Best movie of this year hands down!

It is a performances centric movie

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

The three couples in S.M. Vasanth's Moondru Per Moondru Kadal are Varun (Vemal) and Anjana (Lasini), Guna (Cheran) and Mallika (Muktha Bhanu), and Harris (Arjun) and Divya (Surveen Chawla) — and the film depicts their knotty love stories over three landscapes: the sea, the hills, and the flat terrains of a city. The film is nothing like the Tamil cinema we see today. We are introduced to the first couple, Varun (Vemal) and Anjana (Lasini) in a beautiful hill station. Varun, who is a chartered accountant, meets and falls in love with Anjana, who is also a CA working in his father's office. Unfortunately, she is in love with someone else and is already engaged. The story of the second couple Guna (Cheran) and Malliga (Muktha Bhanu) is set in a small town by the seaside. Guna is a social activist who runs an organisation that helps ex-convicts to start a new life. His dedication and sincerity for his work leaves him no time for love or marriage, thus shattering the dreams of poor Malliga who is in love with him.

It's a good lovable film, and a good entertainment for all time peoples . And it is a comeback film for the director after a gap of six years. It has to be noted that Vasanth's movies have often generated curiosity for content and characterization. The movie is slow paced though it is tastefully made. It is interesting to see how the younger generation views such stuff. One would wish that Vasanth could have added some exciting element to the fare to keep the audiences' interest throughout. The title (Moondru Per Moondru Kaadhal) of the film tells, The movie revolves around three couples and the locations of each of their love stories vary from the Hills, the Seas and the Plain lands. The film covers three landscapes Kurinji (mountain), Marudham (agriculture fields) and Neidhal (area surrounding the sea). What is that one thing that brings all of them together is the interesting part of the story. Once again, Vasanth excels in creating characters. I thank Yuvan, the music by Yuvan Shankar Raja gives more grace for 'Moondru Per Moondru Kadal'. The beautiful lyrics of songs such as 'Kadal endan Kannada', 'Aha Kannada' and 'Mazama Mazama' work wonders and keep you engaged in movie.

After a six-year sabbatical, director Vasanth returns with his new film Moondru Per Moondru Kadhal. The film stars Arjun, Cheran, Vemal, and Muktha Bhanu along with newcomers Surveen Chawla and Lasini in the lead roles. Director Vasanth's son Ritvik plays a cameo role, supported by Apppukutty, Sathyan, Thambi Ramaiah and John Vijay. Bhojan K Dinesh handles the cinematography and editing is by S N Fazil. The film opens in the year 2016, with actor Vemal narrating incidents that occurred in the lives of these couples over the last few years. Thus the entire film is in the form of a narration. The first couple's - Varun (Vemal) and Anjana (Lasini) - love story is set in a serene hill station. Varun is a chartered accountant who falls in love with Anjana, who in turn is in love with another person and is engaged. The second couple's - Guna (Cheran) and Malliga (Muktha Bhanu) - love story is set in the seashore. Guna is a social worker who helps ex-convicts to start a new life. He does not have time to fall in love or get married, but Malliga falls in love in with him. The location for the third couple's - Harris (Arjun) and Divya (Surveen Chawla) - love story is the plain lands. Harris is a swimming coach who trains his student Divya. They both fall in love with each other, but there is some twist in their story which is unfolded as the film's story progresses. The music by Yuvan Shankar Raja is the saving grace of 'Moondru Per Moondru Kadal'. The beautiful lyrics of songs such as 'Mazhai mazhai' 'Kadal endan kadal' and 'Aaha kadal' work wonders and keep you engaged in movie. The Story was taken in a spectacular way, very impressive.Amazing choreography, the song "Stop the Pattu" is good,after a long time people got an opportunity to enjoy a movie with their family members.Each and every scene is premeditated in a brilliant manner.

"Aaha kadhak konchi pesutha" The album opens with a beautiful raga-rock tune. The contrast is beautiful with the singer's carnatic intonations while the backing band supports her with a bluesy groove. A particular portion of the melody does seem to lead towards a popular Ilayaraja tune 'Entha Poovilum Vasam Undru' but goes elsewhere. The singer Nandini brings a delightful and authentic feminine personality to the tune with her voice and performance. The orchestration includes interludes that feature violin, accordion and flute segments, giving it a refreshing feel of an 'early morning song'.Overall, the album might have been described as 'post-modern' by the director, but it's an easily approachable album where each listener can pick a different track as their favorite. Yuvan Shankar Raja does things his own way, and does it mighty good! Yuvan wins bragging right for being the first to bring dubstep to Tamil film music.