gives Art the draft of the book he has written (to read and comment), Richard asks in between (while Art is reading the book in the toilet) "What page you're at?" to which Art replies "I'm at the page shut the f*** up". This also shows the kind of special bond shared by Richard and Art. I rated this movie a perfect 10/10. Do your self a favor, watch this masterpiece.