I like the storyline of this show,it attract me so much

Very well executed

Excellent, Without a doubt!!

The film never slows down or bores, plunging from one harrowing sequence to the next.

Ferrara's Ms. 45 is a well executed movie about rape and revenge. The genre "rape and revenge" movies is no genre I like because it's dressed as a "feminist" take on women's way to handle rape but it's more the male directors way do exploit women by showing nudity and exploit violence to show blood. This movie is not the case which make this movie very good. It might be shot in 1980 but they really made a exploitation movie about rape and revenge in a fair way. This movie contains a plot beyond the rape and beyond the revenge to give it a bit more depth which is important. The movie might be short but it has a interesting story line. The use of the victim as a mute woman amplifier the voice of a woman in society, our voices are not heard and especially when it comes to rape and abuse against women. The rape scenes are not sexualised as in most RR movies, actually this whole movie contains no nudity of either men or women at all which is very good. It's more focused on the trauma of the act. The script is very good and Thana's muteness gives the story a very important symbolism. If you are interested in the RR genre don't watch any other film than this one because this one is actually the only one that portray the act of rape and the psychological trauma of it and the revenge of it in a fair way, without exploiting women to the degree that the movie itself become the sleazball that the men in the movie act like. Full of symbolics for female oppression and male domination and how our society is formed to not be suited and safe for women that adds depth to the movie. If it wasn't for the great script and even the acting that really made an impression (Zoë Tamerlis was so good and just about 18 years old) on me the movie wouldn't be so popular till this day but this movie appeal to an audience 36 years later and that's impressive! 99/100 recommend!

'Angel of Vengeance', or 'Ms. 45' as it is better known, this early career urban drama from Abel Ferrara follows a mute woman who becomes mentally unhinged after being raped both on her way home and upon arriving home after startling an intruder. Hardly ever smiling and conveying all emotion through her expressive eyes alone, Zoë Lund is superb in the lead role and the film gets off to a strong start as she initially takes a semi-rational approach to the double rape. Having killed the second rapist, Lund dismembers the body in a darkly comic manner, carrying it out of her apartment in bits and pieces. These early scenes come with some neat horror touches too, like Lund imagining blood and guts coming up from the drain of her bathtub, and as alluded to, the first half of the movie is quite strong. The second half though pushes the boundaries of both credibility and audience sympathy as Lund goes from accidentally shooting a man who followed her down a dark alleyway, to viciously killing all men who try to pick her up, to going out of her way to seduce and then murder as many men as she can lure. Understandably, she is meant to be psychotic by the end of the film, but she also becomes complete unsympathetic as she starts seducing men just in order to have victims, all the while using the one gun with a seemingly inexhaustible supply of bullets (!); plus, she is a perfect shot every time. The final attack scene that the film builds up to nevertheless needs to be seen for itself and there is something to be said for the film giving the revenge thriller formula a feminist spin.

Ms.45 is a low budget flick from cult director Abel Ferrara. We are back to the seedy streets of late 1970s/early 1980s New York where lurking in every corner are rapists, muggers and assorted bad guys.Zoe Lund plays Thana, a mute seamstress in the garment district who gets raped twice in one day and slowly goes mad and goes hell bent on a revenge spree very much in the vein of Death Wish and The Exterminator.The plain looking Thana transforms to a more erotic looking vixen as she actively seeks out men to punish, hence why she is Ms .45 because of her gun.The climax of the movie is a fancy dress party where even men genuinely interested in Thana's well being are in danger as she loses all control.The version of the film I saw had been cleaned up for Blu Ray, although the grimy New York of the time only got cleaned up by subsequent Mayors of the city who realised the value of the tourist dollars.The film is rather raw, some of the acting is uneven. Zoe Lund is a marvel as the vulnerable Thana.Abel Ferrara was well known in the early 1980s for his video nasties but that label is unfair to him. He really did make the best he could with meagre resources, genre films with a feminist bent.

This goes straight in my list of great cult items. The good news is that it's not just great exploitation, it's an intriguing little thing in general. It's all about sensuality of course. The famous poster announces as much upfront. A mute young girl is raped, in one of those mad exploitive strokes twice the same day, freaks out and goes on a killing spree around New York. But the whole thing has less to do with Death Wish with its implacable morality and more with something like Taxi Driver or Carrie, situated closer to the eye than the world.The metaphor used to convey this, a wonderful one, seen in the opening scene where she models a dress for a buyer, is that when she moves the material seems to flow around her. So we are tethered to her as she moves through the world, ripping the seams. Things flow around her, mostly lusting men. A street hoodlum chases her. A photographer invites her to his studio for pictures. A Saudi oil sheik picks her up in a limo. In a bizarre scene, she executes four or five gangbangers one of whom has nunchucks! Her boss is really kind with her but he obviously wants more.It's all a bit unreal seen through her eyes, many hazy shots and fades. And it's all kept in a simple comic-book style, not as we know the term now but as it was meant before the movie craze and big dumb stuff like Tomb Raider, a quick sketch.The climax is astonishingly effective; it happens in a Halloween party so we can have this unusual fabric of disguised men and charged atmosphere, herself dressed as a sexy nun and just tears everything, slowing the time into epileptic strobe, heightening images, the most startling of those being a man dressed as a bride who as she kills, the veil and wig fall of his head and hang on a door, severing as it were the purer image from the taint.Ferrara would extend a few of these notions in his more ambitious Blackout, but this is probably better.