I like the storyline of this show,it attract me so much

To me, this movie is perfection.

one of my absolute favorites!

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

*************READ THIS ONLY IF YOU HAVE SEEN THE MOVIE AND WANT TO UNDERSTAND IT. IF YOU ARE SCRATCHING YOUR HEAD ABOUT THE ENDING YOU REALLY NEED TO EXAMINE YOUR OWN LIFE****************Not to be rude or condescending....so sad how people try to make sense of this film in the most nonsensical way!!! People, it doesn't matter what is in the suitcase (were you waiting to the end to see what was in it to make it complete)..... The meaning of the movie is related to leaving things behind and moving forward. (Try it sometime it will make your life better)The suitcase "symbolizes" baggage from the past that needs to be thrown in the deepest, darkest, furthest hole so then one can move on. One has to give himself/herself time to move on. It is a "journey" (Hint: SPOILER .....Road Trip.... )and in the end you have to throw everything away in order to move on. That is all! Don't look for no action or any answer about what was hiding in the suitcase. The entire movie is about that moment when Mads throws the case away. (Again rinse and repeat...try it your life will be better) Thanks for your time and feel free to comments please !

For the life of me I don't understand why this movie has such low ratings. I truly enjoyed it. I couldn't care less about the producers' intention and whether or not they are advertising something. If they manage to do so through this superb film, good for them. What matters to me is the effect the whole journey has on me as a viewer, and this was something rather addictive. I just couldn't get enough of these road trips.Professional as the character is, his mission is not without danger. He is not exactly Frank in the Transporter movies, nor is he Jason Bourne, nor James Bond on a recovery pursuit, although he is a little bit of all of them. It seems so sad to me that people expect a purpose out of it all. It's not the end that matters, it's the journey in itself. Had that case ended somewhere else, I would have been worried and disappointed. By the looks of it and all the technology and secrecy that are involved, we can have a pretty good (or maybe a rough idea) of the contents of the case, and if it is what I think it is, where would we want it most than on the bottom of the most unfathomable hole? This film is like a song playing through lovely European scenery, with cars, smart phones and precise instructions almost lulling you to sleep despite the urgency of the whole trip. And if I got it wrong, if I got it all so wrong and this is only a piece of crap, there still remains one strong element which makes it all well worth watching: the incredible presence of Mads Mikkelsen. But do I really need to mention this?

I had no idea of the concept of this movie, having just plucked it from the Mads Mikkelsen back catalogue, and I have to say I was pleasantly surprised. I liked the central character, and there was just enough information and pathos (being generated by Mads) to make him both sympathetic and intriguing. The cinematography was excellent, the pace was brisk but always unpredictable and the car chases were great. I particularly liked the Hungarian section, from the moment Mark hit the deer with his car to the moment he drove his mended car from his kind host's house, I was in heaven. My only real criticism was I would have liked a few more of those human interactions, and perhaps a bit more of a flavour of Mark's past somehow. Nice movie, crisply made, entertaining and a great ending that just left me laughing out loud with wtf appreciation - as a big fan of the existential payoff!

Road movie is a long-time genre, and there are usually 2 types of them: a) a merry company is willing to experience new people and places b) a single person is willing to find his or her inner self or something/someone missing. For this matter, Move On is different, as the leading character has a task to fulfill (rather dubious one), but unintended changes in plans bring him into novel places and novel situations. The distances are long, and thanks to Europe's not-so-large-area, we see a lot of wonderful landscapes, towns and events - as the film is project-based and contains inputs from different views.And in the center of all this - a magnificent Danish actor Mads Mikkelsen, who is most of the time alone on the screen, are there are not many actors who could fill out the course of events, so you are not feel bored and try not to notice evident flaws and gaps in the plot, uneven run of the latter. Yet, there were some twists and gripping chases, but particularly due to Mikkelsen's performance, I can give strong 7 points to this film.PS To those who saw Move On as a car commercial - it would have ridiculous to hide symbols on the cars :) For me, product placement was not conspicuous, I was focusing on other elements.