Strong and Moving!

The film's masterful storytelling did its job. The message was clear. No need to overdo.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Luna de Avellaneda, a social club in a working class district of Buenos Aires has seen better days. In fact, we are given a short peek at the place in another era. The club was full of life, a crowded place where people went to have a good time and mingle with friends and neighbors. That look to the past happens during a night when a sort of fair is going on. That is the night in which Roman comes into the world as his mother, attending the feast, gives birth to him in the club house. As a gesture, Roman Maldonado is made free member for life. Roman's fate was sealed the night when he was born. His love for the institution will never die.When we next come to the club, years have gone by. In fact, seventy years the club has been in existence. Sadly, Aquiles, founder of the Luna, and the board of directors are told they owe forty thousand pesos in back taxes they neglected to pay. Roman, now active in the affairs of the Luna, goes to the municipality to find out what can be done. One of the problems is the dwindling membership and people not socializing as before. Alejandro, who is a member of the club has received a proposal from someone interested in developing the site into a sort of amusement park which will employ 200 workers from the club. What Alejandro proposes is to sell their beloved Luna where he stands to make a handsome profit.It is the end of an era. To complicate matters, Roman's marriage has reached an impasse. His wife Veronica, a school teacher, wants a separation. Dario, his son, wants to leave the country to go to try his luck in Spain. The place is crumbling and no one knows the solution to bring back the Luna of Avellaneda to a semblance of what it was.Juan Jose Campanella, co-wrote and directed this film that is laden with symbolism. One can see the parallel between the Luna and the country, Argentina. Both have seen splendor, but alas, both are going through difficult times. The back taxes from the social club stands for the money the country owes because in spite of having the potential to be great, not much is being produced. Dario, the young son of Roman, like some of his contemporaries want to leave to seek a better life, in his case to Spain, only to see the dream probably ending at present because of the high unemployment in Spain. Loyalty, as well as nostalgia, are two of the themes that come into play. Only Roman and a handful of members vote to keep the club going. Ricardo Darin is an actor that always gives his best in everything he appears. He shows he can carry a picture as he has proved with "Son of the Bride", "The Secret in Their Eyes", "El mismo amor, la misma lluvia", all directed by Mr. Campanella. Mr. Darin is a welcome presence in any film in which he decides to appear. He shows a special understanding with the director.Mr. Campanella always include Eduardo Blanco in his films. His Amadeo is not exactly one of his best creations and the way the character is written it does not make much sense, but he is around to give the picture some sort of comic relief. Daniel Fanego, Mercedes Moran, Valeria Bertuccelli and the late Spanish actor Jose Luis Lopez Vazquez do good work for Mr. Campanella.

A group of people from a neighborhood come together in the midst of their many troubles in order to attempt saving a sports and social club which they have been a part of for most of their lives. Things get complicated as the economy takes a hit and people fight through their own struggles on the side. Juan Jose Campanella places us, the viewers, right in the middle of the many problems which exist in the lives of all the people who share the commonality of being on the board of the CLA. Each one of the characters is both emotionally torn due to family or relationship issues, and in big financial need. Although the club is a large part of the reason for so much financial instability, it also seems to serve as the fountain of energy and inspiration for all of the characters. The story demonstrates clearly how society has changed and how difficult it is to move past economical issues, even when it means throwing a lifelong tradition to the side. Furthermore, it does paint a beautiful picture of finding hope and passion in the memory of how things used to be and how they could be once again with some time investment and sacrifice.

DON'T MISS THIS BEAUTY! This is, first of all, a first-rate film and probably one of the best movies to be remembered in the 21th Century. On the other hand, it certainly is Juan Jose Campanella's BEST film till now (his last of three). You simply cannot get any better than the acting (absolutely everyone!). The film is, true, very local. It depicts a very special segment of a nearby Buenos Aires (Argentina's Capital)city, the city of Avellaneda. The perfect dosage of drama and comedy (up to the hilarious, at times) mixed by Campanella is stunning. Probably, this film will be much more felt and appreciated by those living around the "Cuenca del Plata" ("River Plate Basin"), i.e. Montevideo (Uruguay), Bs.As. (Argentina) and Asuncion (Paraguay) where I was born and live. Ricardo Darin is simply put, one of the around eight best actors in the world, just like that. Some of the best moments are just a close-up of his face switching from doubt to joy with a smile and eyes getting wet. Furtheremore, I strongly recommend the DVD since with the Director Commentary on, Campanella talks profusely about his film, all along, with every possible technical detail of both his director and his writing. I wouldn't know whether the Director's Commentary is included in a USA or non-Latin America issue.

Campanella is the kind of filmmaker that will always try to reach your human side, that will try to get through you by your heart not by your head. His stories have some kind of infallible tenderness, something that goes beyond the fact that you can feel identified with a character or with a certain situation; a tenderness that's universal, that is the same for all man kind. "Luna de Avellaneda" is not at all the exception to the rule: it's just another Campanella movie. A simple plot, with simple characters, very familiar places (maybe too familiar) dialogs that can mix really damn good trivial elements with deep ones, and smart humor, all these things, create the big panoramic picture of what this movie is. Great cast (Darín, Morán, Blanco mostly) and great production (for an Argentinian movie) do the rest. Then, all you have to do is sit and enjoy this happy go lucky movie, where every bad is eclipsed by some great good, and everything is just there to reveal you a lesson to remember, an that's to keep hope, and to hold on to things that matter although time may pass them by."¡Bancate al amor!"